57 pages • 1 hour read
Cormac McCarthyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Suttree is the titular protagonist of this novel. He is an intelligent and well-educated man who chooses life without permanent housing after getting out of prison. Suttree embraces radical self-sufficiency and autonomy by rejecting traditional standards of societal norms, such as jobs with institutions and cozy family life. Suttree maintains his humanity through compassion for others. He checks in with various companions across Knoxville, making sure they’re alive and have someone to listen to them. He spends his time fishing and walking through Knoxville, unsure of what the next day will bring. He sometimes gets too drunk with his friends and agonizes over his life. He finds himself drawn to churches but rejects religion and faith. Suttree is an imperfect protagonist. He is dismissive of women’s feelings, abandons his child, and bitterly resents life. Suttree’s imperfections make him an everyman character. He is relatable in his depression and his existential crises. He doesn’t try to hurt others and shows empathy to most people. Suttree finds little worth in himself and in his life. He struggles with mortality but knows he will not die by suicide; rather, he waits for death to find him. Suttree is on his own, but he’s not wholly alone until his friends begin dying, moving away, or returning to prison in the matter of a few weeks. This, and a real brush with death, inspires major character development. Suttree learns how to place value in his life. He learns that he should continue living just for the fact of living, not for other deeper meanings. This frees Suttree to start a new chapter in his life. In removing himself from the toxicity of Knoxville, Suttree frees himself from becoming another corpse on the river.
Gene Harrogate is a young man whom Suttree meets in prison. Harrogate has disturbing proclivities; he is incarcerated for having sex with watermelons, but his first crime was killing a woman by burning her to death in her house. He takes no responsibility for her murder. In prison, Harrogate is a liability. He is not self-aware enough to realize how he crosses boundaries with the other prisoners and causes fights. When he is released from prison, he searches Knoxville for Suttree, on whom Harrogate projects his need for friendship and family. In Knoxville, Harrogate creates a makeshift dwelling but struggles because he has smart ideas but foolish plans. He doesn’t create the same companionship that Suttree does because of his odd behavior and his racism. His prejudice prevents him from making allies. He concocts wild schemes that nearly work, but usually despite his plans, not because of them. Ultimately, all his schemes fail because they are too foolish. Suttree predicts that Harrogate will be in and out of prison for his whole life, and he proves Suttree correct when he is relegated back to prison a mere couple of years after his release. Harrogate has flaws, but he is also a victim of society. He is not provided with any structures or systems that can help him learn how to be a member of society. He rejects society because he is rejected by society. In a poignantly ironic twist, Harrogate sees the beauty of the country around him while he is handcuffed in a train on transport to prison. Harrogate is robbed of a full and humane life by a society that doesn’t care about his rehabilitation.
Ab Jones is a large Black man who owns a meager business with his wife, Dolly. Jones is a special friend to Suttree; they trust one another and Suttree goes out of his way to help Jones when Jones feels low. Jones struggles with alcoholism and a violent temper; he is angry at the world and takes out his anger through fighting others. He wants internal peace, as is highlighted by his seeking out help from Miss Mother. Because Jones is Black, often drunk, and a ferocious fighter, he often attracts unjust attention from the police. Jones is killed through police brutality, a tragic ending for a man whose humor and goodwill are overwhelmed by internal conflicts. Jones is a secondary character whose tragedy helps Suttree find value and dignity in his own life.
The old railway man and the old ragman are people without permanent housing in Knoxville. Suttree consistently checks in on them, regularly making sure that they are alive and have someone to talk to. These men inspire pity, but they are humanized through Suttree’s compassion and friendship. Both have been houseless for a long time and don’t find a place in society’s norms. The old railway man and the old ragman present a warning to Suttree. If he continues to eschew stronger social bonds that accept all aspects of emotion and being, like those offered to him by Wands and Joyce, he risks dying alone and in despair, like them. Nameless and uncared for, the old railway man and old ragman elicit sympathy from readers and emphasize society’s cruel rejection of good people who fall on hard times.
Wanda and Joyce are two of Suttree’s girlfriends in the novel. Suttree has passionate sexual relationships with these women, but he has a difficult time committing to a relationship with them. He pushes Wanda away because he is worried she’ll get pregnant; Suttree has been down this road and it doesn’t fulfill him. He wants to avoid the responsibilities of fatherhood, and he knows that developing a truly loving relationship with a woman can lead to responsibilities, heartbreak, and feelings of guilt. Wanda is characterized through physical descriptions of her body as a sexual object. Suttree is attracted to her childlike joy and her passionate sexual appetite, but Wanda’s feelings and personality are not featured as prominently as her body. Wanda dies in a landslide, which pushes Suttree back into Knoxville’s fetid streets. Wanda’s death is tragic, with her loss Suttree also loses a life full of family and community. Similarly, Joyce is also defined not through her obvious complexity, but through her body. She is an empowered sex worker and is proud of her work, and Suttree has no jealous complications with it either. In fact, Joyce’s work makes her and Suttree a lot of money. However, Joyce’s outward appearance of confidence and sexual prowess is challenged by her emotional breakdowns. Suttree is happy to be with Joyce when Joyce brings him a lighthearted sexual relationship and a new lifestyle, but when she exposes her vulnerabilities, he leaves her. Suttree is a compassionate person, but he doesn’t extend that compassion to romantic partners. This is because he doesn’t want to be vulnerable with a woman as he once was. He has trouble trusting himself and others in family units and prefers women who can give him sexual attention without the ties of responsibility.
By Cormac McCarthy