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57 pages 1 hour read

Cormac McCarthy

Suttree

Fiction | Novel | Adult | Published in 1979

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Background

Biographical Context: Cormac McCarthy

McCarthy was born in Rhode Island but raised in Tennessee. His first novel, The Orchard Keeper, published in 1962, introduced McCarthy’s characteristic sense of place and themes of family, ostracization, and guilt. Since The Orchard Keeper, McCarthy’s 11 published novels have developed his experimental voice and structure.

McCarthy’s first four novels The Orchard Keeper, Outer Dark (1968), Child of God (1973), and Suttree (1979) are referred to as McCarthy’s Southern period. These novels borrow tropes from the Southern Gothic genre, are set in the American South, and share themes of despair and existential struggle typical of Southern Gothic novels. McCarthy’s fifth novel Blood Meridian, published in 1985, is commonly lauded as his masterpiece. Blood Meridian marks the beginning of McCarthy’s Western era. With this novel, McCarthy turns his attention away from the American South and toward the historical American Southwest. It is an interrogation of history and amorality. Following Blood Meridian, McCarthy wrote three novels known as the Border Trilogy series. This series includes All the Pretty Horses (1992), The Crossing (1994), and Cities of the Plain (1998). Although McCarthy’s works were well received by critics of the literary world, he first came to national and popular prominence with the publication of All the Pretty Horses.

McCarthy’s poetic and stream-of-consciousness novels shift into more structured narrative plots with the publication of No Country for Old Men (2005). His 10th novel, The Road, is yet another subversion of genre, this time a twist of the Southern and Western styles with dystopic fiction. The Road won McCarthy the Pulitzer Prize in 2017. Although The Road is a clear example of dystopian fiction, each of McCarthy’s novels deals with humanity as fated for apocalypse and the breakdown of internal and external structures of life and identity.

McCarthy returned to publishing novels in 2022 with the dual publication of two related novels, The Passenger and Stella Maris. Though McCarthy’s genres and styles have changed over the course of his literary career, his experimentations with literary form and his exploration of human ugliness consistently influence the literary world at large.

Literary Context: Southern Gothic Genre

Suttree is a novel from McCarthy’s Southern fiction oeuvre. Influenced by McCarthy’s own life in Tennessee, Suttree exposes society’s most ostracized characters and presents them as sympathetic lost souls who have succumbed to poverty and despair. Suttree is greatly influenced by the Southern Gothic genre. Literature in this genre is set in the American South and feature elements of horror, the supernatural, mystery, and macabre incidents and tones. Characters in Southern Gothic literature are often eccentric.

Gothic literature refers to a literary movement popular in England in the 18th century, developed by authors like Mary Shelley (author of Frankenstein), in which elements of the supernatural like ghosts, vampires, and monsters expose critiques of society. Setting has always been crucial to the Gothic novel. Environments that are identified by shadowy darkness, rain, and foreboding mountains increase the internal tension of the characters.

American Gothic literature became popular in the 19th century, with authors like Edgar Allan Poe borrowing from the English Gothic novel, but with a focus on the monster within the individual. In American Gothic literature, it is society and the individual that are the supernatural factors. Similarly, American Gothic literature focuses on settings as environments of dread and darkness.

William Faulkner is the author most known for developing the Southern American Gothic genre. Writing in the 1920s, Faulkner captured rural and urban poverty, religious crisis, and connection to land as elements of darkness and beauty. Another marker of the Southern Gothic genre that Faulkner’s novels exemplify is dark humor, in which characters and settings are both disturbing and foolish, creating comedic relief. Faulkner’s fiction, set in a fictionalized version of his own Mississippi town, created a new modernist subgenre of American literature. Novels like The Sound and the Fury (1929) and As I Lay Dying (1930) popularized an artistic style unique to the Southern Gothic genre.

Suttree’s prose is influenced by Faulkner. Faulkner wrote in a stream-of-consciousness style, in which a continuous flow of reactions to stimuli from internal and external sources structure the narrative. For example, McCarthy’s narrative in Suttree bounces from one sound, smell, or image to another, in seemingly unconnected order. The flow in McCarthy’s narrative isn’t direct. Instead, his use of stream-of-consciousness helps place the reader in Suttree’s shoes and replicates his perception of the world around him. The human mind does not process external and internal stimuli as a neat narrative thread, and stream-of-consciousness honors that. Suttree also has moments of dark comic relief, most prominently in the character Harrogate. Harrogate is at times an unsympathetic character, and at other times so foolish and pitiable that the reader can’t help but root for him. Harrogate lives a life that typifies The Absurdity of Modern Existence. Suttree is set in the poorer neighborhoods of Knoxville, in which dilapidated and meager housing characterizes the depression of the characters. The external world of darkness parallels the internal world of characters who experience addiction, guilt, and bitterness. McCarthy uses Southern colloquialisms and accents in the dialogue of this novel, cementing Suttree as a culturally Southern novel.

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