logo

57 pages 1 hour read

Jewell Parker Rhodes

Sugar

Fiction | Novel | Middle Grade | Published in 2013

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Themes

Cultural Empathy

The primary theme of Jewell Parker Rhodes’s Sugar is cultural empathy. River Road plantation in Louisiana brings together three distinct cultures: the Black workers who were recently freed from slavery, the white plantation owners who are still in charge but no longer own anyone, and the Chinese immigrants who come to fill the jobs the younger Black workers left behind. Each of these groups is represented by a child or young adult in the novel. In her author’s note, Rhodes writes that “Billy, Beau, and Sugar represent the best of America” (278) because of their willingness to listen to each other, despite their differences. It is the trio’s friendship that best embodies the theme of cultural empathy.

At the beginning of the novel, there are clear boundaries in place to keep each of the three groups separated: “‘Each to their own place’ Mister Wills says. ‘God didn’t intend for the races to mix’” (25). Sugar remembers the warnings of her Ma before she died, who told her not to play with Billy. The Beales try to keep Sugar away from the Chinese workers, and Billy is likewise banned from interacting with them. All three groups are intentionally kept separate.

The Black workers’ initial uncertainty about the Chinese workers stems from rumors that they will be replaced by these younger, stronger men from China. Sugar overhears the adults voicing these concerns: Their worry “sounds like a storm rolling in from the horizon. Mumble-whisper-rumble. ‘Chinamen’. Like gray, black clouds are sweeping in, making River Road uneasy” (69). Though Sugar’s song signals the Chinese men to slow down, the Black workers are still wary of them and keep their distance.

The Black workers to try to keep up, but physically, the older workers are too exhausted to maintain the younger workers’ pace. Eventually, Mister Beale approaches Master Liu with an honest plea: “We all have to make a living. All God’s children have to live” (131). Master Liu understands, and the two groups blend in the field, working as one to chop down the cane. Though it takes time, the two groups begin to spend more time together and share their lives with each other, with all their joys and sorrows.

Sugar and Billy’s friendship puts racial boundaries further to the test. The former is often in trouble due to her playing with Billy. She sulks at this, thinking “If Ma were alive, I think she’d like Billy. She wouldn’t mind me breaking the rules. She’d understand me and Billy mix just fine” (72). When Sugar and Billy are on their raft together, it’s difficult to understand why the adults can’t see they’re both children who just want to play. It takes Billy’s near-death experience for Sugar to be permitted to spend time with him. Eventually, Sugar, Billy, and Beau are allowed to play together, and they set a new standard for what friendships can look like at River Road.

Finding Hope and Resilience in Times of Hardship

The characters overcome many hardships throughout the novel. One of the ways in which they are able to maintain hope and resilience is through songs, prayers or chants, and stories they share with each other. Through sharing, trust and friendship are built—and with them, a community to lean on during hardships.

One example of music being utilized to instill hope and resilience is when Sugar writes a new work song. She thinks, “Today is new. The Chinamen are new. Maybe we need a new work song” (113). She begins to sing just as the workers are losing heart in the fields. At the sound of Sugar’s voice, they are rejuvenated and find the strength to keep going. Sugar also uses the song to communicate with the Chinese workers, pleading with them to understand that they can’t go too fast or else her people will be left behind. The Chinese men understand, and they slow down. Sugar is overjoyed and thinks to herself, “The Chinese men won’t make us lose our jobs. I don’t know how I know, but I know” (132). Her openness and honesty, through song, pave the way for mutual respect.

Another moment that demonstrates this theme occurs on Chinese New Year. When asked if he prays, Beau replies that he and the men don’t, but sometimes they “chant for human suffering to end” (154). Master Liu “chants quietly. [Sugar] can’t understand the words, but [she] feel[s her] spirit lift” (154). Chanting is one way the Chinese workers find hope, and sharing it with Sugar gives her a renewed sense of strength as well.

A similar instance occurs when the crowd honors Sugar’s Ma’s grave together. Instead of chanting, the “Reverend moans deep in his throat. Others start making the sound. A wailing clamped tight. No mouths move, but it’s like sorrow, pain, and dying are rolled into one sound, trembling in their throats” (162). This moment is heartbreaking, but vital in understanding that Sugar finds hope and resilience in a community that mourns alongside her. Furthermore, both communities enjoy a good story. While Mister Beale entertains with Br’er Rabbit stories, Beau and Master Liu teach with tales of Dragons. Communal grief and joy empower the workers.

Lastly, Sugar’s Ma’s final words are essential to the theme of hope and resilience. She told Sugar, “‘Do. See. Feel.’ […] Before dying, she said another word. ‘Survive’” (163). Sugar recalls these words throughout the novel. Even though Ma is dead, she still manages to support her daughter. Sugar keeps her promise to Ma, and it is what drives her to push for change at River Road. The promise gives her the strength to risk her own safety for others, and it is ultimately what gives her the strength she needs to move north with the Beales.

Searching for a New Home in the Era of Reconstruction

One of the prevailing themes in Sugar is the idea of searching for a new home. Sugar begins the novel by expressing her desire to move up north: “Up north, I could find new friends. Or old ones— […] But I’m afraid to go by myself. No one who went north has ever come back” (13). She is unhappy at River Road and always dreaming of a new life elsewhere. However, her only chance of leaving lies with Mister and Missus Beale, who are too afraid to make the journey.

Though they’re reluctant to leave River Road, the Beales can’t help but wonder what their grown children’s new lives are like. Sugar hears them “Late at night, missing children is all Mister and Missus Beale talk about. They wonder what it’s like up north. […] If they made a mistake not traveling north” (48). This hesitation is natural, as life at River Road is all the Beales have ever known. However, it’s clear that they yearn to start over.

Leaving River Road is not merely a matter of experiencing a change of scenery. The Black workers who remain at River Road have never experienced the freedom to live elsewhere, until Emancipation. The emotional weight this carries is best demonstrated when Sugar joins Billy on his raft and “step[s], for the first time, on dirt that’s not River Road. [She] can’t help it. [She cries]” (77). The desire to build a new home away from River Road is ultimately a desire to practice recently granted freedom.

Once Sugar understands just how big the world is, there’s no stopping her from imagining all the places she will visit now that she’s free: “If Chinese men can come to Louisiana, I can go up there—China. If African men can come to America, I can go there, too—Africa” (142). Especially with Beau’s map in hand, Sugar knows there is a life beyond the one she’s known all her life. She thinks, “I want more. I want to do something else, see the world, and be free of sugar” (267). It is this dream that motivates her to convince the Beales to leave River Road once and for all. Reconstruction doesn’t always mean rebuilding the one life you’ve known, but instead, pursuing a new one built from scratch—one that better suits the person you’ve become.

blurred text
blurred text
blurred text
blurred text