38 pages • 1 hour read
Jason ReynoldsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Portico’s cat introduces the next episode in the story and perches on top of the boombox to watch and listen. Portico explains how Herbert Singletary the Worst became a supervillain long before Stuntboy even existed. Herbert is short, but his shadow is immense, and he always has a scowl on his face. Before Herbert (whose mother calls him “Li’l Herby”) was a supervillain, he was just Herbert. He moved into the apartment between Portico and Zola. Portico, in an effort to “be a good castlemate” (64), found Herbert sitting alone one day and offered him some chips. Portico and Herbert started out laughing together, but Herbert announced that he had no plans to stay. Portico guesses that Herbert used to live in a house and had to move into an apartment when his parents separated. Herbert’s mother started calling and yelling at him to come inside, so Herbert took the rest of the chips and pushed Portico to the ground. He went from being friendly to nasty almost instantly.
Zola’s father invites her and Portico to come with him to a lawn chair sale on the 10th floor. Zola and Portico are busy drawing and rewriting scenes from their favorite show, but they eagerly agree to go with Mr. Brawner. On the way up to the 10th floor, they walk past several neighbors who live in the building, some of whom smell and some of whom are extra nosey. On the 10th floor, Portico and Zola meet Ms. Majesty Morris, who always has intricate eye makeup. Mr. Brawner sells the lawn chair by marketing it as a “yawn chair” for sleeping. Portico looks out to the street below, and everyone, including Herbert, looks like an ant. The thrill of being so high up excites Portico, and he leaves to tell his parents about what he just saw.
All the excitement and joy drain out of Portico when he gets to his apartment and finds his parents arguing again. This time, they’re fighting about an old picture frame that neither of them even likes. Portico is caught in the middle, framed by the object that his parents fight over. Portico tries to tell his parents about his day, but neither of them seems interested, and they shuffle him away like they did last time. Portico finds Zola and her dad outside, and Zola’s dad buys them each a snack for helping him out. When Portico tells Zola about his parents’ argument, she is reminded of another episode of Super Space Warriors, in which Mater and Pater argue over who gets to enter a time portal through a necklace first. Both heroes pull and tug until the necklace breaks, and after that, even the happy memories from the past vanish. Portico starts to feel anxious and worries that his parents are going to “destroy the past” with their arguing (86). He races back home as fast as he can and finds his parents still arguing. Portico takes some salt and vinegar chip crumbs out of his bag and blows them into his father’s face. Portico’s dad drops the frame and cries out from the sting in his eyes. Gran Gran chuckles at the way Portico handled the situation.
Zola’s birthday party starts out as a success, attended by Portico and various party guests from the building (each with their own unique superpower and dance moves). Zola’s dad is unable to make it due to work, but Zola spends the afternoon waiting for him to arrive. When Zola’s mother invites Herbert to the party, Zola and Portico are shocked. Zola can’t believe how oblivious her mother is to the way Herbert treats her and Portico. For the first few minutes, Herbert Singletary the Worst becomes “Herbert Singletary the Getter Alonger” (97), but it doesn’t last. When Herbert sees Stuntboy practicing his moves, he pushes him, and Portico lands right on the table of snacks and punch. Even though nobody is mad at Portico, he feels anxious and embarrassed and runs away. Portico tries to seek safety in his parents, but when he gets to his apartment, they are arguing again, this time over a coffee table. Portico retreats to the laundry room instead, where he curls up on top of the dryers and watches Super Space Warriors on TV.
One of Portico’s neighbors, a man named Mr. Mister, comes to do his laundry. Portico notices Mr. Mister washing his shoelaces and wonders why, and Mr. Mister says that he has to take care of them because they’re his—even if they cause him pain now and again. Portico doesn’t understand the metaphor, and when Mr. Mister tells him to ask his parents about it, Portico admits that he can’t because “they always in the mean time these days” (106). Just then, Zola rushes in, worried about Portico. Portico tells Zola about his parents’ most recent fight, and she remembers an episode of Super Space Warriors where Mater and Pater find a square planet. They fight over its name and become too distracted to realize that they are in a trap. When the planet explodes, it almost kills Mater and Pater. Portico thinks about this for a moment and then starts to wonder if his parents are the superheroes or the villains. He dashes home again and dives between his parents and underneath the coffee table. Portico remembers that his parents found the coffee table on the sidewalk when he was little and brought it inside. One day during a storm, Portico hid under the coffee table, and it became his storm shelter. Portico curls up there again now, distraught and frightened as his parents finally stop fighting and notice his distress.
Once a month, Portico’s mother sets up a chair in the lobby, and everyone who wants a free haircut can come get one. Portico loves “Cut Day” because he gets to watch all the drama that unfolds around haircuts. One boy dashes from the chair after a few snips, and another man gets his hair cut in the shape of a castle. The custodial superintendent, who goes by the name Soup, comes for a haircut next. Everyone in the building loves Soup because he’s nice to everyone, cool, and helpful. Portico asks Soup where he got his name, and Soup explains that it’s short for “Superintendent.” Portico can’t believe that he’s in the presence of “a real Super” (130), and he tells Zola, who is equally curious. Portico also can’t believe that Soup so readily announces his superhero identity. When Soup asks Portico whether he plans to cut hair someday like his mom, Portico realizes that he has never really thought about it before, but he likes the idea. Soup tells Portico that he can cut his hair after he practices a few times. When Portico’s dad comes for a haircut, Portico’s mom considers it the perfect chance for Portico’s first practice. Portico is clumsy with the razor and accidentally shaves his father’s head in patches.
Portico goes home to check on his dad and his hair, but he finds his parents arguing again. This time, they are arguing over a special plate that Portico made when he was five years old. The plate shows a painting made by Portico of his family all smiling together. Portico’s parents once again barely notice him, but when he comments on how little attention they’ve paid him lately, they both apologize. The break in tension doesn’t last, and Portico’s mother tells him to leave and go find Zola. Portico goes to Zola’s apartment and finds her inspecting every inch of wall and appliance inside. She explains that she’s looking for a problem so that she has a reason to call Soup to come fix it. That way, she can ask him to teach her how to be a Super. Portico tells Zola about his parents’ latest argument, and she thinks back to an episode of Super Space Warriors in which Pater and Mater are given a piece of the sun by their deceased mother. They argue over who gets to keep it, and their inability to resolve their conflict causes it to drop and hit the earth. The result is an explosion that, again, almost kills them. Panicked upon hearing this, Portico rushes home and dives in between his parents. He kicks the air and accidentally hits the plate, which crashes to the floor.
In this section, the theme of The Effects of Family Conflict on Children becomes more pronounced as Portico struggles to make sense of his parents’ fighting and self-involvement. As the plot progresses, Portico’s life falls into a pattern: Every time he experiences something exciting or good, like seeing the 10th floor of the building, his emotions shift from total joy to total despair the moment he tries to share his experience with his parents. Portico is used to having loving, attentive parents, but now, their focus is entirely on themselves. No longer an anomaly in his life, family conflict is now something that Portico comes to expect, which only damages his worldview and his view of his parents. At one point, Portico even starts to wonder if his parents, whom he once saw as heroes, have become villains. With Zola’s help, Portico begins to use his favorite television show to understand his parents’ conflict. Like in Super Space Warriors, Portico fears that his parents’ constant fighting will not only destroy the present and future but also destroy all the happy memories that Portico and his parents shared in the past. He fears that every object and place that contains those good memories is slowly being destroyed. This is symbolized by Portico’s parents’ fight over the plate that he made in kindergarten. The plate shows Portico and his family standing together and sharing a smile as though their happiness was dependent on their unity. Now, Portico’s parents fight over the plate, and Portico ends up accidentally breaking it in a failed attempt at heroism. While he effectively stops the argument, Portico is not the one who is responsible for solving his parents’ conflict, and it takes time for him to realize this.
Though Portico is preoccupied with his parents’ fighting, his days are also filled with fun, imagination, and adventure, highlighting the importance of community and The Foundational Supports Provided by Friendship. Portico’s friendship with Zola is important not only because of the distraction and joy it provides but also because Zola is wise and empathetic. Portico and Zola live in the same apartment building, allowing them to share daily experiences and community events. Big events like Cut Day and the apartment block party bring the community together and are significant aspects of the children’s lives. The fact that Portico dedicates an entire episode to describing Cut Day shows how these community events matter to Portico. At Zola’s birthday, Portico describes each guest who attends, stating each one’s heroic abilities and dance moves. When Portico doesn’t have to focus on his home life, he is happier, more relaxed, and more creative.
Raúl the Third’s artistic style and choices throughout provide extra context to Portico’s story, add layers to the characters’ personalities, bring settings to life, and create visual humor and appeal for readers. For example, Portico’s cat is personified and guides the reader to sit back and enjoy the show before them. The style frequently shifts between frameless drawings and doodles and more detailed comic-style artwork, an artistic approach that enhances engagement through its unpredictability. Illustrations may sit anywhere on the page and can become the primary focus or be supplementary to the text itself. Symbolism is also heavy in the images within the book, often visually supporting the novel’s exploration of Understanding and Experiencing Anxiety. For example, Portico is “framed” by the picture frame that his parents argue over. He stands in between them, boxed in and fretting about what he sees. In another instance, Portico hides under the coffee table as his parents become “thunder and lightning” above him (116). The font also changes frequently and is used to express emotion or emphasis—for example, alarming phrases are written in red—and to denote different parts of the book itself—for example, commercial breaks versus the narrative versus Super Space Warriors dialogue. In this way, the book’s illustrations and visual format not only support the plot and themes but also introduce new context, symbolism, and humor.
By Jason Reynolds