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67 pages 2 hours read

Laini Taylor

Strange the Dreamer

Fiction | Novel | YA | Published in 2017

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Part 4, Chapters 40-67Chapter Summaries & Analyses

Part 4, Chapter 40 Summary: “Mercy”

Minya punishes Sarai for her decision not to support her sibling’s path of vengeance. Sarai doesn’t regret her decision, yet she can’t help feeling that she has betrayed her family. She remembers the horror with which her father looked at her when he saw her for the first time and feels ashamed. However, Sarai ultimately realizes that because of her gift, she is the only one who understands the suffering of both humans and godspawn, and because of her unique perspective, her choices matter and carry weight in the context of the larger, ongoing conflict between the two races.

Part 4, Chapter 41 Summary: “Witchlight”

Sarai sends her moths down to Azareen and Eril-Fane, who are both sunk deep into grief. She reflects that if she could give the two humans names to identify their suffering, Azareen would be “Grief” and Eril-Fane would be “Shame.” Sarai wonders why they don’t comfort each other in their mutual suffering. Sarai understands that her father suffers because he saved his people by sacrificing his own well-being; he killed the gods to set his people free, but in so doing, he mutilated his own soul and doomed himself to lifelong shame and self-loathing. Sarai next enters Lazlo’s dream, where he is eagerly expecting her. The way he looks at her begins to transform the awareness she has of herself into something far more positive.

Part 4, Chapter 42 Summary: “God or Monster, Monster or God”

As Sarai and Lazlo learn more about each other, Sarai begins to have hope that both the citizens of Weep and the remaining members of her family can be saved. Lazlo brings the mahalath into his dream, and Sarai chooses to remain under the fog with him, relinquishing control and placing her trust in him.

Part 4, Chapter 43 Summary: “A Singularly Unhorrible Demon”

Sarai and Lazlo allow the mahalath to change them: Sarai into a normal human girl, and Lazlo into a blue-skinned godspawn. Sarai tells Lazlo the truth of everything, including Eril-Fane and Azareen’s story. She relates how Isagol tortured Eril-Fane by manipulating his emotions until he was forced to feel love for her, while still feeling the intensity of his authentic hate right alongside it. When the gods took Azareen up to the citadel as well, the presence of his own wife stoked his hate for Isagol so high that he broke free of her will and killed everyone. Sarai also tells Lazlo about the unforgivable act that the Godslayer committed: slaughtering all the babies in the nursery. Lazlo reels from the revelation that the seemingly heroic Eril-Fane did such a thing. Telling the story activates a deep grief in Sarai, and she realizes that although she feels that she cannot forgive the Godslayer for his actions, in a way she already has granted him forgiveness, because she understands the reasons for his actions and empathizes with the suffering he endured because of the gods. Sarai tells Lazlo the truth of her gift and is relieved when he does not recoil from her in disgust. He recognizes that because of her history and the way that she has lived, she had no other choice but to use her gift to inflict the darkness of nightmares upon the humans below. Lazlo does not think Sarai is a monster and still wishes to be part of her story.

Part 4, Chapter 44 Summary: “An Extraordinary Suggestion”

Lazlo suggests that Sarai fall asleep in his dream so that he can keep her night terrors at bay.

Part 4, Chapter 45 Summary: “Strange Azoth”

Thyon uses Lazlo’s spirit essence and, unbeknownst to Lazlo, unlocks the secret to dissolving mesarthium.

Part 4, Chapter 46 Summary: “Just a Dream”

Just as Sarai settles into Lazlo’s dream with relief, her night terrors approach.

Part 4, Chapter 47 Summary: “The Terrors”

Sarai’s nightmare conjures up the form of the dead god Skathis who rides his horrible mesarthium monster, Rasalas, and is coming to take Lazlo away: an amalgam of all the Weep citizens’ traumatic memories that Sarai forced them to relive in her sleep. At first, Sarai is overwhelmed by terror and panic, but then she reclaims her power and banishes the nightmare.

Part 4, Chapter 48 Summary: “No Place in the World”

The following morning, Lazlo shares all that he knows about Sarai and the other survivors with Eril-Fane and Azareen. Although the news is difficult for Eril-Fane to hear, he does not want to engage in more bloodshed and plans to meet with the survivors to discuss a truce. They plan for Lazlo to meet Sarai in his dreams again to ask her to persuade the other godspawn to agree to the idea. Lazlo confesses to Eril-Fane that he knows all the details of the hero’s true history. But there’s something still nagging Lazlo—over the years, there must have been thousands of godspawn, and he questions why the nursery only contained about 30 on the night of the Carnage. The question of what happened to the rest remains as yet unanswered.

Part 4, Chapter 49 Summary: “Veil of Reverie”

Thyon has been successful in his experiments, thanks to the odd “veil of reverie” that he experienced after re-reading Miracles for Breakfast to mine the book for further clues to achieving the new alchemical goal of dissolving mesarthium.

Part 4, Chapter 50 Summary: “The Whole Day to Get Through”

Lazlo is shocked to hear the Tizerkane speak so bluntly about their desire to kill the godspawn. When he tries to protest that the godspawn are people, they argue that the godspawn are monsters deserving of extermination, not mercy. Lazlo realizes for the first time how deep the hatred of Weep’s citizens runs; they wish only for vengeance and are not interested in understanding the godspawn at all.

Part 4, Chapter 51 Summary: “Poltroons”

Drave, who is the demolitions expert, or “explosionist” amongst the delegates, decides to blow the citadel up to achieve glory for himself.

Part 4, Chapter 52 Summary: “Amazing, But Scorched”

Sparrow accidentally interrupts Feral and Ruby having intercourse.

Part 4, Chapter 53 Summary: “Tarnished Hearts”

Sarai stands up to Minya’s tyranny. Refusing to seek vengeance and feeling no shame for her decision, she declares her intentions to make peace with the humans by extending empathy and finding a way to coexist with them. Minya mocks Sarai’s plans until Sarai reveals that a human, Lazlo, has seen her in both dreams and reality and is not repulsed by her. Minya is shocked but doesn’t abandon her position, instead declaring that any human who sets foot in the citadel will die. Although Sarai feels sick at the thought of hurting Minya, her desire to protect others from harm rises up in her, and she screams her moths at Minya to force her sibling out of the citadel.

Part 4, Chapter 54 Summary: “Too Lovely Not to Devour”

Sarai and her moths await Lazlo when he enters his bedchamber; the two meet in dreams and kiss passionately until Lazlo’s physical form rolls over in his sleep and crushes Sarai’s moth, breaking the connection.

Part 4, Chapter 55 Summary: “Disfaith”

Thyon has succeeded in creating something that can erode the mesarthium—something that combines both alchemy and magic, though the narrator gives no detail as to what. He has managed to create a small hole in one of the mesarthium anchors. Drave the explosionist arrives undetected.

Part 4, Chapter 56 Summary: “The Dreamsmiths”

Lazlo rejoins Sarai in the dreamspace, and they use their love to make the entire dream around them beautiful. Lazlo shows Sarai how he can make one of the citadel’s anchors, Skathis’s Rasalas, into something beautiful and whole instead of a beast made of rotting carrion and mesarthium. Sarai is hopeful when Lazlo tells her that Eril-Fane and the others wish to make peace with her and the other godspawn, but she is quickly overcome by despair. She tells Lazlo of Minya and her power. Thyon peers in Lazlo’s window and notices how radiant he looks, even as he’s sleeping.

Part 4, Chapter 57 Summary: “The Secret Language”

Thyon comes bearing the strange news that the azoth distilled from his spirit could not touch the mesarthium, but when he distilled it from Lazlo’s spirit, the mesarthium reacted. This causes him to question Lazlo’s true nature.

Part 4, Chapter 58 Summary: “One-Plum Wrath”

Sparrow and Ruby reconcile.

Part 4, Chapter 59 Summary: “Gray as Rain”

Lazlo recalls the monks telling him that when he was a baby, his skin was gray, but it eventually faded to a normal brown. When Lazlo touches the mesarthium now, it makes his skin go gray. Sarai watches via her moths as Drave ignites an explosive at the site of the Rasalas statue.

Part 4, Chapter 60 Summary: “Something Odd”

When Thyon returns to his laboratory, he realizes that the piece of mesarthium that he cut away (which he let Lazlo hold during their confrontation), now bears the mark of Lazlo’s fingers, further suggesting that there is something special about Lazlo that enables him to affect the supernatural, impenetrable metal of the gods.

Part 4, Chapter 61 Summary: “Hot and Rotten and Wrong”

Drave blows up the citadel and is killed in the blast; Lazlo is injured, and Sarai enters his mind to call him back from unconsciousness. There, she finds him digging in an orchard that represents his subconscious; he says he is looking for his name and “the truth.” He finds a white feather from Wraith, the white eagle. Sarai pushes Lazlo to wakefulness.

Part 4, Chapter 62 Summary: “A Calm Apocalypse”

Drave’s explosion causes an earthquake that dislodges the citadel’s anchor (Rasalas); the giant seraph comes loose from the sky.

Part 4, Chapter 63 Summary: “Weightless”

In the citadel, one of the godspawn children topples from the edge.

Part 4, Chapter 64 Summary: “What Version of the World”

As the city of Weep falls into destruction around him, Lazlo springs into action, motivated only by instinct. He knows that he was made for this kind of situation, here in the world of dreams, magic, and fairy tales incarnate. He lunges for the obliterated mesarthium and holds up the citadel with his bare hands. Guided by instinct, he directs the mesarthium to remake itself and rebalances the citadel, remaking Rasalas just as he did in his dream. Feeling triumphant, he directs the giant angel to fold its wings, releasing the sky and freeing Weep from its shadow. Lazlo feels that he’s finally figured out who he is, even if he doesn’t know his real name. As he withdraws his hands from the mesarthium, Lazlo sees that his skin has become the blue of godspawn; around him, his friends from Weep do not know how to react.

Part 4, Chapter 65 Summary: “Windfall”

The people of Weep who love Lazlo for who he is are overcome with cognitive dissonance at the revelation of his heritage and look to Eril-Fane for guidance. Eril-Fane thanks Lazlo for saving Weep, signaling that he and the other citizens of Weep are capable of moving beyond their instinctual hatred of godspawn. Lazlo learns that a blue girl has fallen from the sky and is dead.

Part 4, Chapter 66 Summary: “God and Ghost”

Sarai rises as a ghost from her body and despairs that Lazlo cannot see her, and that she cannot touch him or speak to him. Lazlo’s grief turns into rage, and Rasalas mirrors his actions and screams out his anguish on a macrocosmic scale, turning the entire city into a scene of loss. Lazlo finally understands that the citizens of Weep would have killed Sarai, and even though he knows they did not actually do so, he feels that he has lost both Sarai and his beautiful inner vision of an idealized Weep. Meanwhile, Azareen and Eril-Fane finally hold each other, and Eril-Fane lets himself cry. Sarai’s ghost dissolves into the sky as Lazlo rides away on Rasalas with her body.

Part 4, Chapter 67 Summary: “Peace With the Impossible”

Lazlo begs Minya to bind Sarai’s soul and make her a ghost. There is palpable tension between Minya and Lazlo; it’s clear to Minya that he is Skathis’s son and has inherited the power that she believes should be hers by right. Lazlo cannot bring himself to hate Minya; he pities her, frail and child-like as she is. Minya complies with Lazlo’s request, but she assumes control of Sarai’s ghost as a way to extort Lazlo; he must do whatever she says or Minya will relinquish the binding on Sarai’s soul. Lazlo agrees, knowing that he holds everyone’s fate in his hands and realizing that his “legend” has only just begun.

Part 4, Chapters 40-67 Analysis

The epigraph preceding Part 4 is “sathaz,” which is defined as “the desire to possess that which can never be yours” (337). The epigraph further states that this word is taken from the legend of Sathaz who fell in love with the moon. This tale is an analogy for Lazlo and Sarai’s love, and the “forbidden” nature of it, inasmuch as they are human and god, on opposite sides of a brutal, age-old conflict. The epigraph here foreshadows the couple’s tragic end with Sarai’s death and enslavement to Minya.

The theme of Identity and Choice, which was introduced in Part 1 through Lazlo’s perspective, has seen subtle development in previous parts but is not fully explored until the conclusion of the story brings Lazlo’s heritage to light, for as Sarai questions Lazlo’s identity, she prompts him to return to the question of his history. Similarly, Taylor uses Thyon’s perspective to foreshadow the plot twist at the end about Lazlo’s true parentage; as Thyon tackles the practical question of the mesarthium mystery, his task also becomes a vehicle for answering the more abstract questions about Lazlo’s true identity. After Thyon realizes that Lazlo is the only one who can manipulate the mesarthium, he wonders what Lazlo truly is and where he came from (483). Taylor intersperses Thyon’s perspective throughout Part 4, but only focuses on him at critical moments; this allows Taylor to bypass detailed explanations of his discovery and deepen the mystery until the right moment.

The climax of the novel occurs in Chapter 64 and is the culmination of the Power of Stories and Identity and Choice themes. Taylor uses the motif of dreams to suggest that Lazlo’s heroic actions at the critical moment are driven by the strength given to him by the power of his dreams and fairy tales. Lazlo’s strength comes from that certainty of his identity as a dreamer; ironically, it turns out to be the key to unlocking his true identity, as he discovers through his ability to move mesarthium that he is the son of Skathis. In the aftermath of the revelation, “the place at [Lazlo’s] center wasn’t empty anymore” (504), suggesting the innate relationship between identity and self-empowerment.

Sarai’s death also recontextualizes the prologue, for the details of her demise reveal that the very beginning of the story depicts her death, not her mother’s, and brings a new light to the story as a whole by forcing the realization that ultimately this story is not a fairy tale, but a tragedy. Additionally, the narrative does not completely reach a resolution, as it introduces new conflicts in the final chapter that set the stage for the sequel. However, some conflicts do find a resolution here, most notably Azareen and Eril-Fane’s. Grief and shame resulting from trauma has driven these characters apart, and the tension in their relationship stems from a desire to comfort each other while being impeded by their own trauma. Their resolution is foreshadowed in Chapter 41, when Sarai muses that the two did not “understand how, in the strange chemistry of human emotion, his suffering and hers, mingled together, could…countervail each other” (351). After seeing Sarai’s corpse, Azareen holds Eril-Fane, and he weeps for the first time in a long time, signaling that by finally accepting Azareen’s love, he has unlocked the key to healing for both of them.

The conflict between godspawn and humans reaches a partial resolution via the plot twist of Lazlo’s revealed identity and emphasizes the power of employing empathy to break the generational cycle of hatred perpetuated by trauma. After his skin turns blue, Lazlo realizes that the citizens of Weep are looking at him like he’s a monster. The narration observes that “they were all so still, so speechless and frozen, their expressions blank with shock. And so this was the mirror in which Lazlo knew himself: hero, monster. Godspawn” (506); however, Taylor employs the omniscient perspective here to simultaneously offer the readers a glimpse of the citizens’ conflicting feelings toward Lazlo and Eril-Fane’s moment of gratitude, which demonstrates that despite their past history, they can look beyond Lazlo’s blue skin and instead judge him as an individual. Thus, the citizens of Weep do not judge him based on his identity as godspawn, an act that suggests their ability to one day view the other godspawn children in the same manner, and so break the cycles of hate and vengeance for one another.

However, the narrative’s conclusion also suggests that this conflict may not yet be over—it has simply shifted backdrops. The novel’s final two chapters take Lazlo’s character in a surprising direction; as he looks upon Sarai’s corpse, for the first time he fully comprehends that although the Weep citizens did not kill Sarai, they would have done so without his intervention, and he feels rage, hate, and anguish for them although he knows that his reaction is unfair (517, 518). Lazlo’s emotional response stands in stark contrast to his initial appearance in the novel as a character full of hope and idealism and emphasizes the idea that cycles of hate develop from grievous, traumatic loss. The narrative’s final chapter also introduces a new conflict with Minya as she binds Sarai’s soul to control Lazlo; for her, the cycle of vengeance is also far from over.

The final lines of the novel focus on Lazlo’s transformation and emphasize the Power of Stories to inform and rebuild personal identity, for as he acknowledges that he is a god, he feels that “the space where his legend was gathering up words grew larger” (532). Thus, Lazlo has become an active participant in his own story, newly certain of his identity and his role and ideally positioned for new stages of development in the following novels.

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