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94 pages 3 hours read

Emily St. John Mandel

Station Eleven

Fiction | Novel | Adult | Published in 2014

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Part 5Chapter Summaries & Analyses

Part 5: “Toronto”

Chapter 27 Summary

Seven years before the pandemic, Jeevan, then working as an entertainment journalist, manages to schedule an interview with Arthur. Arthur is not talkative at first, but he suddenly questions Jeevan about his choice of work, telling him that he is different from the other journalists. Off the record, Arthur confesses his fatigue and discomfort at being famous, before officially striking a more upbeat tone. On the condition that he not tell anyone for 24 hours, Arthur then reveals that he is leaving Elizabeth for Lydia Marks, the costar in his latest film. Arthur explains that telling Jeevan forces him to confront Elizabeth, who does not know yet. 

Chapter 28 Summary

On the sofa at Frank’s apartment about a week after the outbreak, Jeevan thinks back to the interview with Arthur and wonders whether he will ever drink a cappuccino or see his girlfriend again.

Chapter 29 Summary

Frank asks what Jeevan is smiling about. “Arthur Leander,” he replies, proudly remembering that he kept his promise after the interview. He feels a twinge of regret when he recalls photographing Miranda after the dinner party.

Chapter 30 Summary

Shortly after the outbreak, Frank and Jeevan seal their apartment to keep intruders out. They watch TV as, one by one, stations go off air. To pass time, Frank carries on ghostwriting the memoir of a philanthropist, though he knows that everyone involved is likely dead. Eventually, the electricity goes out, followed by running water. Jeevan reads a lot and is surprised at how peaceful he feels.

Chapter 31 Summary

Diallo’s interview with Kirsten continues. He asks Kirsten where she was at the time of the collapse, and she talks about Arthur’s death during King Lear

Chapter 32 Summary

Forty-seven days after the collapse, Jeevan sees smoke in the distance. At night, he hears gunshots. With two weeks of supplies left, Jeevan begins to plan their next move, but he worries about maneuvering Frank through the city in his wheelchair. Frank tells Jeevan not to worry about him and that he intends to “leave first.”

Chapter 33 Summary

Kirsten asks Diallo whether he has Arthur’s New York Times obituary. He does, but she is disappointed when that it fails to identify the man who performed CPR. She explains that, when her parents did not pick her up, Tanya dropped her off at home with her brother Peter. She adds that she kept the paperweight Tanya gave her because “it was beautiful” (184).

Chapter 34 Summary

On day 58, after two days of silence, Jeevan asks Frank to read him an excerpt from the philanthropist’s memoir he is ghostwriting. He does so, reading a passage about how celebrities use their fame for charitable causes, but they never seek fame with charity in mind, instead wanting “to be seen” and “to be remembered” (187).

Chapter 35 Summary

Diallo asks Kirsten about her time in Toronto with her brother. She tells him that, after a few days of hiding, they walked southeast into the United States.

Chapter 36 Summary

After Frank dies due to an intentional overdose of sleeping pills, Jeevan leaves the apartment and sets out alongside Lake Ontario. After walking for five days, he encounters and approaches three other people. They travel together for a week, then separate, with Jeevan wanting to avoid towns. He keeps walking and feels as though his identity is slipping away.

Chapter 37 Summary

Kirsten tells Diallo that she does not remember the year she spent on the road with her brother. He suggests that it must have been difficult for her as a child, but she wonders if the transition was harder on adults because “the more you remember, the more you’ve lost” (195). 

Part 5 Analysis

Jeevan’s interview with Arthur, which opens Part 5, marks a midway point in his character development. At that time, he is trying to transition from photographing celebrities as a paparazzo to writing about them as a journalist, which he considers “less sleazy” (167). While he still harbors guilt over his treatment of Miranda (going into the interview, he fears that Arthur will recognize him), his willingness to keep his word when he promises not to reveal Arthur’s confession for 24 hours shows that he is, or at least wants to be, a man of integrity.

Mandel’s decision to title Part 5 “Toronto,” which is where most of these chapters takes place, hints at the city’s significant role in the narrative. Arthur, Miranda, Jeevan, Kirsten, and Clark all live in Toronto at some point, and it is there that their lives intersect. In these chapters, Toronto takes center stage, as Jeevan watches it devolve from a thriving city into a ghost town. Only upon leaving Toronto does it become clear how strongly his identity is tied to it: Among other things, when he feels his identity slipping, he reminds himself that he “was born in the Toronto suburbs,” and that he “had a house on Winchester Street” (194). If, as Frank wrote in the philanthropist’s memoir, people long to be seen and remembered, Jeevan feels in that moment that he alone could see and remember himself, because no one else would.

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