53 pages • 1 hour read
Alix E. HarrowA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Opal dreams of the house again and drives back as quickly as she can. She finds Arthur standing outside the house, bloodied. He is holding the same sword that is depicted in all the Starlings’ portraits. In front of the house, she also sees a beast that she recognizes from The Underland. Arthur tries to tell Opal to go, but instead, she takes the sword from him and vainly attempts to attack the beast. It throws her to the ground, but Opal takes the keys she has stolen from Arthur and punches the beast, which then disintegrates. When Arthur gets to Opal, he kisses her. Overwhelmed by the discovery of her family background, the revelation that magic exists, and her growing feelings for Arthur, Opal tries to act normally as the two head inside.
As she cleans his wounds, Opal forces Arthur to explain everything. Like Bev’s story of Starling House and Calliope’s truth, Arthur tells Opal what he believes to be the precise and factual history of the house. Arthur tells Opal of Eleanor’s obsession with studying what she called the Underland. Eleanor believed that there were cracks in the earth that led to another realm where paranormal beasts lurked. She believed that one of these cracks was in Eden, Kentucky. Arthur suggests that Eleanor built Starling House as a maze to keep the beasts trapped; he also believes that she died fighting them. Although Eleanor had no heirs, a man dreamed of the house and went there one day. Upon his arrival, he discovered keys to the house and a deed in his name. After him, generations of unrelated people have taken up the mantle of “Warden” of Starling House in a similar fashion, taking on the name of Starling and fighting the beasts with the sword that Eleanor made. All Wardens have died fighting the beasts in this way, and after the death of Arthur’s parents, he swore that he would be the last Warden of Starling House.
Opal continues to ask why Arthur cannot leave Starling House. She recognizes that he ran away from the house temporarily when he was a child, and his temporary departure coincides with the time that she herself started having dreams about the house. Arthur and Opal both wonder if she is meant to be the next Warden, but Arthur knows that he will do anything to stop that from happening. He tells her to leave Eden, warning her that after he is killed, the beasts will come after others. This information explains the strange bad luck and numerous deaths in the history of the town. Arthur also explains that the beasts tend to attack the Gravelys in particular. He mentions an accident that killed four people at the Gravely power plant on the night his parents died. He also admits to Opal that there was a time after his parents’ deaths when he tried to ignore the beasts entirely. He reveals that this misguided decision coincided with the night her mother died. Hearing this, Opal leaves Starling House.
Reeling from all that Arthur has told her, Opal feels that she has somehow always known what really killed her mother. For the first time in years, she lets herself wallow in grief for days. Bev finds her on the third day, and Opal asks her if she knew that Opal was a Gravely. Bev tells her that everybody knew.
Meanwhile, Arthur continually drinks himself into a stupor after trying to puzzle out the true meaning of the dedication of The Underland. One day, he awakens on the library floor to find Jasper standing over him. Jasper tells Arthur to leave Opal alone. He also tells Arthur to order the house to leave both Jasper and Opal alone. When Jasper tells Arthur that he is now aware of his own family connection to the Gravelys, Arthur warns Jasper to get out of Eden. Jasper exits the house after telling Arthur that he might leave town, but Opal never will. Hours later, Arthur realizes that his notes on the beasts are gone.
Opal stops wallowing in grief once Jasper begins to appear in her dreams of the house. When she goes to the library, Charlotte tells her that she is leaving town and invites Opal to leave with her. When Jasper returns to the motel room, Opal bursts into tears and finally allows Jasper to comfort her. She then tries to return to the life she had before her time at Starling House, returning to her job at Tractor Supply and shoving her memories of the past away.
Opal receives a letter from Stonewood Academy, thanking her for her full payment of Jasper’s tuition. She realizes that Arthur has paid for Jasper’s schooling and interprets it as his attempt to repay the debt of inadvertently causing her mother’s death. Angry at this development, Opal picks a fight with Bev, who tells her that she has helped Opal and Jasper because Opal never asks for help. She encourages Opal to ask for help more often.
Opal goes to visit Jasper during his lunch hour and is shocked to see him with Arthur’s notepad. They argue about it, but Jasper asserts that Arthur has not told her everything and reveals what he has learned about the Starling House. He recounts the stories of various Wardens, all of whom lacked a stable home and were shunned by their communities when they first began to dream about Starling House. All of these people also sacrificed their blood to the house in order to take on the role of Warden. The previous Wardens saw the house as a sanctuary, not realizing that it was actually their grave, and Jasper refuses to let it become Opal’s grave as well.
Referring to Arthur’s notes, Jasper tells Opal that Wardens have been dying more quickly in recent years and that all of them actively chose to become Wardens. He gives her the other half of the letter that she stole from Arthur, in which his mother told him of the explicit choice she made to become a Warden. His mother also asserted that he did not have to make the same choice. This information makes Opal realize that Arthur became a Warden so that no one else would have to do so. Jasper reveals to Opal that he also has dreams about the house. He asks if she wants to keep him from the house because she is worried for him or because she wants the house for herself.
At Tractor Supply, Elizabeth finds Opal and asks her for the keys to Starling House. This time, instead of giving in, Opal punches Elizabeth and is quickly fired. As she sits on the bridge over Mud River, Opal decides she must apologize to her brother. She repeatedly tries to call him, but when he does not answer his phone, she notices an ethereal mist rising on the river: the signal that a beast is approaching.
Elizabeth calls Arthur and insinuates that she has gotten all the information she needs from Opal. She refuses to tell Arthur what she has done to Opal. She also claims to have just the right incentive to convince him to give up Starling House.
Opal continues to call Jasper, to no avail. His friend tells her that Jasper is either at an interview or at home. As she continues to walk, she sees that the motel is on fire. People hold her back as she tries to rush into her room, and the local constable asks someone behind her if she is the one whom he has noticed acting strangely. Opal recognizes him as one of the men who was in the car with Elizabeth. He claims that she dropped a matchbox Opal had seen Elizabeth with earlier at Tractor Supply.
Constable Mayhew, who once declared her mother’s accident to be a suicide, now takes Opal to the sheriff’s office. Before she is put behind bars, Bev and Charlotte show up, asking what he is doing and reassuring Opal that they didn’t find anyone in the fire. Charlotte reveals that she was at the motel earlier and did not see Opal. Charlotte also confesses that she frequents the hotel because she is dating Bev. Elizabeth arrives and threatens to revoke Opal’s guardianship of Jasper, suggesting that he will have a new family instead. Don Gravely comes in and offers to take care of both Opal and Jasper, but she knows it will come at the cost of sacrificing Starling House. She recognizes that although Gravely is technically her family, she has a found family of her own that is far more important than someone who shares the same name. Don accidentally reveals that his brother, (her mother’s father), was going to give everything to Jewell, but Don burned the will years earlier.
Constable Mayhew knocks on the door and announces that another visitor has arrived. Opal is shocked when Arthur walks in. Once the constable frees Opal from her handcuffs, Elizabeth allows her to leave. Arthur goes with Opal.
Arthur refuses to tell Opal what kind of deal he has made with Elizabeth and Don Gravely, but when he guarantees her and Jasper’s safety, Opal knows that he must have made some kind of arrangement. She receives a call from Jasper, who is at the library, and Arthur gives her his truck so that she can get to her brother. She promises Arthur that she and Jasper will leave Eden that night.
Opal tells Jasper what happened with Elizabeth and reveals that he has been accepted at Stonewood. Jasper is angry that she enrolled him without telling him. She also confirms that they are members of the Gravely family, but he already knows. He has won a college scholarship and promises to take care of her once he earns his degree. He feels like he owes her everything, but Opal tries to convince him that he owes her nothing. She gives him money to buy a bus ticket to Louisville, and they both know that she is choosing to return to Starling House.
This section of Starling House represents a reckoning for Opal as she struggles with Grappling with the Past and must assimilate a staggering array of facts that radically change her perspective on herself, her family history, and her understanding of the town as a whole. With the dual revelation that she is a member of the Gravely family and that the mythical beasts of Eleanor Starling’s book have been wreaking havoc on the town for generations, Opal temporarily loses the ability to make things happen for herself; instead, these major turning points in the plot happen to her, and she finds herself a shocked and passive recipient of the information as her life spins out of control. Even the realization that the magic of Starling House is real pales in comparison to the betrayals, identity crises, and choices that Opal must now assimilate and deal with. Central to this internal crisis of identity is her growing sense of certainty that as problematic as the town has been, it is nonetheless her home, and she begins to fully appreciate the value of the found family she has forged with Charlotte and Bev, as well as Arthur, whom she is beginning to love.
In direct conflict with this realization of her growing affection is her new knowledge that Arthur’s momentary indifference to the activity of the beasts inadvertently caused her mother’s death years ago. As the revelations of her life continue to pile up, she must find some way to reconcile herself to Jasper’s intention to pursue his own ambitions even as she resolves to remain in Eden and face the deepest secrets of Starling House. Up until this point of the novel, Opal has acted decisively to maintain control of her own world, and these sudden changes drastically affect her ability to make quick decisions; it is only upon incorporating all of this information into a new understanding of her own identity and desires that she regains the willpower that dominates her future actions within the novel.
In addition to this internal conflict, the novel also uses these chapters to address the ongoing metamorphosis of the stories that surround Starling House and the larger town of Eden, for two more distinct stories about the Wardens of Starling House are revealed. To this end, both Arthur’s and Jasper’s accounts enhance the previous two stories considerably by adding new complexity to the emerging history of the house, further emphasizing The Interplay of Truth, Stories, and Power. Opal recognizes that all the stories she has been told so far have claimed to be truthful, and the inevitable flaws in each account therefore lead her to question who is telling the truth and even to wonder whether a single, distinct truth exists at all. The inherent unreliability of storytelling is brought to the fore when Jasper questions the veracity of Arthur’s explanation about Starling House’s Wardens, incredulously asking his sister, “You think he told you everything?” (213). Later in the novel, it is indeed confirmed that Arthur doesn't know the full story of Starling House; just like all the other storytellers in Eden, he can only tell his version of the truth. By this point in the novel, the four stories of Starling House to date possess many similarities even as they view the situation from different angles. Multiple perspectives inevitably lead to different versions of the so-called “truth,” yet Opal still rightfully suspects that the history of the town still lacks key pieces, and this realization spurs her to return to the house and discover the facts of Eleanor’s history.
The theme of Using Dreams as Motivation is relevant from several different perspectives in these chapters, for just as Opal must regain her own sense of agency and learn to acknowledge and act upon her dreams, she must also deal with the literal dreams of Starling House that consistently haunt both her nights and her waking thoughts. The most significant thing that Opal learns from Jasper’s story is that the Wardens are free to choose whether or not to pursue their supernatural dreams of Starling House and embrace the role they have been chosen to fulfill; ultimately, they have the power to either protect Starling House or choose an entirely different fate. Due to this, Opal understands that Arthur has made the choice to become the last Warden so that no one else will feel called to do so.
Choice is an especially important concept in Starling House, yet Opal spends much of the novel dominated by the misguided belief that she has no choice in how her life unfolds, for she feels obligated to make any sacrifice to protect herself and Jasper, and this mindset robs her of the will to pursue her own personal desires. By contrast, Jasper stands as an avatar of choice itself, for he is adamant in his assertion that Opal does indeed have the power to choose how her future will unfold. He brings up the idea of choice often, especially once he learns that people who dream of Starling House have the freedom to choose whether or not to become its Warden. Thus, Jasper makes the choice to ignore his dreams about the house and wants Opal to do the same despite her compulsion to protect the house and Arthur. Significantly, just as Jasper is the character who most ardently champions the power of choice, he is also the one who is most often left without any choice at all, for Opal often takes it upon herself to decide what is best for him. However, the conclusion of Chapter 25 represents a significant resolution of this ongoing conflict, for when Opal decides to return to Starling House after promising Arthur that she would leave, both she and Jasper are satisfied with this decision because they know she is doing this willingly, rather than out of a misplaced sense of obligation.
By Alix E. Harrow
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