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James Weldon JohnsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The poem chronicles a constant passing of night into day, and while this highlights the idea of natural cycles, it also adds an element of transience in the heart’s struggle and suggests that, with time, the struggle will fade away. This idea finds express symbolism in the “coming morrow [that] will be clear and bright” (Line 7). Since so much of the heart’s struggle is associated with “dark[ness] and drear[iness]” (Line 3), the “clear and bright” (Line 1) day symbolizes an imminent time when those struggles will be eradicated. The description of the morrow as “clear” (Line 7) also suggests that the sun’s illumination—which has long stood in the Western tradition as a symbol of truth—reveals a reality that has been obscured by a period of darkness.
With this symbolism, Johnson openly engages the Western literary tradition of the “dark night of the soul”; the term originates in 16th-century mystic St. John of the Cross’s poem of the same name, the first verse referring to an “obscure night.” While the “dark night” traditionally describes an individual’s anguished doubt in the existence of God, the term often has the broader sense of a period of an individual’s life during which divine love and mercy appear wholly and abjectly absent (as in the Book of Job). Johnson’s sonnet vividly invokes this despair, and, as in Johnson’s poem, a long-awaited morning is implicit in the narrative of the “dark night.”
A symbolic treatment of the heart has an extensive artistic, literary, and even medical history, dating at least to ancient Egypt and continuing through ancient Greece and Judeo-Christian tradition. While modern metaphors often use the heart to signify a limited emotional scope (usually relating to romantic passions), the heart in “Sonnet” is a metaphor for a deeper emotional state that includes the speaker’s anguish and shame.
The speaker’s heart, however, is also the poem’s addressee, meaning that the poem is an apostrophe, or a poem spoken to a particular person or thing. Unlike many apostrophic poems (which speak to a distant person or object), the speaker of “Sonnet” looks inward and speaks to a part of himself. To speak to an aspect of oneself like this, there must be a divide between the addressee and the addressed. In Johnson’s poem, the divide is between the feeling, emotional heart and the thinking, intellectual mind of the speaker.
The raven makes a brief but significant appearance in the “raven-winged night” (Line 5). The raven has a rich literary and mythological history and traditionally symbolizes darkness, death, and rebirth. While the explicit use of the raven in “Sonnet” points toward the first two of these meanings, the poem’s raven could also be a symbol of rebirth.
The raven as a symbol of rebirth relates to its role in traditional stories as a figure that keeps secrets or enacts change. Often, ravens’ secrets are comparable to revelations in their mythological literature. This affinity for secrets emphasizes the inward orientation of the poem, as the obscurative, oppressive nature of the night restricts the speaker’s ability to outwardly express himself. The night could also (insofar as it is “raven-winged” [Line 5]) be the catalyst for the change brought by the “coming morrow” (Line 7); this symbolism of the raven suggests that, as shown in various civil rights movements, oppression often results in change.
By James Weldon Johnson