76 pages • 2 hours read
Phyllis Reynolds NaylorA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Marty remembers finding a dead beagle in the woods with a bullet hole in its head and wonders if Judd shot one of his dogs simply because he disliked it. Marty’s dad declares that people cannot just shoot dogs, and it would be up to the sheriff to investigate the matter, if such a thing happened. He advises Marty to forget Shiloh, but Marty cannot. Marty worries about Shiloh, wonders whether Judd would even sell Shiloh, and how he could afford to feed him. Marty’s family is not “rock-poor,” but all their spare money goes to caring for their ailing Grandma Preston. One morning Marty hears a soft sound outside and knows it is Shiloh. He realizes two things: that Shiloh has run away from Judd, and that Marty is not going to return him. Marty makes a pen for Shiloh in the woods, sneaks him some supper, and promises Shiloh he will never let Judd hurt him again.
Marty’s biggest problem is getting enough food to feed Shiloh. When he brings Shiloh a biscuit in the morning, the beagle greets him with excitement and joy. Together they have fun running and playing in the woods, though Marty informs Dad he spent the day looking for ground hogs. At suppertime, Marty tells Ma he is saving some of his food to eat later, but he really intends to give it to Shiloh. Under the pretense of going shooting, Marty gives Shiloh the food. Marty gets home just as Judd Travers arrives. Judd announces that his new dog is missing and wonders if the Prestons have seen him. Judd threatens to whip the dog and starve him to teach him not to run off. He declares if the dog were not such a good hunter, he would have already shot him. Marty manages to say he has not seen Shiloh in their yard.
Marty recalls a lie he told when he was younger about eating part of Dara Lynn’s chocolate Easter rabbit. Marty understands that lying is bad, and that he lied by omission to Judd. However, Marty believes he is doing the right thing. Lying to his parents is problematic, but Marty has come to love Shiloh. The two romp joyfully together in the woods. Marty’s parents tell him his friend, David Howard, is back in town and wants to visit. Marty does not want David to discover Shiloh, so he goes to visit David instead. Judd Travers offers him a ride and Marty reluctantly accepts. They talk about Judd’s missing beagle, and Marty asserts that Judd needs to treat the dog right so it will not run away. Judd shares that his pa beat him as a child. Judd tells Marty not to bother feeling sorry for him, just to keep a lookout for the dog.
In this section, Naylor expands the novel’s dominant theme of the blurred distinction between right and wrong. We learn more about Marty’s morality as he navigates the complicated grey area between two moral principles. New facets of Marty’s character develop, and we gain insight into the motivations behind novel’s antagonist, Judd Travers.
Marty’s moral principles are rooted in Christianity. He believes in Jesus and asks God’s forgiveness for his childhood lie about the chocolate rabbit. But now that he is eleven, Marty recognizes that the line between right and wrong is not clear-cut. He has developed his own moral compass, based on his Christian upbringing. Marty believes that Jesus would rather he lie to Judd and his parents—something the Bible generally considers a sin—to protect the life of one of God’s creatures. Marty shows a strong belief in the right to life for every living thing. Marty also feels a responsibility to save Shiloh, even though it involves stealing Judd’s dog.
Marty is confident in his decision, although his dishonesty troubles him and he recognizes the complexity of his dilemma, saying, “the problem’s more mixed up” than just a matter of protecting Shiloh (30). Marty’s guilt reflects the conflicts between his personal beliefs and his love and respect for his family, his upbringing, and his community’s norms. In addition to his mounting deceptions to his family and Judd, Marty breaks a promise to Judd to make what he feels is a higher promise to Shiloh. Naylor will continue to explore themes of the moral ambiguity and the ramifications of dishonesty as the novel develops.
Because he loves and wants to keep Shiloh, Marty, somewhat selfishly, initially avoids thinking about the larger practical and ethical problems involved with hiding Shiloh. Providing food for the beagle, however, is one problem he cannot defer. Marty justifies sneaking food to Shiloh by arguing that it was his share to eat and he is not taking anything away from the family. Food is an important symbol in the novel, representing sustenance, love, and sacrifice. Marty shows a practical and mature understanding that the food on the family table is the product of work, money, and time. Marty also displays a self-sacrificing nature: he is willing to go without food for Shiloh and insists that Judd will have to shoot him to get Shiloh back.
Seeing Shiloh mistreated rouses Marty’s sense of justice. He cannot bear to think of Shiloh chained, and the beagle’s sweet nature ruined like Judd’s other dogs. Chains will become a significant symbol in Shiloh. Marty’s actions are fueled by the knowledge that Shiloh needs him, and by the growing love Marty feels for the beagle. Marty finally experiences the long-desired boyhood joy of having a dog and experiencing its unconditional love. Marty’s bond with Shiloh, however, reveals a potential conflict of loyalty and responsibility, another of the novel’s important themes.
Lastly, Marty learns a little about the reasons Judd Travers acts so cruelly to his animals. Beaten by his pa since the age of four, Judd endured an abusive childhood. He dismisses Marty’s sympathy. Judd’s lack of empathy for others—people and animals—as an adult stems from his unhappy childhood.
By Phyllis Reynolds Naylor
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