68 pages • 2 hours read
Deborah HarknessA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In Prague, Matthew confirms that Emperor Rudolf, like Queen Elizabeth, knows he’s a vampire and a member of the Congregation. Matthew goes to court to try and trade books; Rudolf takes his message but doesn’t receive him.
Several days later, Jack and Annie arrive with Pierre. Jack looks ill and has been having nightmares since being separated from Matthew. Gallowglass tells the adults about how witches in the Jewish quarter of the city have created a “clay creature” to patrol the streets at night. Diana thinks that means a weaver lives in Prague. That night, Diana wakes to hear Matthew talking softly to Jack. He had Jack “draw” his monsters so they don’t bother him in his sleep.
Rudolf finally agrees to see Matthew, telling him to bring the Voynich and the “witch.” When they meet Rudolf, the emperor is upset to see he already knows the book they’ve brought and thinks it’s worthless. Matthew tactfully implies that one of the emperor’s men must have switched it with Dee’s treasured Roger Bacon manuscript without the emperor’s knowledge. Rudolf evades questions about Dee’s manuscript.
Rudolf sends Diana a large gold-and-silver statue of her namesake goddess in the nude. Matthew warns Diana that Rudolf is a collector of people as well as objects.
Diana and Gallowglass attend mass to thank the emperor. After the service, they are barraged by noblemen who have been tasked with making Diana expensive gifts or painting her portrait on the emperor’s command. Over the following weeks, Gallowglass takes her to all her engagements and shows her the palace. The only place they can’t access is the tower where Kelley resides, trying to make the philosopher’s stone.
The local witches Diana meets at the market get her a meeting at the Kelley household. Matthew questions Kelley about the book. Kelley claims he doesn’t know where it currently is, but he showed it to a rabbi named Loew, who attempted to decipher it.
Matthew and Diana visit Rabbi Loew. Matthew has great respect for the rabbi and tells him the truth about Diana’s origin and mission. Loew says Kelley stole the text from Dee to give to Rudolf. He confirms there is a weaver in Prague who has been waiting for Diana to seek him out.
On the way to see the weaver, Diana asks Loew what the embroidered gold ring on his clothes is. He says that local authorities make Jewish people wear markers so Christians can identify them. He introduces her to the weaver, Abraham, whose familiar is the golem that has been seen in the city. She also briefly meets a vampire named Herr Benjamin Fuchs. Diana and Abraham exchange stories about how they make spells. Abraham tells her the manuscript she is looking for will “come to you, if only you ask for it” (426).
When Diana and Matthew get back home, Matthew questions Diana about her afternoon. She is annoyed that he only tolerates her magic and autonomy. They have sex for the first time since her miscarriage. After, she still worries he’ll never stop pursuing her. She uses air powers to throw him away from her, reversing their power dynamic and asking him what scares him about her power. He leaves.
Rudolf suggests they put on a masque. To avoid being cast as Rudolf’s love interest, Diana suggests a play in which Rudolf plays Zeus, Diana plays her namesake goddess, and Matthew plays Endymion.
Later at home, Matthew and Diana argue, prompting Gallowglass to leave the house with the children. He tells Matthew and Diana that they frighten Jack when they argue, and Gallowglass will take the children both back to London if they don’t sort out their conflicts. Diana is angry that Matthew won’t stop trying to control her. He tears her bodice and confesses he has an “unspeakable urge to possess [her] body and soul in ways that no warmblood can fathom” (443). Diana unclothes, urging him to drink from her heart vein if it stops his “incessant need to hunt down what you imagine to be my secrets” (445).
After drinking from Diana’s heart vein, he understands her better. They have sex. Afterward, at Matthew’s urging, Diana uses her powers to look at the threads that connect them, trying to read his mind like he read hers. She sees that Herr Fuchs is Matthew’s son, Benjamin, who previously disappeared. Matthew recognizes that Benjamin has his blood rage and is dangerous; he will warn Gallowglass and Philippe of his reappearance.
Diana feels that, with Matthew drinking from her heart vein and her using her “witch’s kiss” to see his thoughts, their marriage has truly begun. Matthew’s suspicion and short temper largely dissolve.
They put on the masque at Rudolf’s court. Rudolf loves Diana’s performance and says he’ll grant one favor. She asks to see Roger Bacon’s book. Several days later, they’re summoned to court. In his room of treasures, Rudolf gives Diana a pendant of a dragon strangling itself with its own tail, arranged in the shape of an ouroboros, the de Clermont family crest. The gift is a “declaration of war” against Matthew’s family. Matthew deftly turns the conversation to the manuscript, which is not yet in the room.
Rudolf orders Kelley to enter with the manuscript. Rudolf watches Diana as she pages through the book, which she knows is the Ashmole manuscript. The pages that are missing in the 21st century are present. The first shows a tree much like the arbor Dianæ made with Diana and Matthew’s blood, but it is made up of hundreds of miniature bodies. The next image is one Diana knows, as it was removed and sent to her parents: a phoenix’s wings enfolding a chemical wedding. The next missing image is of two intertwined dragons. The next image is one Diana saw in Oxford, but there, the text was disguised by a spell, while now it is visible. Diana is unable to read it, as both Kelley and Dee were before her.
With her weaving powers, she sees threads shaped like a double helix connecting the manuscript and Kelley. Kelley begins to act erratically, shouting things about being connected to the book. Diana sees threads curl out and connect both her and Matthew to the book. Matthew urges them to leave, against Rudolf’s exclamations. Gallowglass arrives to escort them away. Diana doesn’t want to leave the manuscript behind, but Matthew says she needs to get the children ready to leave while he goes back for the book.
Diana realizes that Ashmole 782’s pages are vellum made from vampire, witch, and daemon skin. Matthew and Gallowglass tell Diana that the pendant Rudolf gave her bears the mark of the Order of the Defeated Dragon, who hate the Knights of Lazarus. Diana recalls she saw Benjamin with the same insignia. Since she saw Benjamin, they haven’t been able to find him.
When Matthew and Gallowglass leave and return with the book. They said they heard Kelley and the book conversing, before Kelley started ripping pages out. Gallowglass quickly got the book, but the three first pages are missing again. They leave Prague immediately. As they sail, Matthew determines that the book is bound with hair, the ink is made from blood, and the gilt from bones of creatures. Diana is seasick; she thinks she is pregnant again.
In the modern day, the witch and Diana’s antagonist in A Discovery of Witches, Peter Knox, goes to Prague to respond to a tip from a mole working at a monastery archive there. The man shows Knox a letter from Rabbi Loew to a man named Benjamin, written in 1609. It details how Kelley took three pages from the Book of Life before it was stolen from Rudolf’s court. Kelley gave Loew one page but wouldn’t say to whom he gave the other two pages. Loew gave his page to Abraham, and it vanished when Abraham died.
With the dates on the letter, Knox can tell that the events Loew describes happened in spring 1591. Knox calls Gerbert, a vampire in the Congregation, to ask him who Benjamin is. Gerbert says he is Matthew’s son, but Knox has never heard of him because Benjamin disowned his family. Knox wants to find Benjamin and learn what he knows. He wants to start at Sept-Tours, where Gerbert says Marcus is gathering witches, daemons, and vampires, all demanding the Congregation put an end to the covenant that forbids inter-creature relationships.
In Part 4, Diana and Matthew arrive in Prague, which, in 1591, is part of the Habsburg-ruled Holy Roman Empire, an empire that encompassed contemporary Germany and its nearby countries. They are on a mission to fetch Kelley for Queen Elizabeth, though their personal motivation is to retrieve the Ashmole manuscript. However, they wind up in a “dangerous game” with Emperor Rudolf II. His romantic attentions become fixed on Diana, and she must use her intelligence to avoid his advances with tact, keeping herself and Matthew from becoming victims of his anger. This highlights Diana’s role as an equally protective force in her marriage, which challenges Gender Roles in Different Historical Periods.
Because they need Rudolf’s cooperation to get access to the manuscript, Diana manipulates his attempts to woo her into an agreement to show her and Matthew the manuscript. After the masque they perform, Rudolf—who has been trying to woo Diana with gifts— says that she “may ask Zeus for a reward” (452). Rudolf played Zeus in the masque, but he also imagines his own identity like that of Zeus, the ruler of the gods. As a woman of the 21st century, Diana is more comfortable taking open risks and challenging men than women in the 16th century. These Gender Roles in Different Historical Periods lead her to ask for the favor of seeing Bacon’s manuscript. Gallowglass tells her that she has “balls of iron” (452), further associating Diana’s bold cleverness with gendered expectations.
Diana and Matthew continue their power struggle. Diana’s interaction with Rabbi Loew, a real historical figure, illuminates how Matthew continues to marginalize her identities as both an autonomous woman and a witch. Loew is Jewish: In England, Jewish people were expelled from the country centuries prior. In Prague, they are segregated into the “Jewish Quarter,” and they must wear an identifying mark to warn “unsuspecting Christians” about their religion. Loew makes it clear that this is not acceptance, but tolerance, which “can change in a heartbeat” (421). Though Jews are “tolerated in Prague” for now, Loew imagines that they won’t always be. Diana, from the future, knows this to be true.
Diana sees a commonality between the persecution of Jews and the persecution of the witches occurring in Scotland, which plagued Diana in Part 1. Both groups were turned on by their own neighbors out of fear and without substance. Both groups are legally powerless in comparison to the groups who wish to oppress them. Diana makes connections between this phenomenon and her own life. Though Matthew claims that he accepts her, she disagrees. She says, “You tolerate me, because you think that one day I’ll beat my magic into submission. Rabbi Loew warned me that tolerance can be withdrawn” (430). Matthew hasn’t fully accepted Diana because he is still trying to change parts of her character that are central to her identity. He can never fully accept her until he accepts her magic, too.
What ultimately resolves this conflict is the practice of drinking blood from Diana’s heart vein. Matthew says this practice is done between mates. Vampires “keep too many secrets to ever be completely honest” and even the secrets they aren’t trying to keep can’t always be verbalized (444). They drink from each other’s heart veins to see everything the other thinks and feels and ensure the other that “nothing is hidden” (444). Matthew has never trusted himself to do this before because of his blood rage. When Diana urges him to drink from her heart vein and he successfully does, he demonstrates to himself that he can overcome his own blood rage.
Matthew doesn’t gain access to Diana’s thoughts and memories without reciprocity. Diana, in turn, uses a “witch’s kiss” to read the threads that connect them. They share information this way as partners, cementing their relationship as a marriage of trusting equals, and soon, Diana becomes pregnant, which was also foreshadowed in Ashmole in the form of the tree that Mary also created by mixing Matthew and Diana’s blood in Part 3. This also suggests that fate plays a large role in their union, foreshadowing that Matthew and Diana will influence the lives and liberties of all magical creatures. Further, by sharing in this act of full transparency, Diana learns that a man she saw in the Jewish Quarter is Benjamin, Matthew’s son who inherited extreme blood rage and disowned the de Clermont family. The new unspoken communication between them thus allows them to gain information neither could gain on their own. Benjamin disappears, even though they look for him, and Diana and Matthew do not find him again. Though Matthew and Diana try to wrap up their business in the past in Part 5, this demonstrates that due to The Complex Nature of Time, some threads in the past will remain unresolved. This foreshadows how Matthew and Diana will have to resolve this conflict with Benjamin in The Book of Life.
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