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Amitav GhoshA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Toward the end of the winter, Deeti sees a “vision of a tall-masted ship, at sail on the ocean” despite living “so far inland that the sea seemed as distant as the netherworld,” which she takes as a sign of destiny (3). Deeti and her husband, Hukam Singh, are high-caste Rajputs who live on the outskirts of Ghazipur in northern Behar, India, with their daughter, Kabutri. Deeti works in the fields growing poppy, while her husband works at a nearby opium factory in the town proper.
Deeti and Hukam have been married for seven years, but Deeti is still “not much more than a child herself” (4). In appearance, she stands out from others due to her light grey eyes, an unusual feature in the region, and one that makes “her seem at once blind and all-seeing” (5). After seeing her husband off, she heads out to begin the day’s work, ignoring her brother-in-law’s “jibes” as she does (6).
Later in the day, while Deeti and Kabutri are down at the river, Kabutri, looking at a small English barge, asks her mother where the ship is going, which triggers the vision of the large ship. Kabutri asks if her mother can draw the ship, and when they return home, Deeti takes her daughter into her shrine room, draws the ship, and includes the picture along with her family pantheon. When Deeti asks why, she replies that both the ship and the inhabitants of it belong there, though she isn’t sure why yet (9).
The story then shifts to Zachary Reid, who will become second mate of the Ibis. An American and the son of a Baltimore freedwoman, Zachary had spent eight years working in a Baltimore shipyard before agreeing to come on board the Ibis, which was being refitted from its original purpose as a slave ship. The ship was undermanned and under-provisioned; as a result, there were several deaths, including that of the second mate, whose duties Zachary assumed.
When the Ibis reaches Cape Town, most of the crew disappears, and they struggle to find American or European replacements, instead turning to a lascar group led by Serang Ali, which prompts the first mate to disappear as well, with Zachary taking over as temporary first mate: “thus it happened that in the course of a single voyage, by virtue of desertions and dead-tickets, he vaulted from the merest novice sailor to senior seaman” (14-15).
On their way from Cape Town to Mauritius, the ship’s captain comes down with severe illness, and Zachary takes over as acting captain; however, though he took over the log-books and ostensibly the ship’s navigation, he soon discovered that “the actual steering of the ship had never been in his hands anyway,” and instead had been assumed by Serang Ali (17). As the captain is too ill to leave the ship in Port Louis, Zachary instead has to handle the ship’s business, for which Serang Ali helps dress him so that he won’t be kidnapped by a local gang and sold into slavery, even ensuring his hair is washed properly and he is fitted with a watch and a pistol.
On shore, Zachary meets with a Monsieur d’Epinay, who treats Zachary to a lavish meal before providing him with a letter to pass along to Benjamin Burnham, the owner of the Ibis and its shipping company. The letter requests more men to work his fields: “Now that we may no longer have slaves in Mauritius, I must have coolies, or I am doomed” (21). As he returns, he marvels at his newfound status as a gentleman, and discovers that he is treated differently, particularly by the women of Port Louis; however, Serang Ali appears and drags him back to the ship.
Despite his condition, the captain refuses a doctor and insists on departing as soon as possible. They attempt a change of diet for him, but within two weeks, he is dead, his belongings thrown overboard and his quarters “washed and left open, to be cauterized by the salt air” (23). Eleven months after departing Baltimore, the Ibis arrives at the mouth of the Hooghly River, where it picks up James Doughty to pilot it to Calcutta.
Two days after her vision, Deeti’s brother-in-law arrives to inform Deeti that Hukam has fallen sick at the factory, which prompts them to seek Kalua, a low-caste ox-cart driver nearby. Realizing she has nothing with which to pay him, she breaks into her husband’s opium supply and breaks off a small piece to offer as payment.
As they depart, noticing the repairs needed in her house, she thinks back to when she was younger: “poppies had been a luxury then, grown in small clusters between the fields that bore the main winter crops,” used as seasoning or medicine when absolutely necessary; now, the English force everyone to grow poppy, leaving the community impoverished (28).
This in turn makes her think back to the last time her own roof had been thatched, which had been as part of her father’s dowry to Hukam Singh. Their match had been proposed by her brother, who had served in the military with Hukam and who had promised Hukam’s disability was small. Subedar Bhyro Singh, Hukam’s uncle, a “bull-like” figure of a man formerly of the East India Company’s army, had handled most of the arrangements. Though Hukam had been present in the negotiations, Deeti had liked “his drowsy demeanour and slow manner of speech,” which seemed “inoffensive” to her, “the kind of man who would go about his working without causing trouble” (31).
On her wedding night, however, Hukam tells her that opium is his first wife (33). She realizes it’s useless to regret what she can no longer change, and when Hukam offers to let her try smoking opium, she assents. She wakes up the next morning bloody; Hukam suggests that they had sex and that she will soon bear a child, but as she cannot remember anything and does not believe her addict husband to be capable of sexual exertion, she is suspicious of the truth of the matter, a suspicion which grows in the weeks following the wedding, as Hukam shows no interest in her (35).
To discover the truth, she begins to lace her mother-in-law’s food and drink with opium; when she sees positive effects, she begins to experiment with other combinations of drugs purchased from midwives and exorcists. Her mother-in-law eventually, in her stupors, begins referring to Deeti as “Draupadi,” who bore the children of five brothers, which confirms Deeti’s suspicion that the father of her child was her brother-in-law, Chandan (38).
A few miles short of Calcutta, the Ibis drops anchor, where it is seen by Raja Neel Rattan Halder, the zemindar of Raskhali. Neel immediately recognizes that 1) the flag of the Ibis is that of Benjamin Burnham, as his family has been doing business with Burnham for many years, and that 2) the Ibis is a new acquisition. He dispatches his assistant to find out how many officers are aboard the Ibis, then asks him to send an invitation to dinner along to Zachary and Doughty, and to make preparations for them “to be entertained as they would have been in [his] father’s day” (45). This surprises the attendant, as Neel has been far more frugal than his father was, in part because his father had essentially bankrupted them prior to his death.
Back on the Ibis, Doughty is rather excited about the dinner invitation, though his description, filled with local slang, almost entirely eludes Zachary. He notes, though, that Neel is nothing like his father was, and that he can’t abide by “a bookish native” and hints that Neel is about to befall bad fortunes (47). Zachary departs to dress for the event, for which Serang Ali provides his wardrobe for the evening, an act of which Zachary has grown tired. When he questions Serang Ali’s insistence, though, he realizes that “for Serant Ali and his men Zachary was almost one of themselves, while yet being endowed with the power to undertake an impersonation that was unthinkable for any of them,” and therefore they strongly desire to see him succeed (49).
Kalua, the ox-cart driver, is an extremely large man—“in any fair, festival or mela, he could always be spotted towering above the crowd”—as well as extremely dark in skin color (52). It is believed that he gained his size at the expense of his mind, “which had remained slow, simple and trusting, so that even small children were able to take advantage of him” (53).
Several years ago, after his parents passed and his siblings cheated him out of his rightful inheritance, a wealthy trio of gambling-addicted brothers promised Kalua an ox-cart in exchange for his prowess as a wrestler. As he continued to win, however, he drew the attention of the Maharaja of Benares, who wished to pit him against his own champion, to whom Kalua suffered his first loss. Kalua initially came home in disgrace, but stories began to swirl that the three brothers, while in the city, had wanted to see if any woman would sleep with Kalua. The sex worker they found screamed and ran, and “it was this humiliation […] that cost Kalua the fight at Ramgarh Palace,” rather than Kalua’s own actions (54).
It so happened that Deeti had been at the river the night they returned, and she had hidden in the poppies when she heard the travelers coming. Thus, she witnessed the three brothers beat the tied-up Kalua, then force him up against one a horse’s rear until the horse defecated on Kalua. Deeti managed to scare off one of the horses, which kicked Kalua unconscious as it fled. Once the brothers ran after their horses, she cleaned Kalua the best she could, then hid back among the poppies until Kalua arose and staggered away.
In the present, Deeti and Kabutri arrive at Kalua’s; Deeti is always apprehensive around Kalua, though she believes he is unaware of her actions. She offers Kalua the opium she had taken from her husband’s supply, which Kalua feeds to his oxen. As they travel, Deeti and Kabutri sit as far from Kalua as they can due to their difference in caste, “so far apart that not even the loosest of tongues could find a word to say, by way of scandal or reproach” (59).
Closer to Calcutta, Jodu, a Muslim boatman from Naskarpara, has just buried his mother and is traveling to Calcutta to perform one last errand before seeking employment on a deep-water ship as a lascar. Jodu had spent most of his life living in Calcutta. His father had also been a boatman, and it so happened that he and his family had been nearby when a white family, the Lamberts, had needed his services to get across the river so their baby could be delivered. The woman died in childbirth, and the man, Pierre, had asked Jodu’s mother to stay on as wet nurse until he could find a replacement, “but somehow no one else ever was” (65).
The family purchased Jodu’s father a new boat, and he eventually left them to start a new family back in Naskarpara, only returning when he knew Jodu’s mother would be getting paid. Jodu and his mother continued to live with the Lamberts; Jodu and Paulette Lambert, the daughter, were raised as brother and sister, and it is strongly suggested that Pierre and Jodu’s mother were secretly in a relationship (66). After Pierre’s death, Jodu and his mother returned to Naskarpara, while Paulette was taken in by Benjamin Burnham’s family. However, shortly after, Jodu’s mother’s health declined and she died approximately a year later. As she was like a mother to Paulette, whose Bengali is better than her English, Jodu is returning to inform Paulette of his mother’s death before seeking employment on the seas.
The first three chapters of the novel spend ample time identifying the main players of the story while explaining their backstories. However, in Sea of Poppies, this is no small task, as the novel is the intertwining tales of several different, equally important people. As a result, the pacing of the first few chapters is rather slow—Deeti is informed that her husband has fallen sick at the factory at the start of Chapter 2, for example, but will not arrive at the factory until Chapter 5; even her hiring Kalua requires a lengthy explanation of their prior relationship, and why she feels uneasy around him.
This is not to say, however, that the backstory isn’t essential, and it is important to remember that the book is just the first volume in a trilogy. The slow pacing serves to mark a great many things that will become important later on, sometimes in ways that can only foreshadow what will happen in later volumes, sometimes in ways that become important later in this volume. There are two seemingly throwaway passages in Zachary’s story, for example—the loss of his flute, and the gift of the watch by Serang Ali—which seem unimportant, if interesting, in the moment, but become extremely important later in the story: the flute signals to Nob Kissin Baboo that Zachary is an avatar of Krishna, which leads him to steal the passenger manifest that labels Zachary as black; and the watch, which Serang Ali claims to have picked up at a pawn shop, actually belonged to the infamous pirate (though unknown to Zachary) Adam Danby, who was Serang Ali’s son-in-law. The confrontation that follows facilitates Serang Ali’s escape to Singapore with Jodu and Kalua aboard at the end of the novel.
Themes of caste, rank, and race are established through these chapters, though they will be deconstructed throughout the book. Kalua, for example, is of a much lower caste than Deeti and Hukam Singh, so low that Hukam refuses to even look at Kalua during his twice-daily commute, and Deeti places her payment to him on the ground, rather than risking anyone seeing her touch him, even indirectly (although this certainly is exacerbated by her own memory of the night she cleaned and felt him by the river).
Though Zachary was free in the United States, his own journey still began in order to escape racism, and although he didn’t intend it, his own race is erased as he travels from Baltimore to Calcutta, thanks in part to Serang Ali, who recognizes that Zachary is able to pass and thus rise higher than other people of color, making him an avatar for the other lascars.
Neel Halder occupies an interesting space, as well—he is of exceptionally high caste and quite wealthy, but in the way of the old aristocrats, in that he owns a lot of land and occupies a lavish lifestyle despite being in great debt. Further, his power is nominal—he is well-respected by other Indians, but Doughty dismisses his status, and soon enough learns how quickly he is able to be taken down by the whites who truly hold power.
An important symbol throughout the book is that of language, so much so that a glossary is included in an appendix. The book frequently moves between languages, sometimes offering translations but other times letting the original stand for itself, depending on the kind of language and by whom it is being spoken. Where this is likely most difficult is in understanding Serang Ali’s sailor’s pidgin, which is rarely directly translated for the reader, and, relatedly, the extensive slang used by men like Doughty. The latter is initially played for laughs through this chapters, as Zachary, who has no experience actually sailing prior to this voyage, struggles to keep up with it; however, there is a hidden ominousness to the substance of Doughty’s language that only becomes clear later—the lightness of the language hides the darkness of Doughty’s words and person. Likewise, the pidgin of Serang Ali in his communication with Zachary demonstrates an important fluidity not only in Ali but also in Zachary, who by the end of these chapters is switching between several registers: Ali’s pidgin, his own natural dialect, and the more upper-class dialect of a gentleman.
By Amitav Ghosh