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20 pages 40 minutes read

Tobias Wolff

Say Yes

Fiction | Short Story | Adult | Published in 1985

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Symbols & Motifs

Blood

As the sink’s water becomes “flat and gray,” Ann reaches in and cuts her thumb on something sharp. Wolff describes the cut “a single drop of blood welled up, trembling and bright” (2). When Ann cuts her thumb, the tension between the husband and the wife comes to halt, forcing the reader to focus on Ann’s “drop of blood.” Wolff continues to reference the blood, its color, and the way it stains the kitchen floor. It’s a reference to the “one drop rule” in American history, maintaining that one drop of “African blood” made someone Black, regardless of how they looked, or if they had significant European ancestry. Ann’s blood appears in the middle of their argument to reinforce the artificiality and complexity of race, serving as a reminder that race isn’t as “black and white” as her husband argues it to be.

Dirt

Dirt and cleanliness are mentioned throughout the story. In the beginning, the husband and wife are doing dishes. As their argument intensifies, Ann washes dishes quickly causing them to be “greasy” with “flecks of food between the tines of the forks” (1). Her husband becomes angry with her and drops them back in the sink, saying “these are dirty” making the water “flat and gray” (2). The couple’s conversation about race mirrors their act of cleaning in the kitchen. America’s racial history often associates cleanliness and purity with whiteness whereas Blackness has always been equated to dirt or impurity. The husband’s belief in racial purity is mirrored in his treatment of the “mutts,” or mixed-breed dogs; much like he considers an interracial marriage as less desirable, he considers the mixed-breed dogs a nuisance and usually throws rocks at them. His decision to change this behavior marks a change in his perspective.

As Ann embraces interracial marriage, her cleaning becomes more careless. After she asks her husband if he would marry her if she were African American, the husband feels compelled to clean the whole kitchen by himself so it looks the way it did “before they had ever lived there” (3). It serves has the husband’s way of clearing the kitchen of the argument, but also clearing the house of Blackness and the thought that his wife could ever be Black.

Darkness

Darkness and its ability to obscure is symbolic of Blackness throughout the story. When the husband returns from taking out the trash, he finds the house completely dark. Though he hears Ann and speaks with her, he does not see her in the final moments of the story. He wants to appease her, but he’s unable to read her tone. Her obscuration seems to alter her voice since now it contains “a level and definite note that was strange to him” (4). Before Ann leaves the bathroom, she tells her husband to turn off the one light in the house, the bedside lamp. As she makes her way to the bedroom, he compares the sounds of her movements to when he would wake up in the middle of the night and hear “the sound of someone moving through the house, a stranger” (4).

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