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51 pages 1 hour read

Claire Lombardo

Same As It Ever Was: A Novel

Fiction | Novel | Adult | Published in 2024

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 1, Chapters 13-24Chapter Summaries & Analyses

Part 1: “Lost in the Supermarket”

Part 1, Chapter 13 Summary

In the present timeline, Julia goes to Ben’s apartment. He’s preparing to move into a new apartment with his fiancée, Sunny. Julia takes him to Target to buy things for the new apartment. There, he asks her if he should invite Anita, Julia’s mother, to the wedding. When Julia says she thinks it would be a bad idea, they argue.

Later, while Julia sits in her car outside Helen’s house, she gets a call from Alma, who has been accepted into Herzog College in Iowa. As Julia begins to turn the car around to leave and return home, Helen comes outside and sees her.

Part 1, Chapter 14 Summary

In the past timeline, after Helen returns from Florida, Julia and Ben are at her house. Helen tells Julia that Nathaniel seems happier after their time together.

Later, Francine, the wife of Mark’s best friend, Brady, comes over with her friend, Monica and their children. Nathaniel knocks on the door. Julia goes outside and tells him to leave. Before leaving, he kisses Julia, and Francine sees them. Francine tells Julia that she won’t tell anyone about it.

Part 1, Chapter 15 Summary

A few days later, Julia went to Helen’s house. Helen seemed stressed. Julia offered her a nice bottle of wine she brought, but Helen said it was too sweet and opened a different bottle. Helen seemed concerned that something was “off” with Julia. Julia suspected their relationship might be coming to an end.

Part 1, Chapter 16 Summary

In the present timeline, Julia drives Alma to school after Alma oversleeps her alarm. In the car, they have a tense conversation about Alma’s calculus test. Alma tells Julia that Sunny emailed her about details for the wedding.

That afternoon, Julia reads Sunny’s email. She doesn’t understand the details, so she calls Ben, who is busy at work. After a terse conversation, Ben tells her to call Sunny if she needs an explanation of the wedding plans.

Part 1, Chapter 17 Summary

In the past timeline, Mark, waking at five o’ clock in the morning, comes into the kitchen to talk to Julia. He tells her that he loves her but that she seems unhappy. Julia says she loves Mark too but that she feels she doesn’t “fit” into their lifestyle. He tells her that Francine suggested a therapist for her. She reacts defensively, angry that he confided in Francine about their marriage.

Part 1, Chapter 18 Summary

After the argument with Mark, Julia went to Helen’s house and told Helen about the argument. Helen told Julia that she was self-destructive. Then, Helen revealed that Nathaniel told her about his affair with Julia. Helen suggested the affair was further evidence of Julia’s self-destructive tendencies. Julia said she didn’t “deserve” her family and her lovely life, and she left.

On the way to her car, she ran into Nathaniel, who was heading to the Russo family lake house. Julia asked if she could come too, and Nathaniel, though surprised, agreed.

Part 1, Chapter 19 Summary

On the way to the cabin, Nathaniel complained that his mother didn’t understand how hard it was now to “climb the corporate ladder” (174). Julia felt defensive of Helen and argued that she had it hard as a woman making a career for herself. Suddenly annoyed, Julia asked Nathaniel to let her off at a gas station along the highway. She called Mark from the gas station and asked him to pick up Ben from preschool and then to come pick her up at the gas station. He was annoyed and alarmed but agreed.

Part 1, Chapter 20 Summary

In the present timeline, Julia arrives home from her work at the library to find Alma and Mark sitting at the kitchen table. Alma reveals to them that she has been rejected from every school she applied to except Herzog College. She complains about all the stress she has been under to get into a good university, going so far as to take Adderall. When Julia tries to tell her everything will work out, Alma gets annoyed and storms off. Mark goes upstairs to comfort her.

Later, Julia takes Alma some boxed mac’n’cheese, and Alma apologies for her outburst. Julia comforts her.

Part 1, Chapter 21 Summary

In the past timeline, Mark picks up Julia from the rural gas station. He tells her he knows she has been having an affair. She apologizes profusely, but he doesn’t want to hear any details. She tells him she didn’t mean to hurt him but thinks on some level she was trying to give him an excuse to leave her because he deserves better. He tells her he doesn’t want her to see Helen and Nathaniel again, and Julia agrees.

Part 1, Chapter 22 Summary

In the present timeline, Julia calls her mother, Anita, to invite her to Ben’s wedding. Anita says she’s at work and can’t talk long. She thanks Julia for the invitation but says she won’t be attending. She asks Julia to wish Ben congratulations from her.

Part 1, Chapter 23 Summary

In the past timeline, two years after the gas station incident, Julia is pregnant with Alma. It is her due date. There is a knock at the door, and Anita is there. She said she was in town to get some things out of storage. She spends the day with them and gets along well with Ben. Julia begins to feel hopeful that her mother will stick around, but Mark is skeptical. Julia invites Anita to stay.

Six months earlier, Julia saw Helen at the library where Julia now worked part-time. Helen was with her sister-in-law and grandson. She was cool to Julia, but they chatted anyway. Helen immediately recognized that Julia was pregnant, even though Julia hadn’t told anyone but Mark. Helen told Julia that Mark’s “heart must at least be partially in it” considering that he stayed in their marriage and they were having another child (209). As she left, Helen told Julia that she was “always in [her] heart” (209).

Part 1, Chapter 24 Summary

In the present timeline, Anita stays with Mark and Julia for three days. Julia is thrilled she’s getting along so well with her mother. The third evening, while they play a card game, Julia reveals to Anita that she had an affair years ago. Anita says, “[Y]ou got that from your father” (212). Their tempers flare, but, not wanting to argue, they return to the card game.

The next morning, Julia finds a note from Anita reading, “Change of plans, had to run” (214). Julia feels let down. Then she reveals to Mark something that happened when she was 17. (The novel implies that one of Anita’s boyfriends had sex with Julia.) Mark is understanding with Julia and angry with Anita. That night, Alma is born.

Part 1, Chapters 13-24 Analysis

This section reveals the central conflict in Julia’s life: In her thirties, she had an affair with Nathaniel, her best friend’s son, even considering running away with him. This led her instead to reveal the affair to Mark. The alternating timelines show how this central conflict is mirrored by two other challenges in Julia’s later adult life: Ben’s impending nuptials (and his fiancée’s pregnancy) and Alma’s impending departure for university. All three events are moments of intense change in Julia’s life. While she initially dealt with the earlier conflict by panicking and shutting down her emotions, she reveals growth and maturity by responding to Ben and Alma’s new situations with greater patience and understanding.

A close reading of Chapter 19 clarifies how Julia’s decision to leave with Nathaniel and then her reconsideration of this decision contributes to the themes of Love and Sexual Desire in Marriage and Personal Identity and Motherhood. A funeral procession stymied Julia and Nathaniel’s departure. This symbol of death serves as a warning of mortality. While it could be read as a memento mori, or an exhortation to take advantage of the present moment, in a religious context warnings of death are reminders to make moral choices because of the possible consequences in the afterlife. This prefigures Julia’s guilt over her actions and her ultimate decision to act morally by returning to her husband and admitting to the affair. Discussion with Nathaniel about Built to Spill, a band whose work often deals with themes of memory and regret, prompted Julia to think about “that sad, sparse expanse of her twenties when she could have been anywhere, doing anything, and nobody would have known or cared” (173). While Julia might have been “cooler” in her twenties, attending indie rock shows at bars, she was essentially alone. In her thirties, her identity was shaped by being a mother and thereby the needs of her family. Julia and Nathaniel’s discussion of Helen, his mother, raised Julia’s awareness of how his sexual desire for her was likely colored by his relationship with his mother. She became “tangibly aware of herself in a way that she hadn’t been in in ages, the materiality of her body, its autonomy and actuality, its pathetic transgression” (175). This realization starkly contrasts Julia’s sexual relationship with Mark which, while tepid following their son’s birth, was based on mutual respect and understanding. Nathaniel’s critique of Helen prompted Julia’s recognition that she likewise saw herself as a mother, “the hardest thing in the world” (175) and yet essentially part of her identity. These paired understandings prompted Julia’s resolve to return to her family life.

The novel describes this scene, like all aspects of Julia’s character development, with nuance. Julia’s internal dialogue lays bare her doubts, vicissitudes, and panic. She isn’t a monster or a stock character but rather a complex figure facing a set of circumstances she finds difficult and dealing with them the best she knows how. She often attempts to handle these circumstances with humor despite her fear, as she does when she tells Mark that she’s “in the ass-fuck middle of Kneeland” (177) but then “her laughing morph[s] disturbingly back into crying” (178). Her humor and angst give her character pathos, portraying her as relatable and human in a way that creates a connection and inspires empathy.

A key theme that emerges in this section is Transformation of Parent-Child Relationships Over Time. In Chapter 13, when Julia takes Ben, now 24, to Target, “she wonders how many times she has showcased her love for her son in this way” (130). However, now that he’s older, this practice takes on a new resonance as “his evident failure to launch—is kind of her fault in the first place, isn’t it?” (131). What was once a routine, normal part of parenting has transformed into something Julia sees as a potential indictment of her parenting abilities. Despite these changes and Julia’s doubt of her quality as a parent, Ben and Alma show signs that they’ve adopted aspects of Julia into their own lives and personalities in young adulthood. Symbolizing this are the framed poster on Ben’s wall of the band Pavement, which they listened to together when he was young, and Alma’s appropriation of Julia’s Jesus and Mary Chain T-shirt. Even as they grow apart from Julia, her children seek connection with her through the music she introduced them to.

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