51 pages • 1 hour read
Claire LombardoA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The primary protagonist of Same as It Ever Was is 56-year-old Julia. Using third-person limited perspective, the text traces her entire life history, primarily focusing on her life in the literary present. In midlife, Julia is a part-time librarian with a teenage daughter soon leaving for university, Alma, and a 24-year-old son, Ben.
Julia’s third-person narration is unreliable. She’s exceedingly self-deprecating, often focusing on her failures and mistakes. As she says to her husband during a fight, “It’s me that’s wrong, all right?” (162). This cynical self-image frequently leads her to misjudge or mischaracterize situations because she assumes that others think as badly of her as she does of herself. For instance, when she first meets Mark’s friends Francine and Bradly, she feels intimidated and out of place: Given their wealth, marriage, and pregnancy make her “feel sort of diminutive and whorish alongside Francine’s robust fertility, and aware of [having] brought wine into a nursery […] and also the stale smell of cigarettes” (285). Later, though, the text reveals that Francine felt intimidated by Julia’s “cool” during that initial meeting. This is a jarring revelation because it shows that Julia’s self-perception is often skewed by her self-lacerating irony. She isolates herself from others for fear of their judgement, when often it is Julia who is judging herself most harshly.
Over the course of the novel, Julia gradually learns to accept herself, her choices in life, and the love of others. In her twenties, Julia is fiercely independent. Her difficult upbringing taught her not to depend on anyone. Her mother explicitly reinforced this lesson after her father left when she was a child. Julia’s first step to intimacy is letting Mark into her life. While she hides things about her life from him, she gradually learns to trust him to take care of her. This intimacy is evident in little ways, such as their inside joke about the origin of “bagging Jordan almonds” being “from the Revolutionary War” (457). Her acceptance of their intimacy does have setbacks and mistakes, however. Instead of talking to Mark about her feelings of alienation and depression when Ben is a toddler, she has an affair with Nathaniel, her best friend’s youngest son. It takes many decades before she learns to open up more to her husband about her emotions.
Julia’s love and care for her children largely define her. She struggles to be a good mother while eschewing the conventional model of the upper-middle-class Chicago suburbs where she lives, “the mothers swanning around Serenity Smiles who pointedly slipped into conversation that their children were deftly navigating cellos twice their size and conversing fluently with the Somali checker at the co-op” (40). She felt most secure in her life when she was pregnant and when her children were small and entirely dependent on her. Although the nature of the constant care required is exhausting, her love and affection for her kids subsumes her. As her children mature and need her less, Julia feels increasingly extraneous. She’s happy when she can still provide and care for them as young adults, like when she buys Ben things for his new apartment and when she braids Alma’s hair before his wedding. Ultimately, she comes to accept their independence while still finding a role in their lives, such as when she stands up to Sunny’s family to defend Ben and Sunny’s decision to marry despite her initial reservations. This scene shows that she supports their independent decisions and has found her role within their lives, albeit a different one from when they were very young.
Julia’s husband, Mark is a relatively minor and flat character in the plot who serves mainly as a catalyst for change in Julia’s life and a sounding board for her emotions. Mark comes from a loving, stable family in La Crosse, Wisconsin, that doesn’t understand his passion for science. He works as a research scientist for his friend Brady’s venture capital firm. Mark is patient, kind, and loyal. He works hard to make Julia feel loved despite her acerbic and guarded nature. This is evident in little moments, such as when he calls her “beautiful” when she’s naked or when he “touch[es] her back for just a second with something like tenderness” (46) after a date.
Mark and Julia largely follow traditional gender roles in the marriage. He works while she stays at home, takes care of the children, and does most of the housework. However, he’s a good and dedicated father who loves his children and supports them entirely. Like many contemporary fathers, he’s an active parent, like when he “wears the baby carrier on his front” (341) or reads to Ben before bed. He has a particularly close relationship with Alma.
Julia perceives Mark as an ideal man. However, certain moments of dialogue suggest that he’s a little myopic and ignorant of how best to engage with his wife, such as when he asks her, “Don’t you just sometimes feel like our lives aren’t as—real as other people’s?” (292). He doesn’t entirely understand her unease about the normal, suburban life. Over time, he learns to accept Julia for who she is, and they work through their differences.
Julia and Mark’s first child is Ben. The novel describes his life from childhood to adulthood, primarily focusing on him at ages three and four and as a 24-year-old who is marrying his pregnant girlfriend, Sunny. As a child, Ben is attentive, sweet, and curious. He’s particularly attuned to his mother’s emotions, as is apparent when he cries after she starts crying. His curiosity is evident in his spending afternoons with Helen’s husband, Pete, “helping” him with work around the house.
These traits are evident in his adult years. Like his father, he has an academic bent, revealing his enduring curiosity about the world. Despite flare-ups and arguments regarding Ben’s decision to marry at a young age, he knows when his mother is upset and works to comfort her, as is evident when he thanks her for her hard work and “comes over to hug her” (402) after an argument Julia has with her mother. As an adult, Ben isn’t perfect. He makes the questionable choice to date his former student and can be a bit distracted and myopic. However, he’s loyal to Sunny and works hard to make the people in his life happy.
Nicknamed Ollie by her family, Alma is Julia and Mark’s younger child. The novel largely describes her at age 17 before she leaves for university. A creative, curious, spunky teen, she likes to dye her hair and spend time with her friends. She wins an award for proposing compostable cutlery in the high school cafeteria. She’s passionate about social justice and as an adult works for nonprofits.
While Alma gets along well with her father, like many teenage girls, Alma has a tense relationship with her mother and can be somewhat “mean.” She’s annoyed when Julia asks her questions about her sort-of girlfriend, Margo, or about her schoolwork. Julia describes the “power dynamic” between them as “not unlike that of a years-long hostage crisis” (12) in which Julia feels she must tiptoe around her daughter for fear of setting her off. However, Alma eventually learns to understand and respect her mother. She demonstrates how sensitive she can be when she feels empathy for Julia’s difficult relationship with Anita.
Julia’s mother, Anita acts as an antagonist in the early part of the novel. She’s a complex character whom the novel depicts in brief episodes throughout Julia’s life. As a young mother, Anita was relentlessly hard on Julia. When Julia, as a second grader, missed her cue in the school play, Anita declared that there was “no reason to celebrate” (379). After Julia’s father, Lawrence, left, Anita began drinking more and bringing men around. She didn’t actively prioritize Julia’s well-being.
When Anita and Julia reunite as adults, Julia realizes that Anita felt overwhelmed by her duties as a young, single mother, especially after Julia’s father left them, and that she did her best. Now older and in a more stable relationship with a better income, Anita demonstrates her capacity for change. She’s sober and attempts to support her daughter and grandchildren.
Julia’s best friend, Helen acts as a foil for Julia. She’s emblematic of Julia’s idealized life and marriage. The text emphasizes the differences between their lives through Julia’s constant reflections on her jealousy and admiration for Helen, who is roughly 20 years older. She worked as a lawyer for many decades and was the primary breadwinner, while her husband, Pete, stayed home to care for their five children. Julia admires Helen’s wisdom, steadiness, and particularly the ease with which she seems to move through life. For instance, Helen always seems to know exactly what kind of wine to buy and how to make people feel welcome. A mark of Helen’s patience and magnanimity is that she doesn’t get angry with Julia for having sex with her son Nathaniel while she’s away on vacation. She understands the challenges Julia faces as a young mother.
When the two women met, Helen was a volunteer docent at the botanical garden; her children were grown, and she had retired. Although Julia thought Helen was doing her a favor when she took Julia into her life, she later realizes that Helen was lonely. As Helen tells Julia, “You were terrific company […] You needed me more than I needed you, then, maybe, but that doesn’t mean that I didn’t need a friend too” (471). This revelation makes Helen seem at once less perfect and more human.
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