logo

55 pages 1 hour read

Mona Awad

Rouge: A Novel

Fiction | Novel | Adult | Published in 2023

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Prologue-Part 1, Chapter 6Chapter Summaries & Analyses

Prologue Summary

The narrator speaks to Mirabelle Nour in the second person, describing a childhood memory of Mira’s mother coming into her room to tell her a favorite bedtime story about a beautiful maiden. The mother is beautiful and vain, and the daughter is jealous, having inherited darker features and coarser hair from her father. The story is a version of “Snow White,” in which the mirror tells the viewer “Something terrible […] Something inevitable. Something true” (7). The protagonist sees a spectral male figure in the vanity mirror.

Part 1, Chapter 1 Summary: “2016: La Jolla, California”

Mira has returned to California from Montreal for her mother’s funeral. Noelle was found dead, having ostensibly fallen off a cliff during a walk at night. Mira remembers receiving the phone call from the police, which she received while working in a dress store in Montreal. She packs “seven ziplock bags full of skin products” (16), many of which are lauded by her favorite online skincare guru, Marva, but forgets to bring a dress for the funeral. Sylvia, who ran a dress shop with Noelle, loans her one and annoys Mira with her intrusive sympathy.

At the funeral, Sylvia tells Mira to come to the dress shop before returning home because they have some things to discuss. Before she leaves, Mira sees a redheaded woman on the veranda wearing a red dress. The woman tells Mira that her mother “went the way of roses” (21).

Part 1, Chapter 2 Summary

Mira has a drink in her hotel bar and reflects on her last conversation with her mother. Noelle was distraught and confused, saying she was “wearing a dread of liquid gold” and “going the way of the roses” (28). Mira was concerned about her confused speech (saying “dread” instead of “dress”) but wrote it off as eccentricity or aging.

In the hotel bar, Mira gets a phone notification from a sender called “Rouge” with a message about grief and the skin barrier. She feels suddenly as if she is being watched. She clicks the link, and it is a video of the woman in red from the funeral. The video is interspersed with images of a red jellyfish and before and after images of a woman who looks haggard in the first video clip and is glowing in the second. The woman in red holds up a red jar of cream and says that the secret is inside the human soul, and the viewer can see for herself if she goes the way of roses. Mira continues to hear the video’s background music after she puts her phone down, and wonders if the man a few tables away is watching the same thing. He looks angry, then smiles at her.

Part 1, Chapter 3 Summary

Mira meets her mother’s lawyer, Chaz, for breakfast. He tells her Noelle took out three significant loans over the past year. He suggests selling her house and car to possibly break even, though they are both in rough shape. Mira asks about the dress shop, but Chaz tells her Noelle sold it to Sylvia.

Part 1, Chapter 4 Summary

Mira goes to the dress shop, Belle of the Ball. She remembers its beautiful, intimidating aesthetic but is surprised to see that Sylvia has changed it, removing its characteristic eerie mannequins and catering to a different consumer with generic clothes and costume jewelry. Mira confronts Sylvia for stealing the shop, and Sylvia replies that she thought Noelle told Mira about her decision to sell it. Sylvia and the shop assistant, Esther, go to the basement to collect some boxes Noelle left behind. Mira is surprised because she was always told that there was nothing beyond the basement door but the boiler.

Part 1, Chapter 5 Summary

Mira goes to her mother’s apartment to begin packing up her belongings. She meets Tad, her mother’s landscaper, whom she is surprised to find in the house watering the plants. He is clearly at home there, helping himself to a beer and sitting with his feet on the coffee table. He asks about her plans for the apartment. When she tells him she’ll be selling, he suggests renting it out on Airbnb instead. He offers to help her renovate the place. She asks him about the cracks in all the mirrors, and he says that he tried to replace them for her once, but the cracks came back.

Part 1, Chapter 6 Summary

Mira assesses the apartment more closely and finds that it is, as Chaz said, in disrepair. She finds red bottles like those in the Rouge advertisement in every room. She unpacks the box from the dress shop and finds her old dolls and clippings of Tom Cruise. She looks away, and when she returns to the box, she sees her mother’s feathered red shoes, which she didn’t see when she first looked in the box. Mira becomes lost in the childhood memory of trying on her mother’s shoes and seeing a male figure in the mirror. When she comes to, she is wearing the shoes and one of her mother’s dresses. She feels compelled to go for a walk along the cliff path and wonders if the shoes are leading her. She goes toward a black cliffside mansion with a glowing red light. At the door, she sees a plaque that reads La Maison de Méduse. A beautiful woman opens the door and welcomes Mira, telling her she is just in time.

Prologue-Part 1, Chapter 6 Analysis

The inclusion of the Prologue is significant to Rouge’s narrative structure. Awad introduces several themes that recur throughout the novel, including envy, Childhood’s Impact on Self-Esteem, and how repressed memories affect the present. Whereas the rest of the novel is in first-person from Mira’s perspective, the Prologue is in second-person, with an unnamed narrator speaking to Mira as “you.” The choice of perspective has several effects. First, it separates the Prologue from the rest of the novel in terms of its narrative style. Second, it provides distance from both Noelle and Mira, as they are observed from the outside, in contrast to Mira’s first-person narration, which is intimate but increasingly unreliable as the novel progresses. Third, it increases suspense and introduces the novel’s eerie, uncanny, tone. Incorporating fairy tale-esque images and phrases, the Prologue expands the novel’s scope, situating Mira and Noelle’s story as a tale about beauty, mothers, and daughters more broadly. The chapter concludes with the male figure in the mirror. The figure is later revealed to be Seth, which suggests that that chapter may be from his perspective or another antagonistic interloper.

In Part 1, Awad foreshadows the novel’s beauty industry horror plot by characterizing Mira as obsessed with skincare. The early chapters include details about Mira watching Marva's beauty videos and packing almost exclusively skincare products for her trip to California. Similarly, Awad includes visceral details of elements of Mira’s skincare routine that prefigure the horror elements of the later novel. For example, discussing her exfoliation routine, Mira notes that: “Each night I rub one or more [acids] on my face with a cotton pad, and my skin screams beautifully. Goes an unholy red. I watch it burn in the mirror while an animal scent, a smell of sacrifice, fills the bathroom like smoke” (27). The visceral sensory details of skin screaming, the “unholy” color of red, and the “smell of sacrifice” create suspense and an ominous tone. Passages like this also foreshadow the fact that Rouge is sacrificing human souls for consumption to promote youth and beauty for those who ingest them.

Similarly, one of the main elements of this early section is mystery about Noelle. Awad includes limited details about her life and state of mind in the form of Mira’s memories, what she observes in her mother’s California home, and what characters like Tad, Sylvia, and Chaz tell Mira about Noelle. The gradual review of a select number of details increases suspense. Further, it suggests the similarities between mother and daughter. For example, after Mira observes the red jars and bottles from Rouge throughout Noelle’s apartment, she remembers her mother asking her, “Belle, do you ever look in the mirror and hate? she asked me once on the phone. Hate? I stared at the silhouette of my reflection in the dark. Yes, I thought. Of course. All the fucking time. But I said, Hate what, Mother?” (63). In addition to emphasizing Noelle’s negative mental state and obsession with beauty, this detail also characterizes the relationship dynamics between Mira and Noelle. While they have very similar thoughts about beauty and their self-esteem, Mira resists their likeness. Rather than commiserating with her mother in this passage, for example, she pretends she doesn’t frequently think the same thing.

Magical and mysterious elements in Part 1 set up the fairy tale structure in the rest of the book. The woman in red is alluring and enigmatic, evoking images of enchantresses (who rarely have a fairy tale protagonist’s best interests at heart). The Rouge video simply appears on Mira’s phone, just as the red shoes materialize in Noelle’s apartment. Like the fairy tale “The Red Shoes,” these shoes have a mind of their own, leading Mira to the dark mansion where she is somehow expected. This allusion to “The Red Shoes” foreshadows the danger Mira is in, as that fairy tale centers on shoes making a young girl dance until she nearly dies from exhaustion. She is only rescued when someone amputates her feet, which dance away without her, hinting that Mira’s time at La Maison de Méduse will come with sacrifice and pain.

blurred text
blurred text
blurred text
blurred text