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52 pages 1 hour read

Ira Levin

Rosemary's Baby

Fiction | Novel | Adult | Published in 1967

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Background

Authorial Context: Ira Levin

Ira Levin was born in New York City in 1929. He was raised in a Jewish family and grew up in both Manhattan and the Bronx. Levin attended Drake University in Des Moines, Iowa, before transferring to New York University. He studied English and philosophy, graduating with a bachelor’s degree in 1950. Following his graduation, he served in the Army Signal Corps from 1953 to 1955.

In the years following his graduation, Levin began writing training scripts for TV and radio. His first play was an adaptation of Mac Hyman’s 1954 comedic novel No Time for Sergeants; it opened on Broadway in 1955 and was later developed as a movie, which was released in 1958. Levin’s best-known play, a metanarrative comedy-thriller called Deathtrap, premiered in 1978 and was nominated for four Tony awards.

Levin’s first novel, A Kiss Before Dying, was published to positive reviews in 1953. Rosemary’s Baby was published in 1964 and quickly became both a bestseller and a hit with literary critics, who praised its structure, dialogue, and building of suspense. It went on to be the best-selling horror novel of the 1960s, selling over four million copies; the film adaptation, written and directed by Roman Polanski, was nominated for two Academy Awards, with Ruth Gordon winning Best Supporting Actress for her role as Minnie Castavet. Levin wrote several more popular novels that were adapted into feature films, including Stepford Wives (1972), The Boys From Brazil (1978), and Sliver (1991). In 1997, he published a sequel to Rosemary’s Baby titled Son of Rosemary to poor reviews. Levin died of a heart attack in Manhattan in 2007.

Sociocultural Context: The Satanic Panic

The Satanic Panic, a moral panic consisting of over 12,000 unsubstantiated cases of ritual Satanic abuse, began in the United States in the early 1980s. Rosemary’s Baby—along with several other popular horror novels published around the same time, including William Peter Blatty’s 1971 novel The Exorcist—was part of a complicated set of sociocultural and political factors that ultimately coalesced around the Satanic Panic. At the same time, a reactionary fundamentalist Christian movement began gaining power in the United States. Members of this movement took the threat of Satanic cults seriously, believing such groups were referenced in Christian scripture. As fundamentalists were invited into the political arena in the 1970s, their anti-Satanic stance became more visible, and their ideas were disseminated through television broadcasts and print publications. More Americans began to fear the rise of Satanic cults in their own communities. The 1960s also saw the rise of the anticult movement, a coalition of concerned parents, religious leaders, former cult members, and professional therapists, whose collective goal was to remove young people from cults. Stories of alleged kidnapping and brainwashing were popular in more sensationalistic media outlets, and as these stories spread, more Americans accepted the existence of Satanic cults without question.

However, while many such accounts were proven false, there were documented practitioners of Satanic worship during this period, and their existence helped fuel what would ultimately become the Satanic Panic. Anton LeVay founded the Church of Satan in 1966, and its radical rejection of Christianity has a symbolic significance within American social life. Anton LeVay served as a consultant on the film adaptation of Rosemary’s Baby, further cementing the cultural role the idea of Satanic worship would play for years to come.

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