45 pages • 1 hour read
David EpsteinA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Baroque composer Antonio Vivaldi created an elite group of musical virtuosos while working as a music director at the Ospedale della Pietà (Hospital of Mercy) in Venice during the early 18th century. The group was known as the figlie del coro and was comprised of orphans and individuals with disabilities who had been given to the Ospedale for care. Under Vivaldi’s direction, the group became world-class musicians. In contrast to modern practices in classical music training, members of the figlie del coro became virtuosos on multiple instruments rather than specializing. In addition, the group’s members had relatively little time to practice because they had work obligations.
Epstein is curious about how the group became so highly trained and beloved by audiences when they did not conform to the practices of hyperspecialization. He identifies several qualities that made the figlie del coro a success. Above all, the group was encouraged to explore widely across instruments and with new types of instruments. Group members also had a strong incentive to excel because it offered the orphans and individuals with disabilities professional opportunities, which were otherwise difficult for them to come by at that time.
Epstein contrasts this to the modern belief that intensive, focused training on one instrument from an early age is the only path to excellence in music. He cites the 1985 book The Musical Mind by John Sloboda, which equated excellence with the acquisition of skill through practice. Epstein presents a contrasting view, suggesting that evidence shows there is a real benefit to distributing efforts across multiple instruments and allowing for musical exploration.
As evidence for his view, Epstein discusses the paths of several successful jazz musicians. For instance, jazz guitarist and teacher Jack Cecchini grew up poor and was only able to take lessons on clarinet because they were free, even though guitar was his preferred instrument. Duke Ellington, one of America’s most renowned composers, could not read music. Dave Brubek led the group best known for the tune “Take Five” (written by his saxophonist Paul Desmond), which became the best-selling jazz single ever. However, Brubek had almost been thrown out of his music conservatory as a student for failing to read music well. Romani guitarist Django Reinhardt became one of the most influential guitarists ever, popularizing so-called “gypsy jazz” and inspiring musicians across genres despite losing the use of several fingers in his left hand after a fire accident. The extraordinary gains these musicians made in their abilities to improvise, explore, and innovate were directly related to the openness of their development and training and their ability to creatively overcome setbacks.
Examining common teaching practices, Epstein shows that teachers in America believe they are encouraging students to learn to think critically by asking them questions. However, Epstein argues, many teachers undermine their efforts by giving students too many hints, thus taking away the chance for the students to make cognitive leaps (and thus lasting learning) on their own. He explains this by distinguishing between two types of problems: “using-procedures problems” (which simply ask students to repeat already-learned methods or knowledge) and “making-connections problems” (which prompt students to think abstractly and apply knowledge to new situations).
Educational settings in Japan and elsewhere provide a contrasting model by which teachers do not assist students much. The concept of “desirable difficulties” refers to the idea that struggling to learn can actually be a good thing. While giving hints can help students achieve short-term success, desirable difficulties help individuals make long-term, lasting cognitive gains. Testing is another tool that can help with learning. While testing in America is usually only thought of as a chance to assess learning, Epstein argues that testing can be a tool to encourage learning. This is particularly true when the testing involves “spacing,” or distributing practice across a longer span of time, and when it involves “interleaving,” or mixing new and old content or content across multiple areas. Both practices are very different from the traditional method of “blocked practice,” in which a topic is studied and tested for a concentrated period of time before moving on to the next topic, with little or no overlap between the two.
Epstein points to evidence that supports alternative approaches to learning and testing. Studies show that students at the elite Air Force Academy, for instance, rate harder professors lower because they give less assistance to students. However, students who learn from the more difficult professors seem to retain and apply information better in the long term. Slow growth focused on providing students with desirable difficulties, Epstein argues, better prepares them to apply knowledge.
Seventeenth-century German astronomer Johannes Kepler played a key role in the discovery of gravity. Because gravity can only be observed indirectly, Kepler had to develop and express his ideas via analogies, such as comparing it to the force of a magnet. The unorthodox nature of Kepler’s approach led many of his scientific peers to critique and even ridicule his ideas, though his theories about gravity later proved to be largely correct.
Epstein attributes Kepler’s success to his ability to make creative comparisons. He cites psychologist Dedre Gentner, who believes the ability of humans to think relationally and using analogies is a key factor in their evolutionary success. According to Epstein, analogies are helpful in “wicked” settings because they facilitate thinking beyond what is traditional and familiar. For example, he notes, the methodology for using radiation to kill cancerous cells without damaging healthy tissue was explained through analogies to firefighting and military battles.
In another example, Epstein explains how students were asked to study a hypothetical business problem case of the fictional software company the Mickey Company. Students who were given comparisons between the Mickey Company and other technology companies like Apple and Dell were less adept at solving the Mickey Company’s problems than those students who were provided comparisons to non-technology companies like Nike and McDonald’s. The ability to look at issues from the “outside view,” as Kepler did, can be a boon to problem solving and creativity. Too much of an “inside view,” Epstein suggests, harms organizations and individuals by making their thinking static and ill-equipped to handle new, unexpected, or complex problems.
With these positive aspects of analogical thinking and the outside view in mind, Epstein praises initiatives like the Integrated Science Program, which teaches students to think across scientific disciplines rather than only training them in a single science, like biology or chemistry.
Epstein continues his method of analysis in Chapters 3-5. Again, he draws on anecdotes as evidence for his argument, and those anecdotes involve both historical figures, such as Johannes Kepler and Antonio Vivaldi, and contemporary ones, such as psychologist Kevin Dunbar. Likewise, his method is to place anecdotes related to such figures alongside citations of scientific research as he examines topics including music, education, and thinking with outside perspectives.
The first few chapters of Range touch upon the topic of music, mentioning it in connection to the “cult of the headstart,” and drawing on the stereotype of adults anxiously pushing young children to practice rigorously on an instrument as a means to get on the fast track to success (15). In Chapter 3, Epstein turns this way of thinking about music upside-down, as he illustrates the virtues of seeing music not as a “kind” environment but rather as a field that benefits from exploration, play, and flexibility. Again, he draws on contrasting stories, comparing cases like Vivaldi’s figlie del coro and jazz guitarist Jack Cecchini to the ideas proposed in The Musical Mind by John Sloboda, which promoted hyperspecialization in music. Vivaldi’s students, Cecchini, Duke Ellington, Django Reinhardt, and similar artists reached incredible heights of achievement precisely because they had the freedom to explore and the flexibility to seek creative ways of overcoming challenges.
The examples Epstein includes in Chapter 3 are well chosen also because they introduce a socio-economic dimension into thinking about development. Thinking that all people have an equal chance of success when they follow the same strict and rigorous patterns of practice—as Sloboda recommended—fails to account for the diversity of contexts that individuals are situated in. The orphans at the Ospedale in Venice came from circumstances of poverty and insecurity; Reinhardt, a Romani, was raised without strong support for education or opportunity; and both Reinhardt and Ellington dealt with challenges as minorities. None of these individuals came from elite backgrounds, nor did they have access to the methods of hyperspecialization. They all excelled because they found their own ways to succeed not because they followed pre-set patterns of development.
Chapter 4 connects to this idea of being open to diverse paths of development by focusing on the topic of education. Epstein analyzes practices utilized in many US schools and compares them to non-Western examples to highlight both the shortcomings of the “using-procedures” method as well as the advantages of the “making connections” method and the concept of “desirable difficulties.” Chapter 5 touches on the topic of education as well, highlighting ventures like the Integrated Science Program, which encourages students to draw connections across disciplines rather than studying chemistry, biology, physics, and other sciences as separate disciplines. Epstein’s analysis of the situations at West Point and the Air Force Academy specifically points to the idea that exploration, holism, and slow growth should be key goals in education. Chapter 5’s discussion of the “outside view” leads to yet another indication than allowing individuals to think creatively and freely results in greater success in the long-term.
In exploring these ideas in Chapters 3-5, Epstein makes an implicit argument that education ought to be reformed so it better aligns with reality and best practices for development. In this way, the topic of education in these chapters serves as a case study for the basic purpose of Epstein’s book—to encourage creativity, diverse paths of development, and flexibility in defining success.
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