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60 pages 2 hours read

Sarah J. Maas

Queen of Shadows

Fiction | Novel | YA | Published in 2015

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Part 1, Chapters 12-30Chapter Summaries & Analyses

Part 1: “Lady of Shadows”

Part 1, Chapter 12 Summary

Manon meets with Duke Perrington and Vernon Lochan the Lord of Perranth, a large city in Terrasen. Perrington orders Manon to supply a Blackbeak coven to breed with the Valg. Manon’s second-in-command Asterin defies her by protesting Perrington’s orders; in response, Manon demotes her to Third.

Manon discovers a servant in her room with a mangled ankle—Elide Lochan, the niece of Vernon Lochan. Manon senses that Elide is only pretending at meekness and slices Elide’s cheek open as a warning not to spy. When Manon tastes Elide’s blood, she realizes Elide has diluted witch-blood.

Part 1, Chapter 13 Summary

Arobynn summons Aelin to the Assassin’s Keep, where he toys with her and warns her not to betray him if caught during Aedion’s escape.

Afterward, Aelin meets with Lysandra. They acknowledge how much they’ve changed from two years ago and ally to destroy Arobynn, who’s taken so much from them both.

Part 1, Chapter 14 Summary

In return for Aelin’s promise not to kill Dorian—even if she’s unable to free him from the Wyrdstone collar—Chaol reveals that destroying the Wyrdstone tower in the castle garden will release magic. Aelin becomes worried that the king will use Wyrdmarks, or spells made with ancient runic magic, to trap her during the rescue. However, Chaol brought Aelin’s books on magic with him when he fled the castle, which she peruses for protective spells.

Part 1, Chapter 15 Summary

Aedion is made presentable for execution; the king’s guards plan to kill him with his own weapon, the Sword of Orynth.

Part 1, Chapter 16 Summary

Aelin disguises herself as a dancer in her old teacher’s troupe. Feigning a clumsy fall, she spills a bucket of water over the castle’s threshold, washing away the Wyrdmarks meant to trap her inside.

Part 1, Chapter 17 Summary

The dancers are given black glass flowers and warned not to break them until the proper time.

As Aedion watches from his execution stage, one dancer breaks from the rest, dons the cape and disguise of a nobleman, and reaches him just as the dancers shatter their flowers, releasing a powder that envelops the room in smoke.

Part 1, Chapter 18 Summary

Aelin uses Wyrdmarks to unlock Aedion’s chains, grabs the Sword of Orynth, and slaughters their way out of the glass castle.

Part 1, Chapter 19 Summary

Dorian intercepts Aelin and Aedion in the garden. He attacks, but is frozen by a Wyrdmark Aelin has sketched in the dirt. She asks Dorian to give her a sign that he’s still present, but when he doesn’t, she raises the Sword of Orynth to kill him “for Terrasen, for their future” (152). She’s stopped by Nesryn, whom Arobynn told that Aelin would betray them by attempting to kill Dorian.

Lysandra and Chaol help Aelin and Aedion return to Lysandra’s apartment, where Lysandra discovers Aelin’s identity as the Terrasen heir.

Part 1, Chapter 20 Summary

Elide is a Terrasen noble who hates her Uncle Vernon for stealing her father’s claim to the title of Lord of Perranth. Believing that Aelin might be dead, Elide doesn’t plan to return to Terrasen if she ever escapes Morath. When Elide is sent to deliver a letter to Manon, Manon realizes that Elide cannot read and is unaware of her witch ancestry.

Manon learns that Duke Perrington has allied with the Valg. One of her Thirteen, Ghislaine, relays that the Valg are otherworldly demons who came to conquer their world but were cast out by the King Brannon of Terrasen and Queen Maeve of Doranelle millennia ago. The Valg bred with Fae to create the witches, who were later shunned and feared by many until King Brannon gave them the Western Wastes as a homeland.

A Yellowlegs clan coven volunteers to be experimented on by Duke Perrington, sparing Manon from having to surrender some of her Blackbeaks to him.

Part 1, Chapter 21 Summary

Dorian hates Aelin, whose name he cannot remember, for not killing him. Though he fought to gain control during the minute she’d gifted him, the Valg prince was too strong.

Part 1, Chapter 22 Summary

Chaol refuses to accept that Dorian is gone and is determined to find a way to save him. When he goes hunting for Valg in the underground tunnels, he finds that the tunnels are empty.

Part 1, Chapter 23 Summary

Aelin and Aedion enjoy a proper reunion, where they tell each other their life stories.

The Pits—a new pleasure hall with fighting pits—emerges to replace the Vaults, which was damaged by the Valg soldiers pursuing Aelin when she first arrived in Rifthold. Aiming to become a new investor for the Pits, Arobynn summons Aelin to impress the owners by fighting a Valg commander.

Part 1, Chapter 24 Summary

The Valg commander reveals that many of the magical prisoners they take are experimented on in Morath. Aelin decapitates him and Arobynn rewards her by revealing where Sam’s grave is.

Part 1, Chapter 25 Summary

The revelation that she has witch-blood raises Elide’s suspicions that her uncle plans to hand her to Duke Perrington for breeding. Elide becomes desperate enough to escape Morath that she attempts to steal coins from Manon. When Manon catches her, she offers her a choice: Become a witch under Manon’s protection or put her fate in Vernon’s hands. Elide chooses to embrace her witch heritage and Manon welcomes her to the Blackbeaks.

Part 1, Chapter 26 Summary

While Aedion heals, Aelin sends letters to Terrasen allies and the Bane—Aedion’s soldiers—to inform them and warn them to lie low. Aedion anticipates upholding Terrasen tradition and swearing a blood oath to Aelin, which he’s been promised his entire life. There can only be one blood oath, and Aedion is unaware that Rowan has already sworn the oath to Aelin.

Valg soldiers kill everyone inside Rifthold’s Shadow Market with fire as a message to Aelin.

Part 1, Chapter 27 Summary

Aelin follows a Valg commander into the sewers, where he meets with a Wyrdhound creature controlled by the king. Aelin confirms that the Valg do not know Aedion’s whereabouts. Aelin spends a night out at the taverns with Aedion and Nesryn; as they’re walking home, Rowan appears.

Part 1, Chapter 28 Summary

As Rowan bathes in Aelin’s apartment, he tells her that he stowed away on a ship to come to Erilea. Aelin gives Rowan a pair of Sam’s pants to wear until she buys him new clothes. Rowan discovers a black velvet gown with a gold dragon embroidered on its back and wishes to see Aelin wear it someday.

Rowan recognizes Aedion’s scent and reveals that Aedion’s father must be Gavriel, one of the Fae warriors belonging to Maeve’s cadre. Aedion realizes that his mother sacrificed her life to protect him; she refused Fae healers who could have cured her fatal illness because if they realized he was Gavriel’s son, Maeve would have come for Aedion. Rowan reveals that he’s sworn the blood oath to Aelin, which severely offends and angers Aedion.

Part 1, Chapter 29 Summary

Rowan reveals that Lorcan, the second strongest Fae warrior in Rowan’s cadre, has come to Erilea in search of Aelin and the Wyrdkeys. They decide to share her room for the night and Aelin teases Rowan by wearing a revealing nightgown to bed. The next morning, Aelin apologizes to Aedion about the blood oath; she is willing to take more than one if he still wishes to swear it. Aedion agrees to do so after she is crowned queen.

Part 1, Chapter 30 Summary

Dorian relinquishes complete control over his body to the Valg prince.

Part 1, Chapters 12-30 Analysis

This section delves into Aelin’s past, using characters she grew up with to explain some features of her personality and approach. Aelin turns out to share many qualities with Arobynn, the assassin master who raised her. Because the manipulative and cunning Arobynn thrives on playing deadly games and his good will is always a double-edged sword, Aelin hesitates to trust others and has a habit of strategizing behind her friends’ backs. When Aedion and Rowan criticize Aelin’s secret-keeping, Aelin regresses into her Celaena persona who believed that “[i]t was so much easier being alone” (252). Another figure from Aelin’s past is her old rival, Lysandra. The tentative friendship they form recasts Aelin’s understanding of her adolescence: While she approached her apprenticeship under Arobynn as a lonely and isolated existence, she was actually part of a similarly victimized community. Lysandra points out that Aelin’s first love Sam “was my friend, too. He and Wesley were my only friends. And Arobynn took them both away” (84). Aelin’s relationship with Lysandra echoes her friendship with Nehemiah. Just as Nehemiah and Aelin bonded over the loss of their countries, Lysandra and Aelin bond over the loss of the men they love at the hands of Arobynn.

Maas’s worldbuilding draws on various mythological and folkloric sources, and on the moral and ethical systems common to medieval romances. Like that medium, which preceded the novel, Throne of Glass revolves around the adventures of nobles who are their world’s elite. In romances, there is little question that authoritarianism is the right mode of rule. This drive to find the rightful heir to the throne, rather than considering whether a sole head of state is best, can be found in everything from the tales of Robin Hood, which feature the restoration of Richard the Lionheart to the throne, to high fantasy classics such as The Lord of the Rings, which center the ascension of Aragorn. The moral tends to be that while usurpers rule unjustly, those with the right lineage will prove benevolent autocrats. In Throne of Glass, no matter how ill-suited Aelin seems to wielding absolute power, the trajectory is her eventual reclamation of the throne of Terrasen.

Other tropes of the monarch-restoration genre also feature here. Conflict often arises from jockeying for power in a monarchical system of government. When there is only one head of state, proximity to this person is valuable. In this section, Aedion and Rowan fight over who gets to swear a blood oath to Aelin; the fact that there can only be one such oath is artificial scarcity created by the novel to highlight slight gradations of noble status. Aedion considers this oath a marker of his rightful position by Aelin’s side: “Without the blood oath he was just a general; just a landless prince of the Ashryver line” (249). In Terrasen’s honor culture, this signifier of loyalty is a way to signal his identity. When Aelin resolves the quarrel by suggesting that two blood oaths can be sworn, the novel cannot help but reveal the artificial nature of the limited oaths.

The theme of Nature Versus Nurture comes to the forefront with Manon’s increased role in the narrative. Witches are a genetic category in the world of Throne of Glass—they are the products of unions between Valg and Fae. Because of this, Manon struggles to figure out where her loyalty belongs. She is committed to her coven and clan, lashing out at her cousin and second-in-command Asterin for resisting the demands of Duke Perrington. However, Manon’s brutal punishment of Asterin’s disobedience belies her hesitation to allow her underlings to be subject to the duke’s experiments. The idea that Manon is indeed an unfeeling monster comes into question further in Elide’s point-of-view chapters. Elide, whose witch blood causes Manon to offer her protection, shows that genetic inheritance is not destiny: Manon may have been raised to be brutal and vicious, but this has not fully erased her ability to empathize or defend her own from outsiders.

Maas makes frequent use of foreshadowing. For instance, when Manon describes Kaltain as smelling like “the dark, forgotten places of the world. Like tilled soil in a graveyard” (64), the passage hints at Kaltain’s eventual death. Another moment of foreshadowing is Asterin’s revolt when Duke Perrington begins breeding witches to produce Valg offspring: Asterin will later reveal the loss of her stillborn child, which affects how she perceives the duke’s plans. Foreshadowing is also woven into Lysandra’s conversation with Aelin; when Lysandra claims that “You and I are nothing but wild beasts wearing human skins” (120), her words hold a double meaning, subtly referring to Lysandra’s hidden shape-shifting abilities.

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