57 pages • 1 hour read
Michael CrichtonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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In the morning, Jack thinks Julia’s features look more defined. He can see her cheekbones in her usually plump face. They argue about him taking too much control of the kids when she’s home. Julia says he never helps her and that he sabotages her. He thinks about the “alienation of affection” (64) theory that is in vogue, in which mothers turn children against their fathers, who then take the fathers to court. The judges typically rule in the mother’s favor and the father is left without his children, or so the theory goes.
Julia calls and apologizes, which is consistent with her recent pattern. After their call, Jack meets with Annie Gerard, a headhunter. She has two jobs for him to consider, but both would require a move, which doesn’t interest him. Jack thinks about how his field has evolved: The goal of tech is now the creation of artificial life, not artificial intelligence. Silicon Valley is obsessed with creating programs that mimic agency, not merely intelligence. This aligns with his work in distributed processing, in which the solving of complex tasks is spread across many miniature processors. Under observation, “[t]he behavior of the system emerged, the result of hundreds of small interactions occurring at a lower level” (68).
At home, Jack calls Xymos and asks for Julia. Carol, her assistant, says she’s in Nevada and tries to connect her. He thinks Carol sounds nervous. He has a difficult night with the children, who complain about dinner and refuse to do their homework.
When he wakes in the morning, Jack realizes that Julia didn’t come home. He wonders if he needs a lawyer. He calls his sister, Ellen, who is a clinical psychologist. She advises him to see an attorney and is frustrated with his perceived passivity. When he argues, she says she’s coming to visit. Jack disagrees with her assessment of his temperament. He thinks he is thoughtful, not passive. As an example, he contemplates the ferocity of Silicon Valley competition: Passive people can’t succeed in the field, let alone become elite players, as he was before his firing over office politics.
Jack thinks about how little insight people have about themselves. He thinks the computer-programming idea of “recursion” (77) offers some clues about human psychology. Recursion refers to a procedure in which a programmer makes a program loop back on itself, which risks infinite regress, like a series of funhouse mirrors. He compares this to the fact that introspection rarely leads people to change their behavior.
While getting a coffee, Jack notices his lawyer, a man named Gary Marder. Gary is there with a woman half his age. As they talk, he suggests that Jack see a marriage counselor. This could help him get out ahead of a potential alienation-of-affection case. Then the ER doctor calls and says the MRI machine that they used for Amanda is breaking down: Its chips are corroding, which may affect Amanda’s test results.
Julia calls to say she’ll be home that evening. She says she left him a message about not being able to come home the night before, but he knows she didn’t. A man named Tim Bergman calls from MediaTronics. He says that Don Gross wants to rehire Jack to work on the PREDPREY agent-based program, which Jack developed; Tim reveals he sold it to Xymos. He says the program keeps losing track of its goals and that they need Jack to fix it. He proposes hiring Jack as an off-site consultant.
Jack promises to call the following morning. Ellen arrives and thinks he should immediately accept the job. He says that it’s possible the administrators at MediaTronics want him to be a scapegoat in case they have messed things up too badly to fix. He calls Ricky’s home, but Ricky’s wife says he is in Nevada for a week. She says Ricky is acting strange and asks if Julia ever mentions a black cloud or a black cloak. When Jack says no, she says that Ricky has mentioned them more than once.
Jack hears Julia come in, and then he hears Eric asking her about the man who was in the car with her. Jack doesn’t know what this means, but he plans to ask Julia later. Over dinner, Amanda won’t eat for Julia. As Jack watches Julia interact with the kids, he wonders if she is on drugs. She is talking too fast, and her movements are twitchy. She suddenly says she must get back to work.
After she leaves, Ellen immediately says that Julia must be on drugs. Jack watches her drive away from the window and sees a man in the car with her. He follows them in his car and sees the man again a few blocks later. There is something weird about the man’s appearance, like he has no features. He goes home to think. Shortly after, his daughter Nicole comes home to find him in the kitchen and says the police want to talk to Jack.
The police tell Jack that Julia’s car went into a ravine five miles away. Jack immediately heads to the site of the accident, where the rescue crew tells him that she will live as they pull the car up. He asks about the other person in the car, but the cops say she was alone. As they wheel her by on a stretcher, Julia is in a stupor of pain and adrenaline. Julia begs him not to get involved—in what, he doesn’t know—and says it doesn’t involve their family. As he rides with her in the ambulance, she mutters about black clouds and says she didn’t mean to do anything wrong.
Jack returns to the crash site. A white van marked “SSVT Unit” has been parked there for an hour, watching. It drives away as Jack approaches. He sees men wearing what appear to be gas masks inside. The bumper has the Xymos sticker. It’s from the fab plant. He calls Tim and says he will take the job.
These chapters lay all the foundational pieces that will take Jack to the fabrication lab in Nevada. Julia’s accident is the primary narrative device to increase the tension and move the plot. Prior to the accident, her behavior deteriorates further. She tells Jack, “You undercut me, you sabotage me, you turn the children against me […] I see what you’re doing. Don’t think I don’t. You’re not supportive of me at all” (63). There is no truth in what she says, which will make more sense later, after the reader learns that she is infected with nanobots.
Jack’s meeting with Annie, the headhunter, allows Crichton to provide some exposition about the cutting-edge tech industry. Annie observes that “[h]ot fields move fast. Six months can make or break a company” (68), reinforcing the reality that technology is so competitive that six bad months can make a company or technology obsolete. It is also ominous in that it foreshadows the speed of the events that are already taking place in the desert.
Thematically, the most significant development in these chapters is the perspective Jack offers on the human brain and its inability to perceive its own errors. He thinks, “The human brain is the most complicated structure in the known universe, but brains still know very little about themselves” (78). The work in the desert laboratory is being undertaken by human brains whose owners believe they know what they are doing, despite abundant evidence to the contrary. This is one of the Tragic Downsides of Professional Ambition; the insecurities and fallibilities that Jack notes in Ricky are not unique to that character.
In the desert, Ricky convinces himself that he can simultaneously create and control technologies without issues. Then, when issues arise, he assures himself that they can be fixed immediately, with Jack’s help. At this point, Ricky is no longer operating solely for his own gain; when Jack speaks with Ricky’s wife, her comments about the black cloud and the black cloak foreshadow the increasing influence the nanobots have on Ricky and Julia.
Finally, prior to Julia’s wreck, Jack sees what he believes to be another man inside the car with her. He won’t learn this until Chapter 31, but the figure is actually a swarm; the swarms have already gained the ability to mimic humans in three dimensions. Julia is not having an affair, but she is being controlled by something more destructive. After the accident, the reader gets one of the only glimpses of Julia’s true self when she says, “I didn’t do anything wrong. I didn’t mean to do anything wrong” (99). The part of Julia that is not influenced by the swarm is aware of both her culpability and the irrelevance of her good intentions. As Jack takes the job, the major tension arises from the questions of what he will discover, how he will discover it, and what Julia and Ricky are hiding from him.
By Michael Crichton