logo

57 pages 1 hour read

Michael Crichton

Prey

Fiction | Novel | Adult | Published in 2002

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 1, Chapters 1-3Chapter Summaries & Analyses

Part 1: “Home”

Part 1, Chapter 1 Summary: “Day 1: 10:04 A.M.”

Jack Forman is shopping at a Crate and Barrel near his home in San Jose, California, when his wife, Julia, calls to say she’ll be late. She works for Xymos Technology, a company that is developing “molecular manufacturing” (8), or nanotechnology. Jack has been out of work for six months and takes most of the responsibility for caring for their children: Nicole is twelve, Eric is eight, and Amanda is nine months old.

Prior to this, Jack was a software programmer at MediaTronics, where he worked on parallel processing, or agent-based programs. He helped create agents that could solve problems from within computers. Some of his programs mimicked the behavior of swarming insects like ants, bees, and termites. His division’s source code was stolen before Jack took charge of security. Upon discovering that Don Gross, the head of the company, was having an affair with a young girl in accounting, in addition to enriching himself in various unethical ways while using the company’s resources, Jack told a board member about his concerns and was fired the next day. Now no one in Silicon Valley will interview him.

That night, Julia comes home and immediately begins arguing with Nicole about her bedtime. This frustrates Jack, who, as the stay-at-home parent, has lately been thinking of the house as his house, the kids as his kids, and Julia as the interloper who comes home late and causes a fuss. Over the last few weeks, Julia has been tense, cold, and harsh. Later that night, she slaps the baby’s leg when Amanda wiggles during a diaper change. Then she screams at Jack for interfering and demands to know when he’s getting a job. After they argue, Jack notices again that Julia has lost weight and that she is dressing more provocatively than usual. He thinks she is having an affair. Julia apologizes, acknowledging that he’s doing a good job and that she is jealous of the time he gets with the children.

She asks if he wants to see the demo she showed to a group of venture capitalists that day. The tape shows a man with an IV in his arm. She fast-forwards, and the tape shows Julia arguing with an assistant, who says the subject is nervous about millions of “those things crawling around inside his body” (21). Then a title card announces a private demo of advanced medical imaging. Julia steps before the camera and introduces herself and Peter Morris, the subject. They can look everywhere inside his body using a microscopic camera. She tells Jack that Xymos has made a breakthrough and is now manufacturing molecular-sized devices in Nevada.

The squid-shaped micro-camera is “one ten-billionth of an inch in length” (23). She reveals that Jack wrote the algorithms that make the camera’s aperture possible. The cameras communicate like a swarm: with millions of particles comprising the entire mechanism. She explains that they inject an advanced saline solution containing around 20 million particles, each built like a sphere with one opening. Together, the particles form an eye that moves in formation, like a flock of birds or school of fish. In the demo video, she injects Morris. The cameras show their journey into his heart and lungs. Julia falls asleep before the end of the tape, and Jack notices the video’s timestamp. It was recorded yesterday, but Julia had told him it was today.

Part 1, Chapter 2 Summary: Day 2: “9:02 A.M.”

Jack sees Ricky Morse, a Xymos division head, at the grocery store. Jack gave him his first job. Julia had some issues with Ricky, who often overpromised and failed to meet deadlines. He says things are good at Xymos and that Julia is fine, although he rarely sees her. He says that she is always in the “fab complex” (30), where they are using atoms to build molecules. Jack thinks about nanotechnology after they say goodbye. He compares the assembly of atoms to compiling a computer program. Compiling never works the first time; the program always has to be debugged. He can’t imagine Julia waiting around while the molecules are debugged, nor can he imagine her at the hub, way out in Tonopah, Nevada.

That evening, Nicole calls while Jack is waiting for Eric’s soccer practice to end. She says he always puts Eric first. That night, Jack is looking at family pictures later when Julia comes home and wakes Amanda up to hold her. He changes Amanda while Julia showers. He is annoyed with her unreliability and worried by his suspicions.

Amanda starts screaming at one in the morning. She has a rash on her belly and thighs. Jack thinks he sees it spread while he watches. The ER doctors sedate Amanda to examine her but soon determine that she has no infection. However, she screams the entire time Jack speaks with the doctor and then starts convulsing. She eventually grows calmer but keeps screaming. In the morning the medical staff orders a battery of tests, and they put Amanda in an MRI machine, where she immediately stops screaming after they turn it on. Her skin clears and her pain stops. An hour later, mystified, they let Jack take her home.

Part 1, Chapter 3 Summary: “Day 3: 6:07 AM”

At home, Julia says she is relieved about Amanda, but she isn’t convincing. She doesn’t want to hold her and pretends to go check the sprinklers instead. Later, when Jack catches her on her cell phone, she immediately says she has to go to work and leaves. On the way to school, Eric is tired. He says the “vacuum men” kept waking him up (46). He says they vacuumed up a ghost that was silver and faceless.

At eleven o’clock, Maria, their housekeeper, wakes Jack from a nap. Amanda’s whole body is purple, like a bruise, but she is happy. The discoloration is so consistent that it is like she has been dyed. A doctor calls and tells Jack that a similar case has been reported, by someone who encountered an unusual flower in the mountains. In that case as well, the MRI seemed to stop it, and the bruising was like Amanda’s. Amanda pulls off Jack’s glasses and throws them on the floor. While getting them, Jack sees a plastic box plugged in beneath the crib. It has the letters “SSVT” on its casing. He searches for the acronym “SSVT” online but finds nothing helpful.

As he thinks about the converging complications in his work and home lives, Jack compares life to his agent-based programs. It’s like chess, but the pieces move themselves. His programs give the pieces memories. Some programmers believe the pieces develop beliefs based on pattern repetition. Some of the pieces misbehave and refuse to evolve. That evening, Eric tells Jack that his MP3 player isn’t working. He found it by Amanda’s changing table. When Jack opens it, he sees that the memory chip has eroded, but everything else is functional.

When Julia fails to come home, Jack watches her demo again. She has told him Xymos is having trouble getting funding, and he doesn’t understand why, if the project is as successful as it looks—and as she claims. He torments himself with thoughts of Julia cheating on him, using the funding crisis as an excuse to stay out late. In bed, he falls asleep and dreams that her lips change color as blackness covers her skin.

Part 1, Chapters 1-3 Analysis

From the outset, Crichton introduces the uncertainty that underlies everything in Jack’s profession and life. Jack thinks, “Things never turn out the way you think they will” (7). This is proven true by his firing from MediaTronics, his shopping trip to Crate and Barrel, his untouchability for job interviews, and the new tension in his marriage. Prey is a work of speculative fiction, but its main character scarcely sees the value in speculating. Jack simply assumes that uncertainty and human fallibility are two consistent pillars of reality. However, Jack is not a traditional pessimist; rather, he follows a methodical approach to a logical conclusion. He wishes to be the opposite of the people he refers to, as Crichton acknowledges in the introduction when he notes Humanity’s Refusal to Learn from Its Mistakes:

We think we know what we are doing. We have always thought so. We never seem to acknowledge that we have been wrong in the past, and so might be wrong in the future. Instead, each generation writes off earlier errors as the result of bad thinking by less able minds—and then confidently embarks on fresh errors of its own (2).

Crichton’s comment about each new generation is prescient. Jack thinks, “Kids are more advanced these days. The teenage years now start at eleven” (35). Children are the most current model of human, and, like technology, they develop more rapidly than their predecessors. His interaction with Ricky reinforces the themes of accelerating evolution and Reckless Technological Innovation: Ricky is pleasant and positive, but he represents everything that worries Jack about their industry. Charm and false confidence can be enough to get venture capitalists to fund startups; whether people like Ricky can deliver on their promises is another matter.

Jack describes Julia as totally unlike Ricky. Until recently, she is known as warm and funny. Though he at first attributes her drastic personality change to an affair, the story will later make the argument that it is among the Tragic Downsides of Professional Ambition. However, the slap marks a line crossed in their domestic life. That it is directed at a baby makes it even more shocking. Julia’s erratic behavior foreshadows the reveal that a swarm inside her is influencing her behavior. A swarm of sentient nano particles would not intuit the cultural prohibition against striking a baby.

Jack realizes that he feels increasingly possessive of the kids. He thinks that he previously “thought there was something about a mother’s caring that a father could never match. Julia had some connection to the kids that I never would. Or at least a different connection” (14). Now he sees that he and Julia may be even more different than he thought in terms of their parenting abilities.

The tension in their household rapidly escalates, however. The climactic scenes of these introductory chapters revolve around Amanda’s sudden bruising, screaming, and convulsing, as well as the mystifying relief she finds in the MRI machine. This foreshadows Jack’s eventual showdown with Julia in the magnetic room in Chapter 27.

blurred text
blurred text
blurred text
blurred text