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56 pages 1 hour read

Alasdair Gray

Poor Things

Fiction | Novel | Adult | Published in 1992

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Introduction-Chapter 6Chapter Summaries & Analyses

Introduction Summary

Content Warning: This section discusses suicide, pedophilia, and non-consensual medical experimentation.

Alasdair Gray is the author of Poor Things, but he presents himself as a fictionalized editor of the text. The purported author of the text, a doctor named Archibald McCandless, claims that in 1881, a “surgical genius used human remains to create a twenty-five-year-old woman” (6). A Glaswegian historian named Michael Donnelly found McCandless’s account of this astonishing feat in a sealed package in the 1970s. The package belonged to the estate of a woman named Dr. Victoria McCandless, and it was addressed to her eldest surviving grandchild. Inside the package was a manuscript entitled “EPISODES FROM THE EARLY LIFE of a SCOTTISH PUBLIC HEALTH OFFICER / Archibald McCandless M.D.” (9). In addition to the book, the package contained a letter from Victoria, McCandless’s wife, telling her descendants that McCandless’s book is fiction.

In 1990, Donnelly lent Alasdair Gray the book in the hope that Gray, a writer, would publish it as a work of fiction. Gray agreed on the condition that he be given complete control over the editing process. He assured Donnelly that he would not alter any of McCandless’s original text. He has, however, changed the chapter titles and named the entire manuscript Poor Things. The letter from Victoria McCandless is included as an Epilogue. Gray and Donnelly disagree about the veracity of the book; while Donnelly sees it as a work of fiction, Gray believes that McCandless’s narrative is true. He also believes that Victoria was a “disturbed woman who wants to hide the truth about her start in life” (12).

To prove his theory, Gray puts together a timeline of provable historical facts, starting in 1879, when McCandless enrolled as a medical student at Glasgow University and ending in 1886, when Victoria McCandless, who married McCandless under the name Bella Baxter, enrolled at the Sophia Jex-Blake School of Medicine for Women. Donnelly does not find Gray’s evidence compelling, as he can find no official copies of marriage and death certificates or photocopies of newspaper articles. Gray does not care what Donnelly thinks as long as his readers trust him. Donnelly is also upset with Gray for losing the original copy of McCandless’s manuscript. Gray regrets the loss but concludes that these things happen.

Chapter 1 Summary: “Making Me”

McCandless’s narrative includes several illustrations depicting the characters and various anatomical models. These are all credited to William Strang. There are footnotes scattered throughout the text. In most of them, Alasdair Gray provides details about the history of several buildings in Glasgow or gives context for any historical figures mentioned.

Archibald McCandless is the illegitimate son of a poor farmer in Galloway, Scotland, in the mid-19th century. On her deathbed, his mother gives him all her savings, which he uses to become a doctor. At medical school, his humble origins set him apart from his fellow students, as do his shabby clothes. He manages to buy a microscope and some better shirts, after which his classmates treat him better. He only thinks of one fellow student as his equal: a man named Godwin Baxter.

Chapter 2 Summary: “Making Godwin Baxter”

McCandless describes Godwin as an ogrish man with a “big face, stout body and thick limbs” (39), towering a head taller than the average person. He speaks in a shrill, high voice. He is the only son of the late Sir Colin Baxter, a renowned medical doctor. Although Godwin was illegitimate, his father legitimized him. McCandless’s father, by contrast, never claimed him. Godwin was a brilliant medical student, but his appearance frightened patients so much that he was not able to graduate and does medical research instead. McCandless bumps into Godwin on a walk, and they have a spirited discussion about hospitals. They start meeting for regular walks. 

On one such day, Godwin says that he “entered the world through Sir Colin’s dealings with a nurse” (47), a long-deceased mother he does not remember. Godwin was educated at home and was only taught subjects that Sir Colin found useful. By the age of six, he was able to take his own temperature, pulse, and blood and urine samples, which he did every morning and evening. Godwin explains to McCandless that he has a chemical imbalance that must be carefully monitored and treated. He admits that his father performed vivisections.

Chapter 3 Summary: “The Quarrel”

Godwin invites McCandless to his house. He shows McCandless two live rabbits, one of which is exactly half white and half black, separated by a straight line around its middle. The other rabbit is the opposite. After examining them more closely, McCandless realizes that Godwin had cut both rabbits in half and recombined them. McCandless is in awe of this accomplishment, seeing potentially life-saving opportunities for organ transplants, but Godwin is less enthusiastic. He insists that if doctors really wanted to heal people, they would band together and work to ensure that every person has access to ​​“fresh air, pure water, a good diet and clean roomy houses…and a total government ban on all work which poisons and prevents these things” (54). 

McCandless insists that this vision of the future is impossible because of Britain’s industrial economy, which offends Godwin. Godwin admits that most of his current work is devoted to a private endeavor that he does not wish to reveal. They quarrel and Godwin asks McCandless to leave. McCandless begs Godwin to let him publish his research; Godwin refuses.

Chapter 4 Summary: “A Fascinating Stranger”

McCandless and Godwin do not speak for several months, and McCandless grows lonely. Finally, he meets Godwin on the street. Godwin looks well and he tells McCandless that he is happy because he has been spending time with a young woman whom he cured of death. McCandless corrects Godwin, saying he must have saved the woman from death, but Godwin insists that he resurrected her. He invites McCandless to come to his house to meet her. At the house, Godwin introduces McCandless to a young woman called Bella Baxter. She behaves and speaks very childishly. McCandless kisses her hand, which astonishes her. He believes that she has brain damage. 

Godwin privately explains that Bella’s mental faculties are in fact improving at an astonishing rate, and that six months ago, “she had the brain of a baby” (63). When McCandless realizes what Godwin means, he is overcome by shock and panic. Godwin gives him a strange concoction of fruits and vegetables that he says will help calm him, but McCandless refuses to drink it. Godwin instead finds him a glass of port and begins to tell him a story.

Chapter 5 Summary: “Making Bella Baxter”

A year ago, just after his quarrel with McCandless, Godwin was called to examine the body of a young woman who had died by suicide. Upon examining her body, Godwin discovered that she was pregnant and had removed her wedding ring. He decided to keep her body alive at “a purely cellular level” (67). When her body was not claimed, he took it to his lab. He united the woman’s body with a new brain and animated her. McCandless applauds Godwin’s accomplishment but asks how Godwin will explain Bella to others. Godwin will introduce her as a distant niece whose parents died in Argentina. Bella’s brain is developing quickly: Until recently, she preferred to interact with young toddlers, but now Godwin thinks she has a mental age of around four. 

Despite her child’s mind, Godwin believes Bella is able to recall some “carnal sensations from [her body’s] earlier life” (70). McCandless is horrified to hear Godwin speak about Bella’s sexuality. He drunkenly accuses him of having created for himself exactly what all men want: a woman with the trusting and dependent mind of a child. Godwin takes the port away from McCandless and locks him in the room until he calms down.

Chapter 6 Summary: “Baxter’s Dream”

Later, Godwin returns to McCandless and explains that all his life, he has wanted a companion. He yearns for the company of a woman who could care for him, as most people find him frightening and repulsive. Bella has never seen another adult man (until McCandless) and so has no idea that Godwin looks unusual. She trusts him completely and associates him with kindness and care. For now, he is content that Bella thinks of him as a father figure. McCandless asks if he can see Bella again. Godwin agrees, but not until after he has taken Bella on a trip around the world so that she can learn and grow.

As Godwin ushers McCandless out of his house, McCandless asks Godwin what happened to Bella’s unborn baby. Godwin explains that he took the baby’s brain and placed it in the head of the mother.

Introduction-Chapter 6 Analysis

This book credits William Strang (1859-1921), a real Scottish artist, with the illustrations. In fact, they were done by the author, Alasdair Gray; this is one of several ways that the novel embeds itself into real history. By conflating fiction with real history, Gray sets readers up to question who is controlling the narrative, raising The Problems of Narrative and Perspective. The fictionalized version of Gray who narrates the start of the book immediately shows his bias and unreliability. He insists that McCandless’s text is fact, despite the strong doubts of Donnelly, a historian. Gray finds evidence to support his opinion and ignores evidence (like Victoria’s letter) that contradicts his view of events. He claims to have found historical evidence for the book’s events, and he claims not to have altered McCandless’s text, but both of those claims are immediately undercut when he admits that he has no marriage or death certificates, and that he lost the original manuscript. 

McCandless also wants to control the narrative. He claims that Godwin has made Bella because all men secretly want to be with a woman who has an adult body and the dependent, trusting mind of a child. Whether or not that claim is true, it is certainly what McCandless wants: He falls in love with Bella immediately and begs to spend more time with her even as he chastises Godwin for discussing her sexuality. He is both irresistibly drawn to Bella and repulsed by how she came to exist, and he struggles to reconcile those two feelings. McCandless also wants to control the narrative around Godwin’s discoveries, begging to publish his work only to be rebuffed. Godwin wants control of his own story, just as he wants control over how Bella perceives and understands the world around her.

Godwin and McCandless discuss Medical Progress and Politics, both of which impact them as doctors. The class bias in education makes it harder for McCandless to succeed because of his poor background. Godwin proposes a socialist, preventative approach to medicine that would radically restructure society to make everyone healthier and thereby less reliant on doctors. This proposal foreshadows Victoria’s socialist perspective at the end of the story. This part of the book also brings up major issues of medical ethics with the creation of Bella Baxter. By placing the brain of a fetus in the body of a dead adult woman, Godwin strips the woman of bodily autonomy, even after her death. The issue of men deciding what happens to women’s bodies returns many times in this narrative.

Within the medical field in Victorian Britain, there was a strong gender divide: Women typically worked as nurses, while men worked as doctors. Women’s Roles in Victorian Society were strongly curtailed. As evidenced by the family lives of both McCandless and Godwin, women could not confer status or legitimacy upon their children, but men could. At this time, women were expected to be financially and socially dependent on men. Their education was secondary, if they were educated at all. McCandless eroticizes that dependence in his narrative. Although he objects to Godwin’s control over Bella, he has the very same desire to control and possess her. Women, according to McCandless’s view and the prevailing attitudes of the time, were brought into the world to be companions for men. Godwin’s decision to create a woman for that purpose just takes the current societal standard one step further.

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