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48 pages 1 hour read

Susanna Clarke

Piranesi

Fiction | Novel | Adult | Published in 2020

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Part 1Chapter Summaries & Analyses

Part 1: “Piranesi”

Part 1, Entry 1 Summary: “When the Moon rose in the Third Northern Hall I went to the Ninth Vestibule”

Clarke’s novel is composed of journal entries written in the first-person by a triple-named narrator. He is called The Beloved Child of the House, Piranesi, and Matthew Rose Sorensen at different points in the book. Each entry begins with a title and date; there are six entries in Part 1.

The first entry’s title is also the first line of the entry and is dated “Entry for the First Day of the Fifth Month in the Year the Albatross Came to the South-Western Halls” (all dates are written in small capital letters). Currently unnamed, the narrator describes statues in the hall and three tides rising in the flooded labyrinth. A prayer to the house and climbing statues protect him from the tides.

Part 1, Entry 2 Summary: “A description of the World”

In the second entry, dated the 7th day of the same month, the narrator travels through halls and doorways, cataloging statues. He uses proper nouns for architectural details and natural elements. The “House” has three levels: one submerged by the “Tides,” one level in the “Clouds,” and the middle level where birds and people can exist. The protagonist sees the Other (who is later named as Valentine Ketterley)—the only other living person he has knowledge of at this point.

Part 1, Entry 3 Summary: “A list of all the people who have ever lived here and what is known of them”

On the 10th, the narrator is called Piranesi by the Other (Ketterley). They meet twice a week and are on a quest for occult knowledge. The rest of the narrator’s list contains fifteen dead people who are given names based on their locations in the labyrinth: Biscuit-Box Man, Concealed Person, Folded-Up Child, and multiple skeletal People of the Alcove. Piranesi considers it his duty to care for these dead. There is also an imagined Sixteenth Person; the narrator hypothesizes the “You” of an imagined reader or perhaps another living being in the world.

Part 1, Entry 4 Summary: “My Journals”

On the 17th, the narrator describes his notebooks’ location and contents. He keeps a Table of Tides and Catalogue of Statues. The current journal is thought to be number 10 (but it is later revealed that this numbering is incorrect). Then, his calendaring system is discussed: previous journals were dated from 2011-2012, but after that he changes the dates to events that occur in the labyrinth, such as the albatross arrival that defines the current year. He also mentions his Index of notebooks and remarks on his titling system.

Part 1, Entry 5 Summary: “Statues”

On the 18th, he lists statues he loves, such as the Woman carrying a Beehive, the Faun, a “creature half-man and half-goat” (15), the Gorilla, and a few others. He also mentions statues that make him uncomfortable, like the Horned Giants, and questions his preferences.

Part 1, Entry 6 Summary: “Do trees exist?”

In a very short entry dated the 19th, the protagonist finds a leaf in the “Waters” that seemed to be “meant to live in Air” (17).

Part 1 Analysis

As a novel written in the form of a journal, the dating of entries is important and references the sociohistorical concerns of calendars. The narrator also explicitly discusses his evolving method of calendaring in the “Journals” entry. For him, a dating system linked to observable events is more practical than trying to adhere to the numerical calendar of a forgotten world.

The descriptions of architectural features in the labyrinth evoke Piranesi’s Carceri d’invenzione prints from the early 1700s. This artist is the inspiration for the nickname the Other/Ketterley gives the protagonist (and the title of the novel). Both the Italian art prints and the novel include many statues, stairs, and doorways through great halls.

A key element of the fantasy genre is world building, the creations and presentation of a world (whether a single society, a planet, or an entire universe). The fantastical world built by Susanna Clarke in Piranesi is a structure: an enormous house by the sea. The reader quickly learns that the narrator has forgotten many things, starting with his name. This allows him to function as a reader-surrogate in learning about this fantastical world. 

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