37 pages • 1 hour read
Stephen KelmanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
It’s the last month of school before summer break, and Harri wants to learn how to properly kiss a girl, so he can kiss Poppy. He reluctantly agrees to have Miquita show him how. Instead, she takes advantage of him and forces herself on him to a sickening degree, so much so that Lydia needs to intervene. Everything comes to a head and Lydia blurts out to Miquita: “‘At least my boyfriend’s not a murderer’” (225). Everything stops, then Lydia tells Miquita that she should not put up with the abuse she takes from Killa. Lydia commands Miquita to leave their apartment.
There is a moment of joy and relief amongst the harsh reality of Harri’s environment when he wins a race at school, making him the fastest runner in his year. However, this joy is fleeting, as a crisis boils at home with Auntie Sonia, who feels that she must leave so Julius does not cause more danger or harm to her and her family. Her leg is in a cast, which Harri suspects is the work of the Persuader. As she is leaving, Auntie Sonia remarks on the graffiti on the door, which just reads: “DEAD.”
Harri considers the nature of superheroes, expressing his preference for the ones who were "born normal" like Spiderman, because "then it could happen to anybody" (236). This thought brings Harri right up to the brink of holiday break, where he and his friends are desperately hoping and wishing not to have any homework for the whole summer. They decide if they avoid stepping on any cracks in the pavement until break, they will not have to have any homework. When the group splits, Harri and Dean go off on their own to continue their "police work" (238), and now have Lydia's Samsung phone to record anything they might witness. Together, they begin searching for any traces or sign of the dead boy's spirit. Visiting his favorite places, Harri asserts that "a piece of the dead person's spirit always stays in the places he knew, even if his soul has already gone to Heaven" (238). While they are holding the dead boy's photo and trying to feel his energy, the Dell Farm Crew shows up and surrounds them. Harri quickly drops the phone into the grass through the fence. Killa goes silent when he sees the dead boy's photograph and him and X-Fire have an altercation over the matter. Things continue to escalate, with X-Fire burning the photograph with his lighter and the Crew advancing on Harri and Dean. Lydia appears and, having found her phone in the grass, she records the entire event, which implicates Killa and the Crew in the dead boy’s murder. Lydia, Dean, and Harri run to the library for safety and Lydia emails the video to her friend Abena for safe-keeping.
Back at school, Harri’s classmate, Connor Green, claims to know that Killa, whose real name is Jermaine Bent, is the one who murdered the dead boy, saying he was in his brother’s car and they passed by the scene and saw Killa running away. Harri is not sure whether or not to believe him, since Connor is prone to making up stories.
Harri returns to the idea of normal people becoming superheroes. During a game of rounders (similar to baseball) outside with his friends, he meanders into the woods to eat some wild apples that make him feel violently ill, thinking that perhaps by consuming them they would imbue him with protective superpowers. He is preparing for the inevitable war between himself and the Dell Farm Crew. War is seemingly declared when the playground is found set on fire. Looking at the scene once the blaze has been hosed down, Harri thinks to himself, “it just looked dirty and dead. It made you feel dead as well” (251). This sadness is transferred to Killa, as Harri spots him in the crowd surrounding the playground wreckage. Harri feels sorry for him.
Finally, the last day of school arrives and “it was like a race for the future” (258). Rushing out of the classroom to the outdoors, claiming their freedom, Poppy finally kisses Harri before she runs to her mother’s car. The moment fills Harri with joy and he runs home full of love and happiness, shouting out his love as he runs. He makes his way to his tower and is blindsided by his own murderer, who stabs him in his own stairwell and he is left to bleed out with his final thoughts lingering on his baby sister, Agnes.
Despite all of the stress, Harri’s childlike wonder and appreciation for sport, his family, and young love for Poppy Morgan persist and show a certain innocent and sincere resilience. His bond with Lydia grows stronger as well, especially in the aftermath of Miquita’s sexual harassment of him. When Lydia stands up for her brother, she “got my message and the blood I sent her” (225) and together they drove out the negativity that had entered their home.
His meditation on the nature of superheroes is more than just a childish fascination. For Harri, it is a source of hope that evil can still be fought against and that succumbing to fear and anxiety is not the only option. His position as essentially an underdog–a young Ghanaian boy unaccustomed to his new environment and forced to assess his own morals–makes him appreciate those superheroes who were just as commonplace or non-extraordinary as himself. When he saves his pigeon from the attacking magpies, he feels distressed, and the warning he gives the pigeon is really just the one he is giving himself: “‘Be careful, pigeon, they might still come after you. Keep your eyes peeled’” (228). In this scenario, the pigeon becomes less of the God-the-Father figure, and more of an emotional and social doppelganger of Harri’s as their experiences slowly begin to parallel one another’s.
For Christians, God comes in the form of the Trinity: Father, Son (Jesus) and Holy Spirit. The Jesus figure becomes particularly pronounced in the final stages of the text. Even with the continual abuse, mentally and physically, he suffers from the Dell Farm Crew, Harri still harbors sympathy for them, especially Killa. One of the pigeon’s final monologues reinforces this sacrificial, Jesus Christ role: “I could have saved you but it’s not my place. It’s like the Boss always says: they’re just meat loosely wrapped around a blazing star. We don’t mourn the wrapping once it’s discarded, we celebrate the freeing of the star” (244).
This celebration of spirit and the journeying soul after a physical death showcases the centrality of religious belief and the assertion of what is good. Though not an exact one-to-one correlation, viewing the Boss as God-the-Father, the Pigeon as God-the-Holy Spirit and Harri as God-the-Son, we can begin to understand Harri’s fate as a necessary part of the ongoing process of humanity and society’s trajectory. He made crucial gains in setting up the pieces to bring Killa to justice and find some sort of redemption for the dead boy, though with the sacrifice of his own life.