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47 pages 1 hour read

Joan Lindsay

Picnic at Hanging Rock

Fiction | Novel | Adult | Published in 1967

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Background

Cultural Context: Colonial Victoria

Aboriginal and Torres Strait Islanders can trace their ancestry in Australia, through oral histories as well as through geological records, as far back as 60,000 years before the present time. Australia’s colonial history is much shorter. Captain James Cook led a British exploratory journey aboard the Endeavour from 1768 to 1771, during which he journeyed along the east coast of Australia.

Australia was subsequently labeled Terra Nullius by Britain—a Latin phrase meaning “nobody’s land.” This entirely discounted the many nations of Indigenous Australians who lived there. Britain, suffering from overcrowding, particularly in its prisons, established a penal colony at Botany Bay—modern-day Sydney—where convicts were sent to serve their sentences. There was also a movement of free British settlers to Australia, who were primarily attracted by the huge swathes of unclaimed land for agricultural or mining purposes (the British did not recognize land ownership of Indigenous groups).

Picnic at Hanging Rock is set in the Australian colony of Victoria. The first Victorian settlement, in present-day Sorrento, was briefly settled and then abandoned in 1803. A more permanent settlement of the area around present-day Melbourne was established in 1835, called Port Phillip. Settlers expanded outward in subsequent decades. The area around Mount Macedon, where Picnic at Hanging Rock takes place, was settled by a number of farmers in the 1890s, and Melbourne’s wealthy elite began to establish vacation properties in the area in the late 19th and early 20th centuries. This is reflected in the novel through the Fitzhubert family’s estate at Lake View.

Victoria was more class conscious than many other Australian colonies. Class divisions were systemically enforced in trains (where there was first-, second-, and third-class seating), theaters, clubs, pubs, and churches. Historian Paul de Serville describes Victoria’s upper class, who remained staunchly loyal to British aesthetics and class structures, as a “would-be aristocracy valiantly defending ‘decent manners and educated tastes’” (de Serville, Paul. Melbourne: “Port Phillip Gentlemen.” Oxford University Press. 1980). Even now, Melbourne has a reputation of being “more refined” and class conscious than Australia’s other major cities (“History of Melbourne.” Only Melbourne, 2023). The fictional Appleyard College, which purports to be a school for well-bred young ladies, reflects the aristocratic reputation of the area. Furthermore, Mike attends fancy parties with well-to-do local families (although, accustomed to the British aristocracy, Mike finds the social strata in Australia comparatively egalitarian).

As in other parts of Australia, settlement in the Mount Macedon region had a catastrophic impact on traditional landowners; the Wurundjeri people, who are a part of the Kulin nation, suffered from dispossession and genocide as colonial Australians established farms, mines, and towns in the area (“Ancestors and Past.” Wurundjeri, 2023).

On January 1, 1901, the six self-governing British colonies—Queensland, New South Wales, Victoria, South Australia, Western Australia, and Tasmania—were federated as the nation of Australia. The Northern Territory joined this newly federated country in 1911. Picnic at Hanging Rock is set one year before the federation of the nation of Australia, in the year 1900.

Literary Context: Gothic Literature, Female Gothic & Post-Colonial Literature

Picnic at Hanging Rock adheres to the tropes of the Gothic genre, which often features dark and picturesque scenery, melodramatic plot points, and an atmosphere of suspense and mystery. Supernatural elements are also common in Gothic literature (Kennedy, Patrick. “Gothic Literature.” ThoughtCo, Feb. 2021). The Australian landscape, which is unfamiliar to the colonial characters, and which is often silent and eerie, provides an ideal backdrop for a Gothic tale. Sarah McFee, a specialist in Victorian colonial and post-colonial literature, notes the following:

The landscape of Australia was a source of anxiety for the British settlers. The country is vast and a lot is uninhabitable, and when the British first colonised Australia, it would have been a stark contrast to the bustling, populated land of England (McFee, Sarah. “Gothic Representations of Colonisation in Joan Lindsay’s Picnic at Hanging Rock.British Association for Victorian Studies, 2019).

Furthermore, Hanging Rock is a looming, intimidating, and dangerous formation, which is rendered with characteristically Gothic imagery: “the play of golden light and deep violet shade revealed the intricate construction of long vertical slabs; some smooth as giant tombstones” (25).

Throughout the entire novel only one reference is made to Indigenous Australia, when the police bring a “black tracker” to try to find the missing women. The absence of Indigenous Australians in the novel reflects the dispossession of these people from their lands. It reflects a privileging of white histories and white stories; this is a story of colonial Australians reckoning with a mysterious and unknown land, disregarding the fact that people had been living and thriving on this land for tens of thousands of years.

On the other hand, Joan Lindsay may be offering a critique of the arrogance of colonial settlers through the death of the story’s archetypal English character, Mrs. Appleyard:

Picnic at Hanging Rock utilises Gothic descriptions of landscape to challenge colonisation. Mrs Appleyard, the personification of English values and beliefs, is driven mad by her obsession with perfection and success and is killed at the Rock, which represents the untouched, wild and natural Australian environment (McFee).

Female Gothic—a term created by academic Ellen Moers—refers to Gothic literature written by female authors about female characters. In Female Gothic works, female characters tend to push against the patriarchal structures that rule, confine, and entrap them (Casson, Emily. “The Portrayal of Women in Gothic Horror.” Sagas of She, 2023). Hanging Rock provides a space for women to free themselves from the strict societal rules that dictate their lives, as is illustrated by the women tearing off their shoes, stockings, corsets, and skirts as they become possessed by the wilderness.

Lindsay further establishes the atmosphere of suspense and terror with her introductory remarks: “Whether Picnic at Hanging Rock is fact or fiction, my readers must decide for themselves.” Although the book is a work of fiction, this fact is intentionally disguised. Furthermore, the novel is set in a real place, and is peppered with police reports, creating a more immersive reading experience.

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