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44 pages 1 hour read

Geraldine Brooks

People of the Book

Fiction | Novel | Adult | Published in 2008

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Symbols & Motifs

Mother

Though Hanna’s mother is also a fully-fledged character in her own right, she serves a symbolic purpose in the novel and in Hanna’s life. Hanna associates her mother with her own self-doubt, and her mother appears in moments when Hanna most doubts herself. Early in the novel, Hanna stands before the manuscript and pauses: “Always a moment of self-doubt, at the instant before you begin. The light glinted on the bright steel, and made me think of my mother” (21). Moments of self-doubt are immediately associated with Hanna’s mother, and this persists throughout the novel. Hanna’s mother’s criticism only further cements this connection, as Hanna fights the perspective her mother has about her work, her relationships, and almost every element of her daughter’s life. Hanna overcomes her mother, and her self-doubt, at the end of the novel. She changes her name, aligning herself with her father, and stops talking to her mother entirely. After this, she feels confident and acts for herself; she doesn’t think of her mother or her criticism. By taking a new name and forgetting her mother, she loses the part of herself that doubted her own ability to succeed.

 

Haggadah

The Haggadah serves as a larger symbol of the “people of the book” (254)—of the human history that lead to its construction and to the complex lives of those who have known it. Through the Haggadah, Brooks explores the way stories can be contained in objects and can become symbols of larger themes in history. The Haggadah is a symbol of the lives who have touched it and contains all their stories—of power and sin, exile and violence, bravery and resilience. 

Books

Though the Haggadah as a single book is a symbol of human history and human stories, books as a whole play a slightly different symbolic role in the novel. Books become a symbol of sharing knowledge, and thus sharing culture. Libraries are presented as sanctuaries—on at least two occasions, the Haggadah is hidden inside a library so it will not be destroyed. The production and distribution of books is an act of cross-cultural peacemaking, and the burning of books becomes a symbol of power, violence, and ignorance. Living books indicate peace and prosperity, while burning books indicate doom.

Names

Names are a symbol of identity in the novel—they indicate not only what a person is called, but also who they are on a spiritual, cultural, and social level. For Vistorini, remembering his old, Jewish name brought upon him an existential crisis so painful he couldn’t fathom it. For Lola, losing her name was part of losing her entire people—she was called Leila to save her own life, but in the process lost so much of what was meaningful to her. Zahra is called only al-Mora, known not for her true self but for the color of her skin and the place of her birth. Finally, when Hanna learns her father’s name, she becomes a more true and complete version of herself. For her, “[n]ew name” means, “new life” (346). To be named, and named properly, means to be given the ability to be your whole self. To be unnamed means to lose your sense of self—to be exiled from your own identity.

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