44 pages • 1 hour read
Geraldine BrooksA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
This chapter goes back in time, to the life of a 15-year-old Jewish girl from a poor family living in Sarajevo just before Nazi occupation of Bosnia. Lola lives with her mother who is a laundress and her father who is a financial minister, as well as her younger sister Dora. Lola helps her mother with laundry and frequently sneaks out at night to join a group of young Jews in conversation about politics, culture, and religion. Lola is intrigued by the leader of the group, who is a “pioneer” in Palestine, where he says he is starting a new Jewish state. The political situation in Sarajevo soon becomes more volatile and the Nazis move closer—the leader leaves, and a new leader comes in. Lola stops attending as many meetings. During this period, Lola does laundry for a kind woman named Stela, who is Albanian Muslim and married to Serif, the director of the National Museum.
Suddenly, and without much warning, Germans raid the city and take Bosnia and the surrounding countries. Lola’s father is taken to a labor camp; he eventually has his hamstrings slashed by Nazis and is dumped in a deep pit with other Jewish men. Lola isn’t home during a secondary raid to round up mothers and daughters, and she manages to track down her mother, aunt, and baby sister Dora in the nearby synagogue. Lola manages to escape, but has to leave her family behind—instead she travels to join resistance fighters with Ina, the baby sister of Isak, a member of Lola’s Jewish youth group. The situation is desperate: “Lola winced [...] [she] had seen death in the faces of those she loved” (61).
Lola and Ina find Isak, who is co-leading an odred, or small group of Partisankas, resistance fighters. They nearly starve, with poor resources and few weapons. Eventually, after one year of small acts of resistance against German forces, they are disbanded and sent home. Isak protests: “None of us has a home anymore. Most of our families have been murdered. We, all of us, are outlaws” (73). On their own, Lola walks with Isak and Ina toward free territory, but Ina is sick with a bad cough and fever, and Isak’s foot is so riddled with frostbite he can’t walk anymore. Isak takes Ina and drowns himself in a frozen river, and Lola returns to Sarajevo alone.
In Sarajevo, Lola asks for help at her father’s former workplace and is taken to the home of Stela Kamal and Serif, the National Museum director. She cares for their baby Habib under an assumed name, and she has four months of peace. One day, Serif comes home and calls the women into his study. He reveals he has stolen the precious Haggadah from a Nazi officer named General Faber, who came to loot and destroy it. In order to keep his family safe, Serif decides to send Lola to a family in Italy that will care for her. Serif, Lola, Stela, and Habib make a trip to a family home in the mountains to store the Haggadah in a small family library: “They found it a narrow place on a high shelf, pressed between volumes of Islamic law. The last place anyone would think of looking” (89). The butterfly wing, which nestled into the Haggadah’s pages, was the property of a budding entomologist who lived on site. Finally, Lola leaves for Italy, terrified to leave the Kamal family, who saved her life.
This chapter depicts a painful moment in the history of the Haggadah, but it also offers an inspiring look at the acts of bravery and empathy that kept the Haggadah safe through generations of war. This chapter deals with definitions of bravery and courage, in the acts of Lola and the Kamal family. It also chronicles the realities of grief, particularly around persecution and war, and the possibilities for healing.
Definitions of bravery are plentiful in Lola’s story. She tries to save her family but cannot, and she refuses to give up even when trying to save others would end her own life, as in the moment when Isak and Ina commit suicide by falling through the ice. During a drop in her time with the partisankas, Lola realizes that what others might call courage, she does out of love and hope: “Lola did not think of herself as brave. […] All she knew was that she could not leave Isak out there, exposed, struggling, alone” (70). In this chapter, courage is defined as an act of love that allows a character to risk their own life for the sake of another’s life. This is mirrored in the actions of the Muslim Kamal family, who have no personal stake in the savior of a young Jewish girl other than a moral code and deep sense of empathy. Regardless, they save Lola and ask nothing in return: “‘Come now,’ Serif said, realizing she was about to cry. ‘Jews and Muslims are cousins, the descendants of Abraham.’” (80). In these moments, Lola and the Kamals demonstrate a larger theme of human decency, courage, and love, which crosses cultural, ethnic, and religious lines.
Grief is also present in this chapter. Lola reflects, upon returning to Sarajevo, “In the mountains, she had pushed the memories of her family to the back of her mind, afraid that if she opened the door to grief, she would be unable to close it” (76). This grief leaves a permanent mark on Lola, and on Serif, who lost a dear friend to the Nazis, and on countless others. This mark of grief is symbolized in the butterfly wing left in the Haggadah, which marks the book’s presence in that historical moment and in the lives of those grief-stricken, courageous characters.
By Geraldine Brooks