logo

81 pages 2 hours read

Sara Pennypacker

Pax

Fiction | Novel | Middle Grade | Published in 2016

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.

Themes

Escape from Captivity into the Wild

The author explores the theme of Escape from Captivity into the Wild more deeply through the parallels to Sinbad, in which Sinbad is trying to escape from the bird, Roc. Peter mirrors this by wanting to leave Vola’s house and go off on his own, as well as Pax leaving Peter’s protection eventually to go into the wild.

In Pax the wild is more than just the land, but the untamable feelings of human beings. Peter is afraid to own his wildness because he’s uncomfortable expressing anger. He remembers “His seven year old fury. A wildness he couldn’t control. The exhilarating fright of that wildness” (217). He then shatters a globe that once belonged to his mother “his mother’s blue gazing globe, batted off its pedestal into a million shards.” His mother begs him not to be like his father, to tame his temper. He remembers “her bloodied fingers, picking the blue glass daggers from her white roses. His shame as he watched her drive away” (217). The author implies that this moment was the last time Peter ever saw her.

Peter tries to stuff his anger down with Vola, but she says “I don’t think that’s going to work out. You’re human and humans feel anger” (218). Peter says it’s too dangerous. Vola throws her head back and laughs “We all own a beast called anger. It can serve us: many good things come from anger at bad things” (218). The message in Pax is to be fully human, to own our anger or wildness. Peter is able to own his anger “at bad things” when he speaks defiantly to the war-sick men before rescuing Pax from the coyote.

The Cost of War

Pennypacker explores the cost of war through the little things that most people don’t remember to count. People think about the cost of human life, but they seldom bring losses of civilians into the equation. Those are afterthoughts to most, but not to Peter:

How many kids this week, he wondered, had woken up to find their worlds changed forever, their parents gone off to war? How many friends had had to say goodbye? How many kids went hungry? How many pets had they had to leave behind to fend for themselves. And why didn’t anybody count those things? (250).

Likewise, the book focuses on the effects of war on the natural world. Landmines kill animals, the waters are muddy, and the once-beautiful landscape is ugly. Through the changing landscape, Pennypacker points out the carelessness of humanity and again juxtaposes the “wild” and “tame” worlds.

False-Acting

“False-acting” is another way of saying that human beings pretend to be one thing but say or do another. It’s also noted that this doesn’t seem to happen when humans are young but happens more often as they get older. This seemingly inevitable development causes the reader to see how people change as they get older and if those changes are ultimately negative or positive. Pax describes Peter’s abandonment as “false-acting,” suggesting that Peter is growing up to be a typical human. Peter’s later actions, however, suggest that he has rectified himself and will no longer grow up with this attribute.

Vola addresses false-acting when she says, “The truth, that’s the rule here.” Whereas other people engage in false-acting, Vola makes sure that she practices honesty. Not just in her interactions with others, but in her relationship with herself. She doesn’t shy away from the truth. Her emphasis on truth and Peter’s decision to act from his core show the reader that, as human beings, we can reclaim our truth, even if we’ve lost sight of it.

blurred text
blurred text
blurred text
blurred text