74 pages • 2 hours read
Diana GabaldonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Claire Beauchamp and her husband of eight years, Frank Randall, are on vacation in Inverness in Scotland, a second honeymoon that they hope will allow them to reconnect after being separated for years during World War II. Claire had been a nurse while Frank had been in Officers Training and a part of the Intelligence Unit at M16; however, Claire is unclear what Frank actually did in the war. Frank is a historian and professor who has recently accepted a permanent position at Oxford University. While admiring a vase in a shop window, Claire reflects that Oxford will be the couple’s “first real home” (16). The couple are trying to have a baby.
Frank is deeply interested in Scottish history. While in Inverness, Frank researches an ancestor, Jack Randall. Upon seeing blood stains at the doorsteps of several local homes, Frank ascertains that the blood is part of an old superstitious house-cleansing ritual in the Scottish Highlands.
One evening, Frank meets a local historian about the history of the area while Claire stays home. A storm picks up. When Frank returns home, he reveals that he thinks he just saw a ghost—a strapping man dressed in a customary Scottish kilt. Frank recalls that, though the wind was blowing, the man’s clothes did not move. Frank reports that the man had been staring at the window where Claire was standing. While lying in bed, Frank quietly speculates that the man had been a former lover of Claire’s. He tells her that he would forgive her if she had had an affair during the war. Claire becomes offended, maintaining that she would never do such a thing. Only after the argument does Claire wonder if Frank had been alluding to his own infidelity.
Having taken an interest in botany, an elderly local man named Mr. Crook takes Claire on a tour of local plants. They come across a hill called Craigh na Dun, where there is a miniature stone henge. When Claire asks Mr. Crook if there is something special about Craigh na Dun, Mr. Crook avoids the question.
Claire visits the vicarage, where Frank is studying local history with Reverend Wakefield. Frank learns that his ancestor Jack Randall had been involved in Jacobinism in the 1750s, a movement that attempted to restore James Francis Edward Stuart to the British throne and caused significant conflict between the British and the Scottish.
Reverend Wakefield’s housekeeper Mrs. Graham reads Claire’s tea leaves and palm. She tells her that her marriage line is divided, insinuating several marriages. However, while these lines are usually broken, Claire’s lines are forked. Mrs. Graham teases Claire, asking her pointblank if she’s a bigamist. Claire asks Mrs. Graham if she can tell her whether she will have children. Mrs. Graham tells her that lines indicating children do not usually appear on the palm until one has already had children.
At the vicarage, Claire meets Reverend Wakefield’s adopted son Roger, for whom Wakefield has created a family chart. “I didn’t want him to forget his own family, you see,” Roger admits gingerly, “It’s quite an old lineage, back to the sixteen hundreds […] I didn’t want him to forget where he came from” (56-57). Claire brings up the possibility of adopting a child with Frank, who flatly refuses because he believes he could not love a child that was not his by blood.
Frank and Claire take a trip to Craigh na Dun to secretly observe a Druid ceremony. Claire notices a deep blue flower that she returns the next day to inspect. Claire draws closer to the rocks to inspect a strange humming sound. The stones begin to shout, and Claire hears the cries of battle. Her vision blurs, and when she wakes up again, she is at the bottom of the hill. She hears the noise of human conflict it the distance and follows it.
Claire stumbles into a fight between the English, or the “redcoats” and the Scottish (77). She assumes the men are actors shooting a film. Claire is captured by a man in the woods, who later reveals himself to be Jack Randall, Frank’s ancestor. His hair and build bear a resemblance to Frank that startles Claire. Randall makes a sexual advance at Claire and asks her if she is a sex worker. A Scottish man rescues Claire from Randall and takes her back to his group, who is staying in a stone cottage. Her rescuer, now turned captor, a man called Murtagh, calls her a “Sassenach wench,” meaning an English woman, which immediately draws suspicion from Murtagh’s peers, who wonder if she is an English spy (88). Claire notices that all the men are kilted, which is not typical for Scottish dress in 1945.
Claire intercepts the men trying and failing to force a young man’s shoulder back into its joint. Pushing the men aside, Claire successfully puts the young man’s shoulder into its socket. He then gratefully introduces himself as Jamie. Outside, Claire notices the beauty of the stars due to the lack of city lights. Noticing Claire shivering, Jamie covers her with his shawl. As Claire travels with the men, she slowly realizes she has travelled back in time. Jamie is wounded in another battle with the English and Claire again nurses him back to health.
Claire and the rest of the clansman arrive at Castle Leoch, which Claire remembers from visiting it in 1945. Claire meets Mrs. Fitz, a skilled nurse herself. Mrs. Fitz and Claire attend to Jamie’s wounds. Jamie tells Claire that the scars on his back come from a beating by the British captain Jack Randall. Jamie tells Claire that Randall attempted to rape his sister Jenny. Claire sobs at her reality of being stuck in 1743, and Jamie comforts her. Claire understands why Jamie is so good with horses. Jamie insists that she go to bed, and Claire falls asleep inside a mound of quilts.
Claire is summoned to meet Colum MacKenzie, the owner of the castle. Claire realizes from her study of history that Castle Leoch is a Scottish stronghold the British would not dare to try to penetrate. Claire notes Colum’s bowed legs and ascertains that he suffers from Toulouse Lautrec Syndrome. She also sees that Colum looks very much like his brother Dougal, one of the clansmen that Claire traveled with. Colum questions Claire on her background. Claire says that she is a widower from Oxfordforshire who was attacked by Captain Randall on her way to visit relatives in France. When Colum briefly exits the room, Claire rummages through Colum’s library and finds a letter dated April 20, 1743, confirming Claire’s suspicion that she has travelled through time. Colum dismisses Claire, though Claire gleans that he is still wary of her. “Colum didn’t say the next words,” Claire reflects, “but he might as well have. They hung in the air behind me as clearly as though spoken, as I walked away. ‘Until I find out who you really are’” (146).
Part 1 of Outlander, which comprises the first five chapters, outlines main character Claire Beauchamp’s background, major conflict, and motivation. It also introduces her first new beginning as she adjusts to life in Scotland in 1743. Though slightly dissatisfied in her marriage to her scholar husband Frank and mourning the lack of purpose that nursing gave her, Claire is still committed to building a stable life with Frank, despite her strong-willed and nomadic nature. However, her plans for domestic life are thwarted when she is plunged back into the 18th century. Through Claire’s reflection on Roger and Reverend MacKenzie, as well as Claire’s own experience of being raised by her uncle, Outlander presents the question of child rearing, and its connection to the book’s theme of family lineage and the motif of parenthood, as one of Claire’s chief preoccupations. This is only further reinforced by Frank’s refusal to consider adopting a child. For Frank, the idea of adopting a child impedes his desire for and interest in family lineage, rendering lineage, or blood lines, unimportant. For Claire, Frank’s refusal to consider adoption in the face of their childless state presents her with a dead-end to parenthood.
Part 1 introduces Frank’s ancestor Captain Jonathan Randall, who will become the villain of the book. Whereas the historical accounts Frank consults label Randall somewhat of a hero, his less-than-gentlemanly behavior toward Claire proves otherwise. Claire’s encounter with Captain Randall also calls into question the reliability of history, as Randall is not the gallant soldier in person as he seems to be on paper. Randall’s sexual assault of Claire also introduces the book’s motif of the threat of sexual violence. Moving forward, Claire becomes deeply aware of the vulnerability of her body as a woman. Randall’s arousal at overpowering Claire also brings into focus the book’s motif of domination and submission, which comes into play between Claire and Jamie and, later, between Jamie and Randall.
By Diana Gabaldon
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Fantasy
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Guilt
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Hate & Anger
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Power
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Romance
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