logo

59 pages 1 hour read

Christopher R. Browning

Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland

Nonfiction | Book | Adult | Published in 1992

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Themes

Choice

The matter of choice is perhaps the most important theme in the book. Like others accused of wartime atrocities, the men of Battalion 101 will later suggest that they had no choice but to obey their orders or risk terrible punishment. However, this excuse is undermined by the fact that “no defense attorney or defendant […] has been able to document a single case in which refusal to obey an order to kill unarmed civilians resulted in the allegedly inevitable dire punishment” (170).

From the very beginning, a clearly emotional and disapproving Trapp makes the “extraordinary offer” that anyone who “did not feel up to the task that lay before him […] could step out” (2), explicitly offering the men a choice about their participation, which few men actually accept. Interestingly, Trapp actually seems to believe that he himself does not have a choice because “orders are orders” (58). However, he makes it abundantly clear that his men do have a choice and consistently protects those like Buchmann, who refuse to participate. Men who ask for other duties are assigned them or are “advised to ‘slink away’” (68) by their superior officers and they all suffer “no consequences” (66) on any official level. As such, it seems that the men truly have “a considerable degree of choice” (127) during many of the operations and still choose participate in them. In fact, for many smaller operations, “there [are] so many volunteers that some of them ha[ve] to be turned away” (128).

The fact that the men have a choice and still take part in the massacres means that they are responsible for their participation in mass murder, something many men will later try and deny by claiming that they “had not heard that part of the speech or could not remember it” (72). Browning further highlights the significance of this by offering examples of times when the men truly did not have a choice. On such occasions, the men do not have to “bear the ‘burden of choice’ that Trapp had offered them so starkly on the occasion of the first massacre” so do not have to “live with the clear awareness that what they [have] done had been unavoidable” (86). This allows the men to deny their own responsibility on these occasions but also serves to highlight the fact that they do have a choice—and so are personally responsible—on numerous other occasions.

Conformity

If the men of Battalion 101 have a choice in regard to their actions, then we must ask why they chose to commit mass murder when “almost all of them—at least initially—[are] horrified and disgusted by what they [are] doing” (184). Browning suggests that a key reason for this is “the pressure of conformity—the basic identification of men in uniform with their comrades and the strong urge not to separate themselves from the group by stepping out” (71). Certainly, it is true that while the men do not face official punishments for not participating in the killing, they do receive “disparaging remarks” (103) from their peers. Many of those who “step out” (2) report being called “weakling” (66), “coward,” “traitor” (116), and “shitheads” (103). More than this, those “who [do] not shoot [risk] isolation, rejection, and ostracism,” which is “a very uncomfortable prospect within the framework of a tight-knit unit stationed abroad among a hostile population” (185).

As such, the move to actually “break ranks and step out, to adopt overtly nonconformist behavior, was simply beyond most of the men” (184). Even those who do refuse to kill often work to avoid any sense that they are judging the others, fearing that refusing to shoot will be “seen as a form of moral reproach of one’s comrades” or as suggesting that “the nonshooter […] was ‘too good’ to do such things” (185). Accordingly, recalling the motif of weakness, they frequently plead “not that they [are] ‘too good’ but rather that they [are] ‘too weak’ to kill” (185). Importantly, this theme intersects with anti-Semitism because the men’s primary concern with how they appear is only made possible by dismissing the vast significance of murdering tens of thousands of Jews so that their “concern for their standing in the eyes of their comrades [is] not matched by any sense of human ties with their victims” because they consider Jews to be “outside their circle of human obligation and responsibility” (73).

Anti-Semitism

Apart from exceptional figures like Gnade, few of the men admit to or are openly accused of anti-Semitism. Of course, a key part of this may be “judicial calculation, involving both self-incrimination and the incrimination of comrades” (147). However, it is also important to consider the fact that much of the propaganda the men encounter is not specifically targeted at older men like themselves. Even more importantly, such propaganda is certainly not concerned with undermining their inhibitions against murdering “unarmed Jewish women and children” (183). As such, it is difficult “to believe that any of this material could have deprived the men of Reserve Police Battalion 101 of the capacity for independent thought” (184).

On the other hand, few of the men who actually refuse to shoot do so because of “[p]olitically and ethically motivated opposition” or “opposition to the regime’s anti-Semitism in particular” (75), but rather are simply expressing “sheer physical revulsion against what they [are] doing” (74). Likewise, it is also certainly the case that they, like the rest of the country, are exposed to anti-Semitic propaganda in a more generalized manner. At the very least, they are exposed to the idea of Jews as a general enemy of Germany, something that Trapp appeals to in his speech before the first massacre, in which he suggests that some of the Jews of Józefów are “involved with the partisans” and that “Jews […] instigated the American boycott that [has] damaged Germany” (2). Likewise, this idea is present in the orders that policemen involved in the killing of Jews “are to be instructed continuously about the political necessity of the measures” (14). As such, if nothing else, the men undeniably take on the idea that Jews are, like wartime enemies,“ outside their circle of human obligation and responsibility” (73), which excludes “the Jewish victims from any common ground with the perpetrators” (186).

Dehumanization

It is impossible to say for certain to what degree the men of Battalion 101 dehumanize their Jewish victims. Certainly, it is apparent that they see Jews as “outside their circle of human obligation and responsibility” (73), which suggests a level of dehumanization at least equal to that of a wartime enemy. We can also look at examples of behaviors that are intended to dehumanize and which express dehumanizing perceptions of Jews. Gnade is particularly guilty of this with procedures like the strip search or forcing elderly Jews to strip naked and “crawl on the ground in the area before the grave” (82-83), actions clearly intended to dehumanize his victims.

However, we can also expand our understanding of dehumanization to consider that the men themselves are dehumanized by their own actions, losing their sense of human connection and morality. Browning notes that wartime brutalization cannot explain the men’s actions because “brutalization was not the cause but the effect of these men’s behavior” (161). Another way of interpreting this is to say that the men are dehumanized by their behavior, something we can see in the steady erosion of the men’s reluctance to be involved in mass murder. This manifests not only in the extreme sadism displayed by figures like Gnade but also in the men crassly joking about eating “the brains of the slaughtered Jews” (128) and in more restrained figures like Trapp becoming acclimatized to ordering the murder of hundreds of Jews.

blurred text
blurred text
blurred text
blurred text