70 pages • 2 hours read
William Kent KruegerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Frank opens Chapter 23 by saying that “Knowing was far worse than not knowing,” in regard to Ariel’s fate (181). Ariel’s body is transported to van Der Waal’s funeral home. Frank says that “an awful hush settled over [the Drum] house”; Frank sobs at times, but Jake’s response is anger, which “spilled out at everyone and everything but it seemed especially directed at God” (183). Jake begins to refuse to pray, and the two brothers cease to get along.
Frank also admits he’s refused to accept the fact that Ariel was murdered, a possibility that Jake views as fact. In retrospect, Frank is able to view his incorrect belief more clearly: “Looking back now, it’s easy to see what I was really afraid of. Which was that if Ariel’s death wasn’t accidental, then I had let the man most probably responsible for [her murder] get away” (184).
Gus takes Frank and Jake on a motorcycle ride, then to Halderson’s drugstore, to get root beers. Officer Doyle arrives and informs Frank, Jake and Gus that the coroner believes Ariel was murdered. Doyle is sure Redstone did it; Frank voices that he thinks Redstone is innocent, with Doyle responding that his next choice for culprit would be Morris Engdahl.
That evening, Nathan and Ruth have a tense moment, with Nathan wanting to read the Bible aloud and Ruth saying she doesn’t want to listen, and going to bed. Nathan goes across the street, to the church, and Frank follows. Frank listens to Gus and Nathan talk, with Gus affirming his belief in God.
Nathan gives his first sermon following Ariel’s death; Jake and Ruth stay at home, while Gus and Frank attend. In his sermon, Nathan cites Corinthians, saying that Paul tells of “three profound blessings…faith, hope and love” (194). Jake and Frank make amends, with Frank telling Jake that Jake is his best friend, and Jake admitting he’s scared that Frank will die as well. Frank says that he’ll never leave Jake alone.
Frank and Jake do yardwork at their grandfather’s house and are paid ten dollars instead of their normal two. The brothers walk home and Jake gets emotional, saying how much he wants Ariel back. Frank tells Jake that things will get better. At the end of the chapter, we learn that Engdahl and his girlfriend have been found in Sioux Falls. The girlfriend is only seventeen, and the sheriff is therefore holding Engdahl, a legal adult, on violation of the Mann Act, for having sexual relations with an underage girl. Frank is hopeful that Engdahl is responsible, then says, “[b]ut the next day the medical examiner from Mankato came to New Bremen and conducted a thorough autopsy and what he found changed the thinking of us all” (199).
Ruth fails to take Jake to his speech therapy session in Mankato and instead announces she’s leaving and going to Emil Brandt’s. Nathan takes Jake to Mankato; while everyone except Frank is gone, a sheriff arrives, looking for Nathan. The sheriff goes on to ask Frank about Karl Brandt; Frank tells the sheriff that Karl treated Ariel well and the two didn’t argue, “[w]hich didn’t seem like the answer [the sheriff] wanted” (203). Frank goes on to reveal that Ariel sometimes snuck out after curfew.
Later that day, Nathan talks to the sheriff in his church office. Frank and Jake sneak into the church basement and listen through the air ducts. The sheriff tells Nathan of the coroner’s findings: that Ariel “sustained a head trauma from an elongated instrument, maybe something like a tire iron, but the actual cause of death was drowning” (207). The sheriff further reveals that Ariel was five to six weeks pregnant when she died.
This revelation leads the sheriff to ask Nathan what he knows of Karl Brandt. Nathan says that he believes Karl to be of good character. The two men leave as Frank and Jake stand in shocked silence in the church basement, with Jake then stammering out Karl’s name.
Nathan leaves for Emil Brandt’s house; after he’s gone, Frank and Jake head for the river. Frank and Jake reach the trail that leads from the river up to the home of Emil and Lise Brandt, stopping at the fence gate that leads to Lise’s garden. As the two are about to run for the edge of the house, in order to eavesdrop on the conversation between Emil and Ruth, Lise storms from the house and walks angrily to the garden shed. Frank and Jake make a run for it “when a banshee scream came at [their] backs”; this is Lise Brandt, who “gripped a gardening tool, something with crooked tines, and she threatened us in such a way that it appeared she had claws” (212-13).
Jake is able to defuse the situation; Lise’s anger is replaced by sadness, and for the first and only time, Frank sees Lise cry. Jake explains that Lise is upset because she’s been ignored by Emil since Ariel died. The boys help Lise work in the garden; a short time later, Ruth and Nathan exit the Brandt residence. The four leave together, with Frank noting that Ruth and Nathan have told all of the details they’ve learned about Ariel (how she was killed and that she was pregnant) to Emil.
At home, the Drums discuss Karl Brandt, with Ruth saying, “‘The Brandts have always taken what they wanted. And thrown away what they didn’t. Why should Karl be any different?’” (215). The Drums assume—and have no reason not to assume—that Karl is the father of Ariel’s child, and speculate that Karl killed Ariel in order to not jeopardize his future. Nathan asks Frank and Jake to make no judgments until after Nathan and Ruth have talked to the Brandts.
Frank begins Chapter 27 by saying that “[i]n a small town, nothing is private” (217). In no time, the townspeople of New Bremen hear that Ariel was pregnant, and that the sheriff suspects Karl Brandt of foul play. The sheriffs interview Karl’s friends, who suggest that Karl intimated that he had slept with Ariel in the days and weeks leading up to her murder. They also interview Ariel’s friends, who say that Ariel had been out of sorts but would not say what the problem was.
Axel and Julia Brandt, Karl’s parents, are keeping Karl “out of public sight in their mansion in the Heights” (217). Nathan tries to arrange a meeting with the Brandts but is rebuffed by a man who works for the family. The Brandts have also retained the services of a lawyer, who has instructed Karl, in interviews with the sheriffs, to “neither confirm or deny his part in Ariel’s pregnancy” (218). Karl does confirm that both he and Ariel never had any intention of getting married.
Frank goes on to say that:
Emil Brandt seemed to have dropped from [the Drums’] lives. {Emil had] been my mother’s constant companion from the moment Ariel vanished, but once my sister’s pregnancy had been revealed, and the Brandt name had been dragged into the thick of things and the family had sequestered themselves, my mother’s affections had shifted away from anything Brandt (218).
The blunt object used to crack Ariel’s skull is considered to at least possibly be still in the possession of Karl Brandt, but the county attorney, who Ruth calls a “toad,” refuses to petition a judge to grant a search warrant to the sheriff for the Brandt property (219). Ruth remains sure that Karl Brandt is Ariel’s killer; at the end of the chapter, she asks Frank if he knows his Old Testament, quoting a line from it: “‘Let the battle cry be heard in the land, a shout of great destruction’” (220).
These chapters focus on the immediate fallout from learning that Ariel is not only dead but has been murdered, and is also pregnant. With learning of the pregnancy, all focus in the case shifts toward Karl Brandt, Ariel’s boyfriend, and we begin to see how Karl—a form of outsider, via his family’s affluence—is treated in a manner not all that different from how authorities and townspeople have castigated and vilified first Warren Redstone, due to his race, and then Morris Engdahl, due to his heterodoxy. In this way Krueger establishes that New Bremen is composed of an Anglo-dominant, middle-class moral majority, and any and all who sit outside of that majority are easily scapegoated and cast as at least potential villains.
Similarly to the O’Keefe family, after Redstone is sought for questioning in Ariel’s murder, the Brandts hole up at home, effectively unable to be part of the community that their relatives have helped to establish. Unlike the O’Keefes, however, who are working-class, the Brandts are moneyed, and use their wealth to make sure that Karl doesn’t unintentionally indict himself via a lawyer. Further, their influence disallows the granting of a search warrant for the Brandt property, illustrating how the wealthy, so often, are able to remain above the law.
While both Ruth and Nathan Drum remain largely in character after the news of Ariel’s death, there is a change in Jake Drum, who, to this point, has retained much if not all of his childlike innocence toward the events that take place around. Jake has continually served as a voice of conscience for Frank at points in the novel; here, we find Jake sullen and angry, and questioning, for the first time, his faith in his religion.
By William Kent Krueger