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60 pages 2 hours read

Margarita Montimore

Oona Out of Order

Fiction | Novel | Adult | Published in 2020

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Prologue-Part 2Chapter Summaries & Analyses

Part 1: “The Party’s Over: 1982: 18/18” - Part 2: “Under Ice: 2015: 51/19”

Prologue Summary

Content Warning: This section references drug use and addiction; it also discusses nonconsensual sex (specifically, sex engaged in under false pretenses) and brief anti-gay/anti-trans sentiment.

Oona Lockhart stands looking in the mirror and thinks the old woman wearing a funeral dress reflected back is out of sync with who she is inside. She touches her gold necklace made of clockwork gears, which reminds her that time travel used to be agony, but now she has learned life brings good along with the bad. She muses that in each era, there is someone she misses, loses, or sees again. She doesn’t know what age she will be next year, so the point, she thinks, is to live in the moment she is in. She thinks back to the party when she first time travelled; she was happy, young, and more in love than at any other time. She hopes one day she will get back there and get it right.

Part 1, Chapter 1 Summary

It’s New Year’s Eve 1982 and the night before Oona’s 19th birthday. She is in a basement in Brooklyn celebrating with a group of high school friends and members of the band she plays in: Early Dawning, a name inspired by the band the Velvet Underground. She checks the time on a watch that Dale, her boyfriend and the band’s lead singer and guitarist, gave her. It has a silver face with black stars and is one of her most prized possessions.

Oona is caught up in music choice and retrieving ice but is interrupted by Dale, who urges her to enjoy the party. A crash from upstairs overwhelms Oona, as she flashes back to a mugging earlier that year. However, it’s only their drummer, Corey, having a drunken accident. Dale helps her relax and distracts her with kisses, but she stops him before they get too far, thinking they need to get back to the party. Dale insists he will always protect her, especially when their band goes on tour that spring, and convinces her to relax and let him take care of everything.

Oona thinks about her role as a keyboardist in the band and how the reviews say she is nothing special. She thinks that she could be a better guitarist if given the chance, but that’s Dale’s role. Oona talks with another band member, Wayne, who asks her if she’s okay. She says yes but feels stressed about impending life decisions. She accidentally walks in on Corey, the drummer, doing cocaine in the bathroom and lectures him about hard drugs being against band rules. She tells him he needs to pull it together if he wants to stay. She feels like a hypocrite, as she herself isn’t sure she wants to stay in the band.

Pam, Oona’s best friend from elementary school, shows up and reminds her that she has an alternative. They both have been accepted to a program in London, and Oona hasn’t decided which to choose: the band or education abroad. She tells Pam that she hasn’t told anyone about being accepted—not even her free-spirited mother.

Dale finds Oona and gives her an early birthday gift: a leather jacket like his, which Oona likes to wear and calls her “New York City armor” (15). Oona privately thinks the gift misses the point, as wearing Dale’s jacket makes her feel safe and close to him. She continues to worry about which path she should take, but as the clock counts down and she kisses Dale, she feels like she is deeply in love. The floor begins to shake and her body feels strange, but she assumes it’s the subway or her anxiety about the life-changing choice ahead of her. At a second to midnight, she feels intense pain, and her body’s atoms “scramble” and reassemble in a different time and place.

Part 2, Chapter 2 Summary

Oona wakes up in a quiet room that looks like a fancy library with a man she doesn’t know asking her if she’s okay. She has a flashback of seeing her father’s dead body after he accidentally drowned, and she screams. The man, who is in his early thirties, tries to calm her and explains that his name is Kenzie. He says he’s her personal assistant and friend and explains that she is in her home and safe. Oona doesn’t believe him. She sees a picture of Dale, the band, herself, and Pam at the party in 1982 and wants to return there. Kenzie tries to convince her that she can trust him by recounting details from that night that she previously told him. However, he confuses her by using slang from the 2000s that Oona doesn’t understand. He explains that while she is still 19 on the inside, she is now in 2015 and so 51 on the outside. He gives her an envelope with a letter he says she wrote to herself to explain the situation.

Oona doesn’t believe him and tries to run away. She notices her body doesn’t feel the same and panics when she sees herself in a mirror. She tries to leave the house, but the door is locked. She insists Kenzie let her go and he does, but not before making her take a coat and bag (which she doesn’t recognize) with her current information in it.

Part 2, Chapter 3 Summary

Oona flees through New York in disbelief, seeing evidence that both supports and contradicts the idea that she is in the future. She attempts to buy a token on the subway and is given a card instead. She appreciates the safer, cleaner system and decides to read the letter while she rides the train. It explains that the leap through time happens every year on her birthday: There’s nothing she can do about it, and nothing she did caused it. Oona is surprised to see a tattoo on her wrist. It features an hourglass filled with swirling galaxies instead of sand and the initials “M.D.C.R.” She assumes the M stands for her mother, Madeleine, the D for Dale, and the C for her father Charles, but she wonders whom the R represents. The letter continues, explaining that Oona won’t give herself information about her future, good or bad, as it would take the fun out of living. The exception is tips on how to make money, her knowledge of the future having made her very rich.

Oona’s letter lays out several guidelines. First, she can’t tell anyone about time travel, but the letter assures her that her mother and Kenzie know. Second, she shouldn’t get so rich that she attracts attention. She needs to give money away and sometimes lose on the stock market so people don’t notice her abilities. Third, she should avoid publicity for the same reason, and fourth, she should avoid being photographed so as not to spoil what she looks like for future or past selves.

Oona gets off the subway before she finishes the letter and goes to Dale’s house. His family no longer lives there, and the current tenant closes the door in her face. She collapses on the steps and continues to read the letter. Guideline five says to trust Kenzie. He’s more than a personal assistant; he is loyal, young, wise, and fun. Sixth, she shouldn’t trust technology, as it’s easy to get carried away and she needs to avoid social media. Also, she may not have access to technology in the next time period she leaps to.

Finally, the letter informs her that Dale is dead. He had a stroke when he was young. Oona should not look up his obituary or search social media for information, as the knowledge would be too much. The letter assures Oona her mother is fine and will visit in the morning. Oona is still having trouble processing the news when Kenzie pulls up in a car. Oona gets in and insists that he teach her about the internet and social media as soon as they get home.

Part 2, Chapter 4 Summary

Kenzie tries to put off teaching Oona about the internet since it’s late, but she insists. He offers her a soy latte, which she doesn’t recognize, so she tries to make a cup of regular coffee. However, she finds she doesn’t know how to work a K-cup machine.

Kenzie shows her a modern phone, tablet, and laptop and gives her a quick lesson about the internet. He helps her search for Dale, though he tries to talk her out of it. She doesn’t learn much other than that Dale was 20 when he died. They search for her other friends, and Oona is surprised how they have turned out: Pam is a judge, and Corey is in jail. Oona is sad that she has lost touch with her friends, and when Kenzie reminds her that he and her mother are around, Oona thinks it’s not worth much but is better than nothing.

She falls asleep only to wake trying to decide whether to go on tour or go to London. Then, she sees her surroundings and remembers she no longer has to make that decision. There is a cabinet filled with knickknacks she doesn’t recognize as well as Dale’s watch, which has been mounted and framed.

Madeleine shows up looking great from plastic surgery. Oona doesn’t understand why her mother won’t tell her things about the past or the future and accuses her and Kenzie of hiding things. Madeleine replies that Oona’s wiser self has decided that to live properly, she can’t know too much information. The financial advice is the exception. Oona gets upset, and her mom tries to placate her with a present. It’s a swimsuit, which she will need for the day’s adventure.

Part 2, Chapter 5 Summary

Madeline takes Oona to a beach Oona once visited with Dale; she remembers that he talked about the stars in the universe outnumbering the grains of sand. A large crowd has assembled for a New Year’s Day polar bear plunge. Oona and her mother take part, and even though Oona feels the chill of the water, she feels numb inside until she vocalizes the fact that Dale is dead. Then, she feels like she is drowning.

Oona goes to bed clutching the jacket Dale gave her, which she found in the closet and no longer fits. She doesn’t get up for days and dreams of drowning.

She finally wakes to music and a note from Kenzie telling her to come downstairs. Kenzie introduces her to chai tea and Kate Bush’s Hounds of Love album, which is about a girl stranded at sea. He convinces her that what she is experiencing is real and that she is a good, generous person. However, he refuses to give her spoilers about her life. He notes that the girl in the Kate Bush album gets rescued.

Part 2, Chapter 6 Summary

The year goes by with Oona missing Dale but enjoying her money, home, and music—particularly the guitars on the wall, which belonged to famous musicians she loves. She notes that there are no keyboards in the house, and while she wants to play the guitars, she refuses, as she feels it would be disloyal to Dale.

Kenzie introduces her to iTunes, and she spends hours catching up on music, watching movies from the 1980s, and researching events she missed, including the deaths of musicians and 9/11. She asks Kenzie about his orientation, and he shares that coming out was relatively easy for him since he had two gay mothers.

Kenzie convinces Oona to take an interest in her money and introduces her to a binder she keeps in a safe. This includes all her business transactions and future stock tips, and Oona sees she accumulated her wealth by investing early in companies like Apple.

Kenzie eventually presses her to venture beyond their neighborhood, and as they see the city’s sights, they talk about a boyfriend he lost in 9/11. Oona shares how she first met Dale in a record store, and Kenzie and Oona grow closer. On New Year’s Eve, they discuss her desire to return to a younger age; going anywhere, however, would at least prove she isn’t “crazy.” She admits that she will miss Kenzie and wonders if she has been as good a friend to him as he was to her.

Prologue-Part 2 Analysis

The first chapters of Oona Out of Order do multiple things. Because the novel is a bildungsroman, a genre where the protagonist journeys from youth to maturity, it is first necessary to establish what needs to change or be learned. The Prologue sets up the novel’s themes and the related lessons that Oona will need to accept. Part 1 establishes the problems of Oona’s youth, which prevent her from being a healthy, fulfilled human even as she jumps around in time. Part 2 introduces the most important characters. Since the novel is also speculative fiction, all three sections work together to set up the “rules” of time travel within the novel’s universe.

The Prologue balances this important exposition against mystery and ambiguity. This replicates Oona’s confusion about the circumstances in which she finds herself, but it also seeks to engage the reader’s interest. The Prologue functions as a teaser for the rest of the book, feeding the reader bits of cryptic information that create suspense. It begins with Oona revealing the answers to the novel’s major questions about existence, laying the groundwork for the reader to experience a jolt of recognition at the novel’s end. This is a trope of time travel narratives, where pieces from different time periods fall into place to create a complete picture. In this case, Oona’s emphasis on Enjoying the Good Moments and Being Here Now will take on additional significance as the novel unfolds. In the meantime, Oona embodies the mature, wise mother figure—an archetype that her own mother will later fulfill—giving advice to the reader, who starts as Oona herself does in the narrative proper: with little understanding of the full meaning of a particular point in time.

Because Oona Out of Order is a novel of personal growth, Chapter 1 establishes the tendencies and traits that hold Oona back. Many of these revolve around her relationship with her boyfriend Dale. Chapter 1 establishes that Dale is kind and generous and that they could have an adventure together if Oona prioritizes the band over her education. However, she is also dazzled by Dale to a degree that the novel frames as problematic. She calls Dale’s leather jacket her “New York City armor” (15), using it as symbol of her boyfriend’s love and protection, which she particularly relies on now that a mugging has left her frightened. She also notes that she doesn’t want to play the keyboard but will happily take a back seat to Dale, who wants to play the guitar and be the lead singer in their band. Giving up her desire to play the guitar and allowing her boyfriend’s love to shield her from the world are actions the younger Oona will have to change to embrace the theme of Being True To Oneself. Moreover, Oona’s anxiety about her future and her unfulfilled desire to play the guitar all take her out of the moment; she spends almost as much time obsessing about these things as she does enjoying the party, underscoring that she has not learned to immerse herself in her present surroundings as her Prologue self emphasizes. Finally, Chapter 1 illustrates Oona’s tendency toward addictive behaviors. Montimore uses the word “consumed” when referring to Oona and Dale’s love, suggesting that the relationship is eating her alive and signaling the importance of Finding Healthy Highs rather than self-destructive ones.

Part 2 continues to develop these themes while introducing other important narrative elements. The characters of Kenzie and Madeleine—Oona’s family—and the setting of the brownstone house are constants in the world of time travel and thus symbols of stability for Oona. During these chapters, Oona is unaware that Kenzie is her son, as he presents himself as her personal assistant and friend. The difference is important, as Kenzie functions less as a family member than as a guide in this section. He helps Oona believe in what is happening and understand the rules of her leaps and the source of her wealth. Madeleine is also a mentor figure, already living the lesson about being present that Oona introduces in the Prologue. Madeleine attempts to teach Oona this principle by taking her on a polar bear plunge, but Oona is wrapped up in her sadness over losing Dale and her confusion about time travel and cannot comprehend the benefit of being in the moment. Though their relationship at this point is somewhat tense, Madeleine’s introduction hints that Relationships Between Mothers and Children are key to the book.

Important motifs and symbols such as Oona’s tattoo (which contains the clue to Kenzie’s true identity), the guitars on the wall, Kate Bush’s album, and water also appear in this section, though their full significance will not be clear until the novel’s end. The title of Part 2 underscores the importance of these images. “Under Ice” is the title of a 1985 Kate Bush song in which the narrator is trapped and drowning in the water; similarly, Oona feels trapped in her confusion and fears about her situation. The use of thematically significant song lyrics as part titles is a mainstay of the novel. For example, Part 1’s title references the name of a Talk Talk song released the same year the main narrative begins: 1982. The title foreshadows Oona’s abrupt exit from the party through time travel, while the song’s lyrics, which deal with time’s effect on people, relate the rest of the plot.

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