91 pages • 3 hours read
Rita Williams-GarciaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Eleven-year-old Delphine Gaithers is on a plane to Oakland, California, with Vonetta and Afua, her two younger sisters. Afua goes by the nickname Fern. The three sisters are traveling to see Cecile, the mother who abandoned them when Fern was a baby. Before their flight, Big Ma, the girls’ grandmother, met another African-American woman in the airport waiting area and asked the woman to watch over the girls during their flight. However, Delphine still assumes responsibility for her younger sisters. Like Big Ma, Delphine does not think the trip is a good idea, and she still has not forgiven her mother for abandoning their family. Entrusted with just over $200, her father’s work number, and an admonition not to allow the girls to make a “grand Negro spectacle of [themselves]” (2), Delphine feels both excitement and fear as she watches the clouds pass by the airplane windows.
Although many people believe she is mature for her age, Delphine cannot help but get excited when the pilot announces that the plane is nearing the Golden Gate Bridge. Stuck in the middle seat, Delphine encourages Vonetta to look out at the bridge from her window seat, but Vonetta just pouts. Meanwhile, Fern, tired after the long flight, squirms and fusses. Overcome by her own desire to see the bridge, Delphine presses against her sister to get a peek. Her sisters protest loudly, and a stewardess scolds them. Embarrassed, Delphine knows that the girls have made a spectacle of themselves, but she is satisfied that she got to see a small portion of the Golden Gate Bridge.
The lady Big Ma asked to watch the girls deplanes immediately after the plane lands in Oakland, leaving the girls in the care of a stewardess. As they wait with the stewardess for Cecile, Delphine thinks about how it is a “statement of fact” (14) that Cecile is their biological mother, even though she abandoned them. The girls sing a lullaby about a mama and a baby, but they all know that Cecile has not been a mother to them since she left. Delphine is appalled and offended when the stewardess allows a stranger to approach the girls and offer them money for being so well mannered. The stewardess chides Delphine for not recognizing the gesture as kindness, and the stranger drops change in Fern’s hand before Delphine can protest.
Just as the stewardess begins to get restless, Delphine points out a woman who is hesitating next to a cigarette machine. The woman is oddly dressed, in big sunglasses, a hat pulled over her eyes, and men’s pants. After confirming that the woman's name is Cecile, the stewardess hands the girls over to her and quickly disappears. Cecile looks like a secret agent to Delphine. Without bothering to help Fern, Cecile quickly walks out of the airport. The girls can barely keep up with her. When Delphine tells her that Fern needs help, Cecile merely tells the girls to match her pace. Their striking mother catches the eyes of many people in the airport.
A man who calls Cecile “Zilla” is waiting for them in a cab. Cecile angrily tells the girls to get in the car, but Delphine—eager to reassure her confused and insecure sisters—takes her time as she puts the luggage in the cab. On the way to Cecile’s house, the man and Cecile smoke cigarettes, causing the girls to cough. When they arrive at a bus stop, they exit the cab and wait for a bus that will take them the rest of the way to Cecile’s house. At the bus stop, Cecile moves rapidly and hides behind her shades, as if she is ashamed to be seen with the girls. Having suffered many embarrassing questions about her missing mother for years, Delphine feels no pity for Cecile. Instead, she worries about what the next 28 days with Cecile will be like.
Big Ma always said that Cecile “lived on the street. The park bench was her bed. She lived in a hole in the wall” (23). Since Delphine was almost 6 (the point at which her mother left), she took these expressions literally. She is shocked when she sees Cecile’s green stucco house, complete with a carport and palm tree. Delphine remembers that her father and mother used to have angry conversations about Cecile writing and drawing on the walls back home. So, she is surprised that the walls in Cecile’s house are a bland beige. Cecile gruffly tells the girls where their room and the bathroom are. When Vonetta asks Cecile where the TV is, Cecile’s response is odd. She mutters to herself that she should have gotten rid of the girls in Mexico when she had the chance (likely a reference to abortion). As she settles the girls into the trundle bed in their room, Delphine tells her sisters that “Big Ma was right. Cecile was no kind of mother. Cecile didn’t want us. Cecile was crazy” (28).
In the first four chapters, the reader gains important background information about Cecile and her strained relationship with her daughters. Williams-Garcia uses the fallout of this difficult relationship to offer insight into the characters of the Gaither sisters, especially Delphine. Though she is a child herself, Delphine feels a motherly responsibility to care for her younger sisters.
Cecile, the reader learns, abandoned the sisters almost six years ago. Until now, Delphine’s memories of her mother have been fragmented and filtered through the unreliable lens of a 6-year-old’s perceptions. These old memories are extravagant and bizarre: she remembers her mother drawing on the walls and playing music in a house full of smoke. When Delphine is first confronted with the reality of her mother, who is striking and eccentric, she continues to construct narratives around Cecile. For example, she compares her mother to a secret agent, a movie star, and a spy. These initial comparisons paint Cecile as a glamorous and fascinating figure, but Cecile’s brusqueness and careless treatment of the girls force Delphine to relinquish her naïve perspective of her mother.
That tug of war between childhood and maturity is a constant source of tension for Delphine, who is only 11 and already taking care of her sisters. While Delphine is proud of being worthy of this responsibility, there are moments when she acts like an 11-year-old. For instance, she has a vision of clouds boxing like Mohammed Ali while she struggles to catch a glimpse of the Golden Gate Bridge during a turbulent portion of her flight to Oakland. Nevertheless, there is nothing motherly or reassuring about Cecile, which is why Delphine assumes an increasingly maternal role toward her sisters as they get closer and closer to Cecile’s house. Although Delphine does not fully understand her mother, Cecile’s house, which has few provisions for the girls, and Cecile’s muttering that she should have gotten rid of the girls in Mexico confirms one thing for Delphine: Cecile refuses to be responsible for her daughters. An important part of Delphine’s identity at this point in the novel is the duality of her role as a big sister and a maternal figure.
By Rita Williams-Garcia