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J. R. R. TolkienA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Philology as a discipline is built on the preservation and interpretation of ancient texts to understand how language and ideas develop over time. The Renaissance is often cited as a philological event: scholars re-discovered Greek and Roman writings which led to a resurgence in art and science. In the late 19th century and early 20th century, philologists used ancient writings to trace language trees and attempt to reconstruct lost literature and lost languages. Tolkien, as a philologist, focused on Old English, Middle English, and Celtic. Much of the academic methods and foundational theories of philology were born out of German folklore scholarship. In particular, German folklorists Jacob and Wilhelm Grimm used philological methods to collect and analyze their volumes of German folklore, known now as Grimm’s Fairy Tales.
Philology’s ties to Germany and German national pride led to a vehement opposition to the discipline in the Anglophone world during and after World War I. In 1914, 52 British writers, poets, academics, and critics came together to declare their immediate rejection of German philology as a show of national solidarity. Tolkien was not among their number; he rejected the idea that philology was a “purely German invention” (Tolkien, J. R. R., “Philology: General Works.” The Year's Work in English Studies, vol. 5, no. 1, 1926, pp. 26–65). He makes only one explicit reference to this context in “On Fairy-stories” when he claims, “Philology has been dethroned from the high place it once had in this court of inquiry” (121). His apparent caution on this subject can be seen as diplomatic. The lecture was delivered in March 1939: Germany had remilitarized and annexed neighboring countries and war seemed increasingly inevitable. Indeed, Britain would declare war on Germany within six months. Although Tolkien takes a subtle approach in his explicit argument, by employing distinctly philological methods in crafting his essay, Tolkien is implicitly campaigning for their continued use, despite their connections to Germany. His approach demonstrates the concept that historical and factual academic endeavor should be separate from contemporaneous political currents.
In 1939, folklore and mythology were considered by scholars as if they lay on an axis: folklore consisted of stories meant to describe the natural world and everyday occurrences, while mythology connected the natural world to cosmic or spiritual meaning. History existed as the study of factual reality. It was traditionally based on “canonical” historical writings as well as on archaeology, but could be informed by both folklore and mythology, as cultural expressions of past societies. Academics of the time analyzed recurring tropes, characters and themes across these literary traditions, in an attempt to identify historical elements. These attempts were complicated by the fact that folklore and mythology were—by definition—predominantly based in the non-textual, oral past of non-literate populations and, therefore, drawing parallels could involve a good deal of conjecture.
J. R. R. Tolkien delivered “On Fairy-stories” in 1939, just a year and a half after the publication of The Hobbit, which had already become a wildly popular children’s novel. Tolkien had already begun work on his adult fantasy series, The Lord of the Rings, although it would not be published until 1954. Modern scholars such as Tom Shippey, who studied fantasy and science fiction, noted that, by the mid-20th century, fairy tales were “a marginalized fantasy genre, having been relegated for centuries to children and their low-class female nurses, and seen as beneath the notice of educated male scholars” (Shippey, “The Monsters and The Critics and Other Essays,” 2022). Andrew Lang, who had himself written and compiled several volumes of fairy-stories, supposed them to be a lesser literary form suitable for children, rather than adults. Scholars such as Lang were more invested in mythology and religion and explored stories as an anthropological tool to analyze culture, rather than as literature to be read for its own value. In his essay, Tolkien directly addresses the prevailing academic understanding of myth, history, folklore, and fairy-story, seeking to persuade his colleagues of the higher artistic value of the genre in which he was writing.
The original lecture “On Fairy-stories” was delivered to a group of scholars at St. Andrews University under the title of The Andrew Lang lecture. The Lecture series had been established in 1927 to commemorate the life and works of the celebrated folklorist Andre Lang and occurred every one or two years. The University would invite an eminent folklorist or philologist to speak and assemble an audience of academics in the field to hear him (the first woman to give a Lang Lecture was in 2012). In this context, the audience would arrive with a good understanding of Lang’s work and expect Tolkien to be in conversation with the core tenets of Lang’s writings. A certain level of respect for Lang’s work and approach was incumbent upon Tolkien in this context. Subsequently, Tolkien expanded, revised, and republished his argument: in Essays Presented to Charles Williams (1947), Tree and Leaf (1964), and The Tolkien Reader (1968). It is important to note that with each reprinting, Tolkien was able to refine and augment his essay, sometimes providing his own commentary on alterations in the Foreword or Notes. The essay is now widely heralded as Tolkien’s explanation for his own creative endeavors and for importance of the genre (now called “fantasy”) as a literary form.
By J. R. R. Tolkien