59 pages • 1 hour read
Karen M. McManusA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The head of Mr. Larkin’s old school calls Brynn back, but once he realizes she’s a student, he hangs up on her and says one of his colleagues will call her later. Charlotte warns Brynn to stay away from Tripp and not date him.
Tripp gets lost in the woods after he separates from Shane. He doesn’t have cell phone service. Tripp eventually gets close to the fire pit where Shane was meeting Charlotte, then Tripp hears screaming.
Tripp tells Brynn about Gunnar and Lisa Marie scheming together to make money off his story. Brynn comforts him and seems to empathize. They meet with the new groundskeeper, but he just insults them and then tells them to Google what plants to include. They decide they’ll try Mr. Solomon again but not enter his backyard.
Brynn, Nadia, and Mason chat over coffee at the bakery about the winter dance. The group tease each other over their prospective crushes. When Tripp finishes his bakery shift, he goes with Brynn to Mr. Solomon’s house to try to speak to him again. Tripp cautions Brynn about knocking and respecting the boundaries of other people’s homes, but when they arrive, they discover that Mr. Solomon’s door is wide open. They tentatively enter the house and call his name, but he doesn’t answer. Brynn comes across Mr. Solomon’s dead body and instantly scrambles to find her phone. Tripp, in his shock, starts saying things that don’t make sense to Brynn. He asks Brynn what she did and tells her to stop screaming, even though she clearly didn’t do anything and isn’t screaming. Brynn calls the police.
A doctor evaluates Tripp and says he was just having a PTSD response when he thought he heard screaming. Later, with Regina, Tripp reflects on his lack of memory of finding Mr. Solomon dead. Officer Patz interviews Tripp about the incident. Regina wonders why the police are involved with what was probably an accidental death. Patz explains that there were signs of a robbery at the scene and the police cannot find Mr. Solomon’s tackle box where he kept all his cash. Tripp tries to be helpful in his interview with Officer Patz but seems unable to offer anything useful, and Patz reassures him that Brynn’s eye for detail will help fill in the blanks. Patz reveals that Brynn has an internship with Motive, which comes as an unpleasant surprise to Tripp.
In the aftermath of Mr. Solomon’s death and the police investigation, Brynn ruminates on how she’s messed up many of her relationships, from hiding details from her parents, to ignoring Carly’s directions, to keeping her internship a secret from everyone else. She hangs out with her sister Ellie, who she believes is the only person who doesn’t hate her. Tripp won’t return Brynn’s calls, and Ellie tells her she needs to be patient.
Paul Goldstein, a teacher from Mr. Larkin’s former school, calls Brynn. Goldstein says Mr. Larkin wasn’t very social at their school and didn’t talk much about his family or background. However, one time at a faculty social event, Mr. Larkin was drinking and shared that he was switching to Saint Ambrose to be at the same school as his brother.
Tripp skips school to drink whiskey and wander around town. He doesn’t want to be around Brynn. He visits Mr. Larkin at the cemetery and apologizes. Lisa Marie’s friend Valerie, with whom Lisa is staying, lives next to the cemetery, and Tripp decides to go see them. Nobody answers the door, but Tripp enters anyway, and finds his mother’s cell phone. He discovers a video she sent to Gunnar where she’s talking about Tripp as if he killed Mr. Larkin. He reads her and Gunnar’s texts plotting to frame Tripp as a murderer on television. Gunnar offers to pay Lisa Marie extra to pretend her son committed a murder and she witnessed it. Tripp also finds a burner phone from which Lisa Marie has apparently been sending the anonymous “murderer” texts.
Lisa Marie then appears, and they argue over the texts and Tripp’s refusal to go along with her plans for media fame. Lisa Marie blames trip for her decision to frame him for the murder and says that everything would have been fine if he had just done what she asked and gone on Gunnar’s show. Tripp is furious and leaves.
Tripp continues to skip school and avoid his friends. Nadia and Mason are a little upset Brynn didn’t tell them about her internship, but still sit with her at lunch. Brynn gets to keep her internship but is no longer allowed to pursue the story about Mr. Larkin. However, she overhears Lindzi talking to Carly about an article relevant to Mr. Larkin, which she’s emailing to Carly. Brynn sneaks into Lindzi’s office and forwards the email to herself.
Lindzi received a tip that William Larkin looks like a man named William (Billy) Robbins, and she speculates that he may have changed his name. William Robbins is the son of Dexter and Lila Robbins, who also had younger son named Mikey. Dexter became overly controlling and wouldn’t let Lila and Mikey leave the house without him. One weekend, Dexter went hunting with his teenage son William, and while they were gone, Lila and Mikey disappeared. Neighbors claimed that Lila probably ran away because Dexter was abusive and wouldn’t let Mikey get treatment for his asthma. There’s a photo of Lila Robbins at age 18, and Michael Robbins at age 3. Brynn calculates that if William Robbins is Mr. Larkin, then Mikey would be the same age as her. Mikey is likely one of her classmates.
Tripp continues to drink excessively and skip school and work. Regina visits him and demands that he sober up and take a shower. He begins to follow her instructions because she is the best person he knows, but once he looks at himself in the mirror, he loses his motivation to clean up. He reflects on the texts his mother sent to Gunnar, which makes him not want to look at his own face. He quickly goes out of the house when Charlotte and Shane drive up and tell him to get into their car.
Brynn makes cookies to apologize to Mason and Nadia. She goes over details of Mr. Larkin’s case with Ellie, while Ellie prepares for a date with a girl named Paige. None of Brynn’s classmates ever talked about Mr. Larkin being their brother. Also, the photos of Mikey and Lila look generic enough that they’re not very helpful. But as Brynn reviews the photos from her files on Mr. Larkin’s case, she realizes something significant about the turquoise envelope, which inspires her to go find Tripp.
Brynn goes to Charlotte’s house to find Tripp, but Charlotte lies and says Tripp isn’t there. After the two girls argue a bit more and Charlotte tells her to leave, Brynn sneaks around to the backyard where she finds Tripp.
This section illustrates one of the biggest issues with The Ethics of True-Crime Media. Although this genre claims to privilege the truth above all else, the popularity of the genre is based in spectacle, which is often inauthentic. Lisa Marie is the prime example of this issue. First, her involvement with Gunnar turns out to be even worse than it seemed at first: rather than just trying to convince Tripp to frame Shane, she’s now trying to frame her own son, Tripp. She doesn’t care about solving Mr. Larkin’s murder, nor does she even think Tripp committed it—she simply wants money. Rather than inspire a passionate search for the truth, true-crime media inspires greed and hunger for fame. In the American context of the novel, this genre makes money through ratings, not by how truthful it is; the more sensational the “truth,” the more money there is to be made. Money motivates producers of all genres to manipulate media for more views, but in the case of true crime, real people—not fictional characters—are the targets of manipulation.
Although Brynn is not in true crime for the money, she still faces her own ethical issues regarding the truth when she gets involved with the genre. She believes that concealing her work for Motive is an advantageous means by which to investigate the truth, but in the end her decision reveals The Burden of Keeping Secrets. Unsurprisingly, everyone is upset when they find out that Brynn has withheld such important information from them. Brynn realizes that she must find ways to continue working without compromising her moral values or her relationships. The burden of dishonesty and secrets seems to outweigh any unethical means by which an investigator might come to the truth.
The Burden of Keeping Secrets is also extended to the murder victim in the novel. Brynn discovers that Mr. Larkin may have another identity and even a family. Part of the mystery now asks readers whether such discoveries might be related to the murder. The burden Mr. Larkin may have had to bear by keeping secrets may have been his death. In keeping with the mystery genre, this section does not validate yet whether some secrets are meaningful or not. In this way, Nothing More to Tell makes use of the traditional mystery trope of the red herring, or a detail that is misleading in its significance.
Nothing More to Tell also maintains the traditional romantic subplot of a YA novel in this section. Like many romance plots, Brynn and Tripp undergo periods when their relationship is challenged. They betray each other, lie to each other, and create distance. Years ago, Tripp betrayed Brynn by embarrassing her in front of everyone and pretending to hate her. Now, Brynn betrays Tripp by investigating a murder that he was involved in and not telling him about it, even after his mother hurts him by doing the same thing. However, Tripp and Brynn continue to grow in their affection, feelings, and support for each other. The Importance of Teamwork is shown through Tripp and Brynn’s romance as well. They’re a special kind of team because they’re also a romantic couple, but the “work” they do applies to their own relationship as well as the project of solving Mr. Larkin’s murder. Ellie’s involvement with this project highlights the importance of teamwork as well, particularly as the one person to whom Brynn has never lied.
The past version of Tripp continues to reveal to the reader additional details about the day of Mr. Larkin’s death, more or less at the same pace at which he reveals them to Brynn or other people. As the reader learns more about Tripp’s past, the barrier between Brynn and Tripp also breaks down. However, the way in which Tripp begins to share his past also seems bound up with an increase in binge drinking. While the drinking does seem to break down his secretive walls, it also becomes a measure of his poor mental health.
By Karen M. McManus