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Catherine and the Tilneys depart for Northanger Abbey. Henry and Eleanor are kind to her, as they usually are, but the General keeps checking in to make sure she is comfortable—which, ironically, makes her uncomfortable. Catherine feels better once she shares a carriage with just Eleanor; she notices that Henry and Eleanor behave differently when their father is around. The General dominates conversation and seems to dampen the Tilneys’ moods. After they make a brief stop to eat, the General suggests Catherine ride with Henry the rest of the way. Catherine recalls Mr. Allen’s assertion that riding alone with a gentleman was improper, but she feels confident the General would not encourage her to do something inappropriate. Catherine enjoys riding with Henry and finds his driving more pleasant than John’s. Henry says he is glad Catherine is with them since Eleanor does not have a female companion and is often left alone when the General travels. Catherine is surprised to learn that Henry has a parsonage house at Woodston, approximately twenty miles away from Northanger Abbey.
Henry gently teases Catherine for her high opinion of the Abbey and for her belief it will be just like something out of a novel. Henry asks if she is truly ready for the scary things that happen in old buildings, like a creepy servant woman placing her in a haunted bedroom or hidden passageways behind large tapestries. Catherine is enthralled by his suggestions, which amuses Henry further. Upon arrival, Catherine is disappointed to find that the old building is not spooky or decrepit, but instead rather modern. Just before five o’clock, Eleanor hurries Catherine to get ready for dinner—Catherine learns from this that the General runs a punctual household.
As Catherine readies herself for dinner, she finds an old chest in her room. Although she does not want to disappoint the General by being late, she decides to investigate the chest immediately. It is monogrammed, but not with the Tilney family’s initials. She wonders how the Tilneys came to possess a large chest that does not seem to be theirs. As she struggles to open the heavy lid, Eleanor’s maid suddenly enters the room to see if Catherine needs any help getting ready for dinner. Catherine promptly dismisses the maid and continues getting dressed, but her intense curiosity about the chest lures her back to it. When she finally opens it, she finds it is full of sheets and other spare linens. Catherine’s surprise is interrupted by Eleanor herself coming in. Eleanor explains she does not know where the chest came from or how old it is, but that she stores miscellaneous textiles in it from time to time and keeps it in the corner so it is not in anyone’s way.
The General orders dinner be served as soon as the women enter the dining room. Catherine looks around the room, and the General asks how Mr. Allen’s rooms compare; Catherine says the rooms at the Abbey are much bigger. The General delights at her comment, saying that he is sure Mr. Allen’s smaller rooms are more comfortable than the large ones at the Abbey. Dinner goes pleasantly, with Catherine noticing that things are more cheerful when the General is momentarily absent. Catherine thinks of her friends back in Bath and finds she does not miss being there.
That night, a storm brews outside, reminding Catherine of her gothic novels. She calms herself down by thinking of how brave the heroines in those novels are. She decides there is nothing to be afraid of as she gets ready for bed. Catherine then notices a strange cabinet in her room. It is painted black and yellow, and its key is positioned in the lock. She struggles turning the key, but once opened, she finds it contains a roll of papers which reminds her of Henry’s joke about a hidden manuscript. Catherine excitedly attempts to examine the papers, and in her haste, she accidentally extinguishes her candle. She remains frozen in the darkness for a moment, then has no choice but to sleep. Throughout the night she tosses and turns, unable to fully sleep because she is scared by odd sounds within the house.
In the morning, Catherine decides to investigate the papers she found, but is disappointed to see it is merely a laundry bill. She feels embarrassed by her fantasies about the old chest and the black and yellow cabinet, and she hopes Henry never learns that she got so carried away. In the dining room, Henry jokingly asks if last night’s storm frightened her. Catherine does not want to lie; she says it did keep her up for a while, and she is glad to see the weather cleared by morning. She quickly changes the subject. The General joins them for breakfast. Catherine tells him she thinks their breakfast plates are beautiful, to which the General replies that he considered buying a newer set, as these plates are two years old. The General says he is not so vain about his possessions as to need new plates so often, although he does hope to choose a new set for someone else soon.
Henry leaves for Woodston. The General offers to tour the Abbey with Catherine, but he insists they do so after they go for a walk through the grounds. Catherine worries that without Henry there to explain what is picturesque, she will not be able to understand and enjoy everything she sees. Catherine is impressed with the gardens, and the General says gardening is his favorite hobby. He further adds that even though he does not know or care much about high-quality food, he loves fruit. He is pleased to hear Catherine say the Abbey is much grander and more elegant than Mr. Allen’s. Catherine and Eleanor walk separately from the General, as he opts for a sunnier path.
As the women walk together, Eleanor says the path they currently walk was her mother’s favorite. Eleanor misses her mother very much, and although Henry makes frequent visits, she has no sister and is often left alone. Catherine inquires about Eleanor’s mother, specifically if she favored this darker, colder path because she was in some way depressed. Eleanor does not answer some of Catherine’s more invasive questions, so Catherine forms her own theory that their late mother was unhappy in her marriage to the General. She thinks the General’s preference for a sunnier path is evidence of their disharmony.
Eleanor reveals that the General was not wholly satisfied with his wife’s portrait, so it now hangs in Eleanor’s room. Catherine suspects the General was somehow cruel to his wife, and she finds it hard to be as pleasant as before when they meet up again at the end of their walks. The General worries that she overexerted herself and tells her to go back to the Abbey to rest. He asks Eleanor to wait for him to finish his walk before they tour the Abbey.
While they wait for the General, Catherine spends the hour considering his character, and she does not reach any favorable conclusions. She thinks it unusual for him to go for such long walks alone, and wonders if his mind is uneasy. When the General returns, he immediately begins the tour. In each room, he details the fashionable and costly items within, and Catherine is silently disappointed that an entire section of the old Abbey was torn down and replaced with a modern structure. Catherine is happy to see that part of an old cloister has not yet been renovated.
Near the end of the tour, Eleanor begins walking toward the last remaining unexplored wing of the house, but the General stops her and asks if she is sure that Catherine wants to see those rooms. He proposes they quit the tour and have a snack. Catherine catches a glimpse of a winding staircase and more rooms in the wing; she thinks the oldest and most interesting part of the Abbey is withheld from her on purpose. Eleanor reveals that those rooms belonged to her late mother, and she promises to show them to Catherine when they have the opportunity to go alone—i.e., when the General leaves the Abbey. Catherine suspects the General avoids that wing of the house because he has a guilty conscience.
Eleanor says that her mother died nine years ago and that she was not home when she passed away. Catherine suspects the General killed his wife while Henry and Eleanor were travelling, recalling similar scenarios in the gothic novels she has read. Catherine watches the General pacing that evening, and she also thinks it is odd that he stays up late reading after everyone else is asleep. Catherine soon theorizes that Mrs. Tilney is actually still alive, but the General keeps her locked away in the forbidden wing and he stays up late to feed her when everyone is asleep. As Catherine readies herself for bed, she entertains the possibility that she may have walked by the very room Mrs. Tilney is locked within during their tour that afternoon. Catherine tries to stay awake to catch the General creeping about the house at midnight, but she is very tired and soon falls asleep.
Whereas Catherine was unable to understand why she felt so uncomfortable at her dinner with the Tilneys earlier in the novel, on the ride to Northanger Abbey she notices that Henry and Eleanor do not act quite like themselves when their father is around—they seem more withdrawn. This realization shows that Catherine is maturing in her ability to observe people’s behavior and draw conclusions about what they might be feeling or why they act in certain ways. That said, her trust in her own judgment is not yet perfect and she is still frequently unobservant. She barely registers Henry’s comments about Eleanor’s frequent isolation, which is a much more serious issue than how spooky the Abbey might be. Later, Eleanor herself tries to confide in Catherine about her loneliness, but Catherine, despite how well-intentioned she is, is not always able to fully understand someone else’s feelings. Caught up in her gothic fantasies, she does not fully notice or acknowledge what Eleanor is trying to tell her.
Henry finds Catherine’s excitement about staying in the Abbey amusing, and he teases her by creating an on-the-spot story from fragments from gothic novels like Udolpho, as well as Radcliffe’s Romance of the Forest and Horace Walpole’s The Castle of Otranto. He even includes some legitimate details of the Abbey’s actual layout, and while Catherine knows he is teasing her, she enjoys the possibility that his story might be true. Since Catherine’s mental picture of the Abbey is something straight from gothic fiction, she is disappointed when the actual Abbey does not live up to her expectations at all. The Abbey is quite modernized and orderly. The old chest she finds turns out to be full of normal sheets. The mystery paper is no more than a laundry bill. These anticlimactic revelations poke fun at the tropes of gothic novels, while also serving as reminders of how immature and naïve Catherine still is.
Most egregious of all are Catherine’s gothic fantasies about General Tilney and his supposed crimes. She quickly becomes caught up in a fantasy in which the General was a tyrant and his late wife was someone wonderful and magnanimous. Catherine imagines the General made Mrs. Tilney’s life miserable until she died—or perhaps even murdered her—just like the villain Montoni mistreats his wife until she dies in The Mysteries of Udolpho. Catherine convinces herself that the General forbids entry into the late Mrs. Tilney’s rooms because he has a guilty conscience, without considering the more likely explanation that being in his dead wife’s room would probably make him feel sad. In a stark reversal of her previous assumptions about someone, Catherine assumes the worst because it fits with her gothic fantasy. At the end of Chapter 8, the narrative again pokes fun at gothic novels: In those stories, the heroine stays awake until midnight so she can investigate any mysterious happenings, but Catherine cannot resist her sleepiness, and her fantasy is overpowered by mundane reality.
By Jane Austen