64 pages • 2 hours read
Lisa JewellA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes depictions of domestic violence, pedophilia, sexual abuse, and alcohol addiction.
After the dinner party, Nathan still hasn’t come home, and when the doorbell rings at 3:00 am, Alix assumes that it is him. Instead, she finds Josie at the door with her dog, Fred. She appears to have been badly beaten, and she tells Alix that Walter began drinking when they got home and beat both her and Erin. When Alix suggests calling the police or Pat, Josie emphatically refuses, claiming that she has come to Alix because she has no one else. Alix, feeling trapped, offers Josie her spare room.
The next morning, Alix checks on Josie and finds that Fred went to the bathroom in the room. When Josie wakes up, she looks so terrible that Alix offers to make her coffee and walk Fred. Alix thinks about Walter’s warning about Josie from the night before; she can’t decide if he was being truthful or manipulative, and she wonders if she should be worried about Josie’s presence in her home.
Alix is still out with Fred when Nathan arrives home. He is surprised by Josie’s appearance and the fact that she is dressed in Alix’s clothes. Josie confronts him about his absence and tells him to treat Alix better. When Alix returns, Josie takes Fred back upstairs and eavesdrops on Alix and Nathan as they whisper about her. In her room, she takes a key out of her purse and puts it under her mattress, remembering the bloody events of last night.
After two days, Alix asks Josie where she will go next. However, Josie doesn’t have an answer, and Alix unwillingly agrees that Josie can stay until Alix’s sister, Zoe, and Zoe’s daughter, arrive to visit on Saturday. Josie wants to talk about her own daughters on the podcast, and Alix agrees.
The narrative shifts to the Netflix documentary, in which Alix interviews Mandy, the school manager. Mandy is surprised that Alix knows Josie, as the families are so different. Mandy relates that when Josie and Walter came to school after Roxy broke another child’s finger, Mandy had been shaken by how emotionless they were. When Alix later asks Josie herself about the incident, Josie claims that she never told Walter about it.
On Monday morning, Josie puts on Alix’s robe and goes downstairs. Alix’s son, Leon, asks how Josie’s daughters can already be adults if Josie and Alix are the same age, and Josie explains that she had her children when she was very young. After Alix and Leon leave, Josie explores the house. She looks at the children’s drawings and remembers her own daughters’ drawings, about which their teachers had been concerned. She finds a small drawing of a girl and a dog and puts it in her pocket. Upstairs, she discovers a pull-out sofa bed in the study and realizes that she won’t have to leave when Zoe visits.
In the Netflix documentary, Alix interviews three people who follow Erin’s online persona of Erased on a gaming website. They watch live streams of her playing, as do thousands of others. They relate that one night while they watched, Erin disappeared from her chair, and they heard shouting and banging in the background of Erin’s audio feed. Their online community began messaging to try and discover Erin’s true identity, but before they could, the story came out, shocking all of them.
The narrative returns to the present. When Alix returns from taking the children to school, Josie has makeup on, which Alix thinks may be her own. She does some household chores but is uneasy by how happy Josie seems despite her recent ordeal.
In the Netflix documentary, Josie tells Alix about Brooke, Roxy’s only friend. Josie says that Brooke spent a lot of time with Roxy at the Fair house, until one day, Roxy got into a fight with Brooke. Afterward, Roxy disappeared for three days before returning home and telling Josie that Brooke and Walter were having sex. Soon afterward, Roxy left home again and has never returned.
In the narrative present, Alix is surprised by this new revelation from Josie’s background, and she is also shocked that Josie didn’t do anything about Walter’s behavior. Alix wonders what Walter might do now, but Josie says she doesn’t know, because she has never left him before. While they talk, Josie feeds Fred bits of their lunch, baguette and baba ghanoush. When Josie asks if Nathan ever hit her, Alix is surprised, and tells her no, but Josie reminds her that she has Nathan’s alcohol addiction to worry about. Alix believes that Josie wants Nathan to be as bad as Walter.
The next morning, Alix reminds Nathan of Zoe’s visit on Saturday. She asks him to stay home while Zoe is there because she doesn’t want her sister to judge her. Josie comes downstairs, carrying her bedding. Fred has diarrhea from the baba ghanoush and has made a mess of the room. As Alix cleans the floor of the spare room, she looks forward to the weekend, when Josie will leave. Later, Alix sees her neighbor’s son and asks him for details about Roxy and Brooke. He remembers the fight between the two girls and tells Alix that Brooke’s last name is Ripley. She googles Brooke and finds Facebook posts about her disappearance. When she puts fresh bedding on Josie’s bed, she finds a key under the mattress. It sports a bloodstained label with the number six. Alix leaves it where she found it.
In the Netflix documentary, Alix interviews Brooke Ripley’s aunt, who posted on Facebook about her niece’s disappearance, and learns that on the night of the prom, Brooke went to the dance and then parted ways with her friends afterward. They have video footage of her getting on the bus but don’t know where she went after that.
Josie is still wearing the clothes that Alix gave her on Saturday, even though her own clothes are clean. When Alix offers to pick up clothes for Josie from her apartment, Josie refuses. When Josie mentions the sofa bed in the study, Alix realizes that she has lost control of the situation. She wants Josie gone, but she is worried that they won’t finish the podcast if she fails to accommodate the other woman. She tells Josie that she will check with Nathan about using his study.
Alix goes to her favorite café to get some space since Josie now dominates her house. Alix can’t stop thinking about the key she found and doesn’t like the fact that Josie is alone in her house. She decides to return home and finish the podcast as quickly as possible. While Alix is gone, Josie makes herself lunch, noticing that the untidy kitchen doesn’t match with the image that Alix presents on social media. She finds a strip of photos of Leon in a drawer, along with one of Nathan’s business cards, and puts them both in her pocket.
In the Netflix documentary, Alix interviews Katelyn Rand, who is younger than Josie but grew up in her neighborhood and knows about her relationship with Walter. Recently, Katelyn ran into Josie at Stitch, and when she said she was acting, Josie asked for her phone number. A few days later, Josie called, saying she had a job for Katelyn.
Back in the narrative present, Alix leaves the café, walks to Josie’s house, and looks in the window. There are no signs of struggle, and the house seems abandoned. While she is there, a bus goes by, and Alix thinks of Brooke, who had gotten off the bus just minutes from the Fair home.
When they begin their next interview, Alix is annoyed that Josie is drinking from her favorite mug and suspects that she is doing so purposefully. When Alix asks what happened to Brooke, Josie claims not to know. Alix then brings up Erin again, wondering why Josie never talks about her, but Josie avoids the subject.
In the Netflix documentary, Josie tells Alix that her home changed after Brooke disappeared. She implies that she found child pornography on Walter’s laptop. Afterward, she continued to live with Walter but distanced herself from him. Two years ago, she got Fred for company, and in the interim, she claims that Walter began abusing Erin, going to her room every night. Josie confesses that whenever this happens, she puts in earplugs and stays in her room. Alix can’t help her shocked reaction to this admission, and Josie becomes defensive, saying that Erin never came to her for help and instead reverted to eating only baby food. She tells Alix that she hasn’t seen Erin in nearly a year, but the longer she waits to go in her room, the harder it gets. Josie also tells Alix that the night she arrived at Alix’s house for help, Erin had gone to a friend’s house. Hearing this, Alix now wonders how that can be possible, given Erin’s supposedly reclusive lifestyle. She remembers Walter’s warning about Josie and now wonders if he was telling the truth.
Josie is still wearing Alix’s clothes—her own are clean, but she doesn’t want to wear them, and Alix hasn’t offered her any others. Alix and the children have left, and Nathan is in the garden, working on his laptop. Even though she knows he is avoiding her, she goes out and chastises him again. He brings up her departure on Saturday before leaving for work, slamming the door on his way out. Now alone in the house, Josie goes into Alix and Nathan’s bedroom and searches Nathan’s pockets until she finds a baggie filled with white powder, a napkin with a phone number, and a hotel key. She puts everything in her pocket, planning to use the items for her own ends later. When Alix returns, Josie informs her that she will go to Pat’s house on Saturday. They decide to spend the next two days finishing the podcast.
The narrative shifts to the Netflix documentary, in which Josie describes that, on the night of the dinner party, Walter had purposely worn cheap clothes and gotten a bad haircut to embarrass her. She claims that because of Nathan’s absence, Walter was enraged by the time they got home. She was angry, too, and accused him of grooming her and Brooke and abusing Erin. When she ran into Erin’s room and told her daughter to pack, Walter hit her with the remote control and began to beat her with it before returning to the living room, acting like nothing happened. Josie took Erin, Fred, and her purse and left the house.
Alix finds Josie’s story compelling, but it doesn’t quite add up. She wonders what happened in all the hours between when they left her house at 10:00 pm, and when Josie returned at three. When she probes for more details, Josie embellishes the story, but it makes even less sense. Josie gets defensive, and Alix reminds her that the podcast audience will be listening as if this is fiction and looking for plot holes. Alix continues to ask questions about that night, trying to find out where Erin went, but Josie erupts in anger and leaves the studio.
Josie wakes up knowing that she will leave Alix’s house that day. She loved the homey dinner of take-out curry with the family the night before. She goes downstairs in her own clothes and tells Alix that she is going to Pat’s house. After she leaves, she confirms that the money she withdrew all week is in her purse and slips on a pair of Alix’s sunglasses that she stole that morning.
In many ways, the whole of Part 1 merely serves to lay the foundation for the action that begins immediately upon the opening of Chapter 22. In these chapters, Josie uses Alix’s innate understanding of The Sisterhood of Women to insinuate herself further into Alix’s life, effortlessly moving into Alix’s home by using the story of her husband’s physical abuse as the key to gaining full access to Alix’s everyday life. Although Alix is reluctant, Josie flatly refuses to ask anyone else for help, and when Alix tells her she should “tell someone in [her] inner sanctum,” referring to the network of women that she assumes Josie must have, just as she herself relies upon her own sisters, Josie says, “I’ve got you” (174), which sets off alarm bells in Alix’s head. Yet rather than acting upon her instinctive conviction that Josie is more of a threat than a victim, she still feels bound by the implicit bond of The Sisterhood of Women to offer Josie refuge. However, all of Josie’s actions thus far have been designed to manipulate Alix’s reaction in this very moment, and so Josie capitalizes on Alix’s essentially good nature to invade the journalist’s home.
It is important to note that every harrowing detail that Josie relates about Walter’s abuse is belied by the narrative’s previous disclosure of the fact that, far from abusing Josie physically, Walter refuses to engage with Josie when she abuses him. This knowledge intensifies the novel’s overall sense of dramatic irony even as it undercuts the idea that Walter viciously beat both her and Erin. Yet because Alix is not privy to the same level of information enjoyed by Jewell’s readers, she ultimately accedes to The Need for Control that Josie exhibits and offers the woman her spare room as a refuge. It is also worth noting that Alix only discovers the bloody key under the mattress because Josie’s actions made Fred sick; this array of facts indicates that Josie herself may have engineered Alix’s discovery, but ultimately, the author leaves it up to the reader to decide how premeditated Josie’s actions are in this particular instance.
Despite such moments of uncertainty, Josie’s ulterior motive of overtaking Alix’s life becomes ever more apparent as the week goes on, and thus, the author once again highlights the difficulties involved in Discerning Good Versus Evil in an Ambiguous World, for Josie’s ostensible status as a survivor of domestic abuse stands in stark contrast to the ways in which she herself is steadily abusing Alix’s willingness to help a woman in trouble. She infiltrates Alix’s life, wears her clothes, uses her makeup, and investigates the house in her absence, and with Josie’s actions, the author demonstrates just how far a manipulative person can exploit the expectations of social norms to her own advantage. The same social norms that compel Alix to limit her actions to what is polite, even in the face of Josie’s blatant disregard for the rules of hospitality, also prevent Alix from unequivocally ordering Josie to leave. Even when Alix realizes how fully The Need for Control on Josie’s part has taken over of their relationship, she still feels unable to oust her before the podcast is done.
When Alix goes to the café to try to get some space, it is also an effort to reclaim the autonomy she enjoyed before Josie entered her life. The author therefore implies that as Josie uses the trappings of Alix’s life to forge a new identity for herself, Alix likewise experiences a loss of her own identity and freedom. Meanwhile, the nonsensical nature of Josie’s accusations against Walter intensifies, further illuminating the ongoing theme of Discerning Good Versus Evil in an Ambiguous World. Although Josie claims that Walter had a sexual relationship with Brooke and was also abusing Erin, Alix is starting to notice the holes in Josie’s story, particularly concerning Erin’s current whereabouts, for it makes no sense that Erin would not still be with her mother if they fled the house together. Likewise, Josie’s story does not account for the five hours between Josie claims to have left her house, and when she arrived on Alix’s doorstep. As her journalistic skills finally allow her to call Josie’s story into question, Alix begins to give Walter’s assertions about Josie more credence, and the contrived bond of The Sisterhood of Women loses its power to influence her actions.
In Chapter 27, Jewell shows the reader that Josie’s plan doesn’t just concern her own transformation. Whatever her plan is, it concerns Nathan—she collects what little evidence she can against him and uses it to undermine Alix’s relationship with him. On Saturday, when she leaves, Alix notes that Josie’s departure is almost too easy, but she is too focused on her sisters’ upcoming visit and too worried about how Nathan’s potential misbehavior to feel anything but relieved that Josie is leaving without protest. Tellingly, Josie uses Alix’s preoccupation to continue the next stage of her plan, thus putting herself firmly beyond the realm of “good” in the ongoing dilemma of Discerning Good Versus Evil in an Ambiguous World. Additionally, as the narrative reveals that Josie has “the money she has been collecting all week” (243), this casual mention raises questions about whose money she has been collecting. It also becomes clear that Josie’s plan is much more developed than has been previously revealed, even with the benefit of dramatic irony that has so far aided the reader’s interpretation of unfolding events.
By Lisa Jewell
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