54 pages • 1 hour read
Jayne Anne PhillipsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
ConaLee is a 13-year-old girl for most of the novel, and she grew up in the Appalachian Mountains of West Virginia. She is Eliza and Ephraim’s daughter, though Ephraim was not present for ConaLee’s birth or childhood. In 1872, when Papa returns to Eliza’s home, ConaLee thinks that he may be her father, and it is not until Eliza reveals O’Shea’s identity as Ephraim that ConaLee knows who her real father is.
ConaLee’s journey is filled with uncertainty, as she uses Dearbhla’s advice to withdraw into herself to avoid trauma. ConaLee seeing “lights” is a reaction to trauma, as Papa sexually abused ConaLee during the two years he spent with ConaLee and Eliza in the mountains. After Eliza withdrew into herself, ConaLee took over most of the chores and tasks around the cabins, including caring for the chap and the twins. ConaLee’s hardworking mentality and fierce loyalty to her family define her character, and she ultimately becomes a mother to both Weed and the chap.
Though ConaLee is dependent on Eliza, Dearbhla, and Papa for most of the novel, she reveals her independence and determination in her ability to start a new life at the asylum, back on the ridge, and again in Weston. ConaLee’s role in the novel is as a kind of everyday hero, and her quest is to find a lasting home and family for herself. Though Ephraim was missing from ConaLee’s childhood, she sees the strength of Eliza and Dearbhla’s bond, and she seeks to form that bond with Eliza. ConaLee serves as a supportive figure for other characters, which is indicative of her own compassionate nature.
As ConaLee ages, ending the novel at 22 years old, she accumulates more responsibility and skill. The ending of the novel implies that ConaLee will succeed both in her career at the asylum and at home as a mother.
Eliza is the daughter of a plantation owner in Virginia, but Dearbhla effectively adopted Eliza after Eliza’s mother’s death in childbirth. Though Eliza grew up in the upper class, she spent a lot of her time with Dearbhla, an Irish indentured servant. Eliza’s romance with Ephraim begins when she is a teenager, and it leads to Ephraim’s branding. After the overseer attempts to capture Leena’s son, Eliza kills the overseer, forcing her to flee the plantation. She develops a keen skill for survivalism with Ephraim and Dearbhla on the way to West Virginia, and she continues developing her skills while maintaining her home in the mountains.
Eliza has a miscarriage on the way to West Virginia, after which she gives birth to ConaLee, her and Ephraim’s only child. Following the trauma of Papa’s invasion of Eliza’s mountain home, Eliza struggles with feelings of shame and doubts her ability to protect herself and ConaLee. After Papa’s return, Eliza shuts down completely, using withdrawal as a defense mechanism against the trauma she faces from Papa. It is only in the comparative safety and freedom of the asylum that Eliza returns to her true self, integrating her upper-class upbringing with her rugged survivalism.
Although Eliza is vulnerable while dealing with her trauma, she is strong and independent during the parts of her life that are only briefly covered in the novel. Her journey to West Virginia and the time she spent taking care of her home and ConaLee without Ephraim both show her capacity for self-reliance and defense. However, Eliza is totally withdrawn for most of the novel, showing how the trauma she experienced with Papa broke down her strength and forced her to enter an almost catatonic state. At the asylum, ConaLee notes how the Eliza who emerges from this catatonic state is not the same Eliza from their mountain home. The new Eliza is a combination of the fierce, protective Eliza whom ConaLee remembers from her childhood and the calm, social Eliza who initially fell in love with Ephraim.
Ephraim, known as John O’Shea or the Sharpshooter at different points in the novel, is Eliza’s husband and ConaLee’s father. He is the son of Eliza’s grandfather and an unnamed enslaved woman, whom Dearbhla adopted after his mother’s death.
Though Ephraim’s ethnicity is unknown, he adopts the same social status as Dearbhla, the daughter of Irish indentured servants. Due to his class status, Eliza’s father is upset by his daughter’s interest in Ephraim, having Ephraim branded and whipped. Ephraim and Eliza become fugitives after killing an overseer, which creates Ephraim’s desire to earn his freedom by fighting in the war. As the Sharpshooter, Ephraim implies that his desire to fight for the Union is driven by a desire for his own freedom and the freedom of enslaved people in the South, as he has experienced some aspects of the discrimination and violence inflicted on Black enslaved people by their white oppressors.
Ephraim is a challenging character in the text, as his primary conflict centers on his struggle to form a concrete identity. He experiences safety and comfort in nature, and he often identifies primarily with smells and sounds, such as the noise of the forest and the smell of Eliza’s hair. As John O’Shea, Ephraim struggles to understand himself, knowing that the gentle woodsman part of himself conflicts with the angry and violent soldier he became as Ephraim Connolly in the Civil War. At the end of his life, his locked heart is finally opened by the realization that he, Eliza, and ConaLee are reunited, but Papa cuts this new life short through a final act of violence.
After his death, Ephraim’s account allows ConaLee to start a new life, much as Ephraim’s outdoorsmanship allows him, Dearbhla, and Eliza to start a new life in 1861 in West Virginia. Ephraim’s character’s true name is never revealed, marking him as a supplemental character whose purpose is largely to help other characters on their journeys.
Dearbhla is the daughter of an Irish indentured servant family, and she grew up on a plantation in Virginia. After her brothers and father left her, she worked with her mother until her mother’s death. The novel does not explore much of Dearbhla’s life prior to adopting Ephraim, but the close relationship between Dearbhla’s family and the families of enslaved Black people implies that she lived in the same oppressed situation as enslaved people, though with the general privilege of whiteness.
Living close to the wilderness, Dearbhla learned about herbs and outdoorsmanship early in life, and she passes this knowledge on to both Ephraim and Eliza. Dearbhla is a supportive figure in the novel, as she helps Ephraim, Eliza, and ConaLee survive their escape from Virginia and life in the mountains of West Virginia and helps ConaLee start a new life after leaving the asylum.
Dearbhla is an archetypical sage, meaning she possesses spiritual knowledge beyond the understanding of the younger characters. She is a mentor and a guide, but she is also intelligent, using her powers of observation to create the appearance of “conjuring.” Dearbhla insists to Eliza and ConaLee that she does not “conjure,” but Dearbhla uses the public perception of her as a sorceress or witch to protect her from possible attack. Likewise, Dearbhla’s appearance is notably androgynous, with many people noting how “masculine” she seems. Dearbhla likely combines and accentuates her androgyny, in tandem with her supposed “conjuring,” to ward off townspeople who might try to hurt her or her family. Ultimately, Dearbhla’s role is to support other characters, and she dies after securing a bright future for ConaLee and Weed.
Papa, like Ephraim, does not reveal his real name in the text. When Papa first appears, the Union soldier Bart calls him Reb, short for “Rebel,” meaning that he was enlisted in the Confederate army. Papa and Bart robbed a bank, immediately framing Papa as a criminal and antagonist, but Papa’s insistence that he hates rapists initially appears to contradict this characterization. However, Papa proceeds to sexually assault Eliza, and upon returning to the ridge, he essentially holds ConaLee and Eliza captive for two years, abusing both. Papa derives his satisfaction from forcing others to behave in certain ways or perform certain tasks, and Dearbhla observes Papa “playing” with Eliza like she is a “doll.” These details are important in understanding how Papa is not a common antagonist or criminal, as he is a meticulous, manipulative adversary. Papa is only defeated by Ephraim’s decision to directly interfere with Papa’s violence. Up until Papa’s demise, no one is able to directly counter his methods or change his way of thinking.
Papa is the antagonist of the novel, and he is an archetypical trickster, using manipulation and deception to disturb and hurt others. His role in the novel is two-fold, as he both represents the Confederacy and the opportunism of malicious people in difficult times. Papa is the only Confederate sympathizer in the novel, marking him as a representative of the novel’s perception of the South, and Papa’s place as the antagonist of the novel likewise makes the South antagonistic to the main characters. Many other characters note the fear they have of men roaming the South during and after the war, with Papa embodying those fears and realizing them, striking at vulnerable families like Eliza’s while other men are involved in the combat. After the war, Papa uses the deaths of soldiers to abuse their families, and he frequently notes how he was only able to abuse Eliza because of Ephraim’s assumed death. As a malicious opportunist, Papa is the essence of the novel’s conception of “evil,” and he presents a consistent challenge to the main characters, much as the Reconstruction Era presented a significant challenge to people in both the North and South.
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