66 pages • 2 hours read
Richard WrightA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Bigger’s family discovers a large black rat in their home. The women shriek and Bigger tells Buddy to block off the rat’s mode of exit. The two brothers chase the frantic, trapped rat. The animal fights hard, ripping a chunk from Bigger’s pants with his teeth. When Bigger finally corners him, he angrily smashes his head with a shoe, cursing the rat. Bigger and Buddy stare at their kill, amazed at his size and asserting that the rat could have killed someone with his teeth. Bigger shows the mangled body to his sister, causing her to faint, and the takes the dead rat out to the trashcan. The rat is a symbol that foreshadows Bigger’s own fate. Like the rat, Bigger is an outsider in the Dalton house. He wants to be quiet and unnoticeable, but Mary pushes him, and he finally ends up cornered and fighting until he is caught and killed. His life will be tossed away like it’s worthless, and like the rat, he will be held up to scare young women.
At the Daltons’ house, Bigger meets the natural enemy of the rat, the family’s white cat. Unlike the interloping rat, the cat, bestowed with a human name (Kate), is welcomed and coddled like one of the family. Bigger finds the silent cat to be disconcerting. She is like Mary, raised to be sheltered, spoiled, and loved. Kate jumps on Bigger and touches him whether he wants her there or not. As Bigger is burning Mary’s body, the cat watches him so knowingly that in his heightened state of panic, Bigger considers killing the cat, too. Kate manifests the ever-present white gaze, which Bigger feels even when he is alone. And before the police accuse him formally, Kate seems to accuse him silently. The presence of a cared-for pet in the house signals their wealth just as the rat demonstrates the Thomas family’s poverty. Bigger identifies with the rat later when, after fleeing the Dalton house, another rat scurries in front of him and disappears into the hole. Feeling exposed, Bigger wishes he could follow the rat into his safe, warm hiding spot. The manhunt closes in around him, house by house, until he is trapped like the rat he killed in the first scene of the novel.
Two of the most significant images in the novel are the furnace in the Daltons’ basement and the snowstorm that begins right after Mary’s death, picking up speed to become a blizzard. The novel opens on a clear day amid the frigid Chicago winter. At the Daltons’ Peggy shows Bigger the coal-burning furnace, which will become Bigger’s responsibility to maintain. The warmth of the furnace, powerful enough to heat the entirety of the large house, is a luxury. Fire is necessary in the freezing weather, but it is also dangerous. The furnace is like Bigger, full of fire that must be kept under control just as Bigger’s hate and fear burn hot inside him. The house is heated by the labor of those who are burning with fury from racial oppression, both literally by Bigger and figuratively by the exorbitant rent money collected from poor Black tenants. When Bigger’s fiery anger and fear erupt, he lashes out and kills Mary.
Bigger shoves Mary’s body into the belly of the stove, hoping the fire will consume her completely. But, as Bigger says earlier, white people are constantly inside him, living in his stomach and chest. He’s haunted and constantly revisited by the image of Mary’s severed head. Bigger piles more and more coal into the furnace, hoping that the fire will continue to heat up and burn everything, just as he buries and mutes his own non-violent emotions under increasing piles of hatred and anger. But some things can’t be burned away and erased. Clogged with ashes, the furnace stops functioning until its grisly contents are cleaned out. Meanwhile, it starts to snow, beginning with a soft blanket and escalating into a blizzard as Bigger attempts to run. The snow mirrors the white people who start hunting Bigger, who Bigger sees as a massive accumulation of cold, icy whiteness rather than individuals.
As Bigger evades police and their vigilante volunteers, he constantly fights the cold and seeks ways to ignite the fire within himself and stay warm. When he kills Bessie in the frozen empty building, there is no anger or fury. It’s a cold, calculated choice, and Bessie ultimately dies alone of neglect, freezing rather than burning. When the manhunt finally catches up with him, he evades them by running across snowy rooves, the snow making his body numb until they blast him with the hose and freeze him. Bigger is overwhelmed by both the cold and the white mob. In jail, when Max asks him questions about his life and his motives, Bigger thinks hard and finally manages to clear out some of the ashes that were clogging his own furnace and obscuring his thoughts.
Repeatedly in the novel, Bigger refers to blindness. First, he notices the literal blindness of Mrs. Dalton. But after he kills Mary, Bigger’s perspective changes. He feels as if he is the only one who can see. Bigger believes that no one else can see the wide-reaching effects of racism and how his anger has shaped him as a person. Mr. and Mrs. Dalton see Bigger as just one more charity case; they tell Bigger all about their donations because they believe that they are marking themselves as allies so they will be safe from Bigger and other Black people. Mary and Jan can’t see that the mistrust and hatred caused by hundreds of years of oppression can’t be undone with some kind words and a shared meal. Mrs. Dalton’s physical blindness stops her from helping her daughter, but it is her determination to turn away from Mary’s potentially embarrassing behavior that leads her to leave the room instead of acting on her sense that something is wrong.
Killing Mary gives Bigger a sense of freedom, a sudden escape when he has felt trapped and stifled for so long. He looks at his family and girlfriend and considers what they do to cope and escape. Mrs. Thomas relies on religion and the hope that one day her suffering will be rewarded in heaven. She won’t stop believing that her son can be saved, even as he is slated to die, as long as she can hold out hope that she will see him again and he might love her. Buddy is blinded by his hero worship of his brother, ready to risk his own life to save Bigger. Vera is too young and wrapped up in her own insecurities to see that Bigger’s anger has grown beyond brotherly teasing. Bessie drinks to escape, convincing herself that she loves Bigger, and he is a good man underneath his anger.
Most of the characters choose to stay in the dark. When Max questions Mr. Dalton about the connection between the oppression caused by his real estate dealings and his daughter’s death, Mr. Dalton pretends not to understand. When Mrs. Thomas begs Mrs. Dalton to spare her son’s life, Mrs. Dalton pretends to believe that she isn’t powerful enough to help her. Bessie finally sees Bigger for who he is, but Bigger won’t allow her to escape. In the end, Bigger realizes that he has been ignorant as anyone, unable to see that people are individuals who feel their own hate and fear. He goes to his own death with a new perspective, not fully understanding but finally seeing himself as a person in the world.
By Richard Wright