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Oyinkan BraithwaiteA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
When Korede and Ayoola were young, a boy came to their house to express interest in Ayoola. “Father received him well” (181), but Korede knew that it was a mask. Ayoola enjoyed the attention and did not heed Korede’s warnings.
When the boy left, father took the cane and ordered Ayoola to strip so he could beat her for behaving wantonly. Korede joined her to hold her hand. He only stopped when Korede reminded him that Ayoola “will scar and people will ask questions” (184).
Chichi sells shoes at the hospital. Korede finds Muhtar’s wife and his brother in Muhtar’s room. The wife insults Korede’s looks and her station. Korede asks them to leave, which the woman ignores until Muhtar, with “an authority to his voice I have not heard before” (189), throws them out. The wife wants him to approve of their son’s marriage because the girl’s father is running for governor.
A vision of dead Tade who says to Korede, “’You did this’” (190).
Korede goes to Tade’s office and destroys the ring, stealing the diamond. She stages a ransacking. Yinka accuses Mohammed, and the hospital fires him. Korede thinks she has “bought Tade more time to think things through” (193). After a few days, she asks Tade about the ring and he says it is “curious behavior, for a drug addict” (194), since Mohammed did not steal the drugs. Korede throws the diamond into the lagoon.
Ayoola cried on the other end of the phone. She had killed someone named Peter, her second victim.
Tade calls from Ayoola’s number. In his house, Korede finds Ayoola in the bedroom stabbed with the knife. She tried to kill Tade, and he resisted. Ayoola says he hit her, but Tade, “the first man able to defend himself against Ayoola’s accusations” (199), says she is lying.
Korede bandages the wound with the knife still in and calls the hospital. Tade carries Ayoola to the car and he drives after them. He attempts to justify himself, and Korede warns him to keep quiet or she will accuse him of the attack. He tells her, “You’re worse than she is” (201).
Ayoola is recovering, still unconscious. Mother arrives, devastated, and she pushes Korede for information, which Korede hesitates to give because she and Ayoola have not had time to concoct a story. Korede admits they were at Tade’s house but refuses to say anything else. She wills Ayoola to wake up.
Ayoola regains consciousness; she feels both terrible and bored. The police arrive and, to Korede’s shock, Ayoola immediately tells them that Tade stabbed her when she refused his proposal. When Tade left the room, she seized the moment to call Korede.
Later, Ayoola tells Korede to make a choice between her and Tade: “You can’t sit on the fence forever” (207).
Korede finds Muhtar’s wife in front of his room, crying because he plans to divorce her. Muhtar dismisses her questions, saying, “She does not cry for me, she cries for herself” (208). He has heard about Ayoola and tells Korede, “Free yourself. Tell the truth” (208). Korede does not see the truth in the same way. Although they are discharging him, Muhtar wishes to stay in touch, but Korede does not know how to react.
Ayoola takes photos of her wound for Snapchat. She says that Tade believed Korede was responsible for Femi’s death because she was jealous, and that she’d done what she had to do to protect Korede. When she attacked him, Tade said, “Korede was telling the truth” (212). Korede admits she told Tade that her sister was dangerous. Ayoola reminds Korede, “It’s his word against ours” (213).
Their father’s name was Kehinde, and he was Taiwo’s twin. The Monday before his death, Taiwo came to take Ayoola away to the rich businessman they had met before: Father was selling his daughter for a deal. Korede protected her from their aunt, waving father’s cane. They feared their father’s reprisal, saying he could not kill them if they killed him first.
The police question Korede. She says she warned Tade because she believed Ayoola’s actions with Gboyega were imprudent and contributed to his death. She feels calm: “There is a faint smile on my lips because I am humoring them and they should know that I am humoring them” (216). She plays on the detectives’ appraisal of Ayoola, and she knows they are smitten with her. She says she has never known Tade to be violent, but she has not known him long.
Muhtar leaves the hospital and Korede misses him. The police have arrested Tade and revoked his medical license. He will spend several months in jail for assault. Korede has chosen a side: “She will always have me and I will always have her; no one else matters” (219). She calls for Mohammed to change the sheets, only to realize that he no longer works there either.
After a while, Korede debates whether to call Muhtar. She is “beginning to forget what his voice sounds like” (220). The house girl informs her there is a male visitor. Korede burns the paper with Muhtar’s number because her sister needs her more. She goes downstairs to meet the new admirer who has brought roses: “The man smiles. I smile back” (222).
Chapter 62 flashes back to Korede’s memories of their father and his disturbing behavior toward Ayoola. He took pleasure in inflicting pain, and his behavior at the best of times was ominous. Korede deliberately places herself outside of the action in her narration, presenting herself as predominantly passive spectator except at the end, when she fears her father will kill Ayoola unless she intervenes. Ayoola needs her sister’s active help in order to survive, which Korede always gives, even when Ayoola commits murder (or attempts to). In Chapter 68, Korede takes over crisis management after Tade stabs Ayoola in self-defense. Pushed together by family expectations and abuse, the sisters have come to function as a single entity.
One common event throughout the novel—literary parallelism—involves the phone calls Korede receives after Ayoola has murdered someone. In Chapter 67, eerily entitled “#2: Peter,” continues the loop that first started in Chapter 3 and repeated in Chapter 49, repeating a vicious cycle that shows no sign of ending. The diction subtly changes in each instance, so that the indirect admission of the first murder changes to the impersonal statement of fact of the second. By the third time, when she has murdered Femi, Ayoola clearly designates herself as the murderer. Her murderous tendencies are escalating, and she is less disturbed by what she has done with each murder. Korede’s subconscious, through a dream of Femi, warns her of the truth about Ayoola’s state; a dream of Tade transfers the responsibility back to Korede for not managing her sister better. In a certain way, Korede is right: Her sister only succeeds, and only continues to kill, because Korede enables her.
Despite her dedication to her sister, Korede attempts to warn Tade, and he remains the only man to have survived Ayoola’s surprise aggression. Ayoola, trusting her beauty and her charm, calmly accuses Tade of assaulting her; Korede sets aside her internal dilemma and fully supports her sister. Tade’s fate, in a way, is his punishment for rejecting Korede and for being attracted to and fooled by Ayoola. This time, Ayoola claims she was protecting Korede, although she had maligned Korede to Tade and prejudiced him against Korede.
Once again, Ayoola’s motivation toward Korede is sharply ambiguous. She may believe that she acted in her sister’s best interests; she also clearly has an interest in keeping Korede available to serve her cleanup needs. Korede abandons traditional morality and embraces the protection of her family. The final chapter, symbolically and portentously entitled “#5,” closes with the brief introduction of yet another man in Ayoola’s life, another victim for a sociopathic serial killer, whom her sister Korede greets with a smile of welcome.
The antithesis of Korede, Muhtar does what he thinks is right, refusing to bend to the will of his family. He vehemently rejects his wife’s pleas and threats, refusing to change his mind about his son’s wedding to an influential man’s daughter. He decides to divorce his wife for her lack of support while he was in a coma (there is an implication that she has been having an affair with his brother as well). His conviction both attracts Korede and makes her reject him as a friend, even though she needs one. In Chapter 75, Muhtar leaves the hospital and Korede’s life for good. His scruples and strict morality clash with Korede’s moral ambivalence and the ambiguity of her feelings for her sister. By destroying his phone number, she makes tangible a decision that she has always made unconsciously: to remain by her sister’s side no matter what. She simply cannot exist without Ayoola.