65 pages • 2 hours read
Maud VenturaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Ariane observes that she tends to lean towards her husband whenever they are together, such as her chair turned in his direction at the breakfast table. It is as if he is the sun to her planet. The opposite is not true, as her husband makes no effort to meet her even halfway across a room or walk in step with her. She wonders why her position is subordinate to him, when this is not the case with any other person. Which laws of physics govern the gravity between bodies in relationships, she often ponders.
Later, Ariane notes that her husband hasn’t cleared his dishes from the table or his clothes from the bedroom floor. Picking up after him annoys her, but she refuses to initiate a fight with him. Ariane believes the fights in romantic relationships should be over big issues of jealousy and existentialist threats, rather than banal matters. She cleans up quietly after her husband. Her children go off to school. Ariane is happy she has trained them to be soft-spoken because she hates loudness in children.
She finds working on the translation difficult, as Friday is a day that feels too much like a vacation. Ariane likes Friday, though, as it is green, a lucky, fresh color. Ariane has always used colors to identify points in time, such as days and moments. When she was a child, she assumed everyone felt the same way. Once, she slipped up in second grade and called Thursday “yellow,” earning a scolding from the teacher for mixing up her colors and days of the week like a Kindergartener. That is when Ariane discovered that not everyone was wired the same way as her. As she mulls over her relationship with colors, the perfect translation of the title “Waiting for the Day to Come” arrives in her mind: “En attendant le jour qui paraitra bientot” (156; roughly “awaiting the day that will appear soon”).
Friday being the day of Venus, the goddess of love, Ariane surfs articles about making one’s relationship last. All the sites and women’s magazines tell her that maintaining an air of mystery is crucial to prolonging the romance in a marriage, but this is practically impossible for a mother of two children. Ariane always has to be accessible to her children, parents, and in-laws. Thankfully, the internet is not her only source of romantic advice. She often notes down lessons on love in her green notebook, which inspire her, like yesterday when she used the green book for courage to meet Maxime.
Ariane reflects that she is eternally interested in love, with love being her only hobby. The problem is she loves too intensely, such as she did even with Adrian and Antoine, her boyfriends before her husband. Maybe that is why she is destined to be sad, because her love is so great it cannot be returned. Her mother saw her cry at her wedding and softly told Ariane that love and sadness go together. This makes Ariane think she has inherited her intensity from her mother, like Phèdre did from her mother Pasiphae.
During the afternoon, Ariane dyes her hair blonde. She is not sure if her husband knows that her natural hair color is brown, but she does know most of his girlfriends have had pale hair, which shows his preference for blondes.
Waiting for the hair product to work, Ariane takes out the secret key from her jewel box and goes through the mail. The reason for this surreptitious ritual is that she is not supposed to have a key to the mailbox. She gave the key to her husband three years ago and never asked for it back. When her husband seemed to be in a rush to collect the mail in the mornings, Ariane suspected he was having an affair. She copied the key from her in-laws—who had an identical set—and since then keeps a secret eye on the mail. Ariane has found no evidence of her husband cheating.
The jewel box also contains the fake solitaire ring she wore before she met her husband. Ariane bought herself one because she wanted to feel married. When she wore the ring out, she felt more confident, as if she had found her place in the world as a visibly married woman. Three months later, she met her husband. The reason her current ring resembles the fake one is that she has always wanted a cathedral diamond.
After examining the mailbox, Ariane goes through her husband’s bag and his worn clothes. She finds crumpled-up receipts from grocery stores in his pockets, listing all the cheeses and groceries her husband has bought. She finds his purchases reassuring, because a man who plans to leave his wife does not buy 10 days’ worth of cheese. She also peruses his email account and the contents of his phone, loaded onto his computer. Ariane always dreads reading her husband’s mail and messages, fearing what the next one may reveal. However, the truth is there have been no suspicious mail over the years; even his conversations with unknown women have turned out to be mundane ones with colleagues or wives of friends.
Ariane wonders if she should feel guilty about spying on her husband. However, the spying is a sign of her love for him. She wishes her husband was more interested in her life. For weeks, she has left around for her husband to find a crudely worded love letter (composed by her) that appears to be from another man. Her husband has not even noticed the letter. Nor does he ever ask Ariane prying questions. If he did, she would confess her adultery to him, but he never rises to the occasion.
The last item on Ariane’s list is listening to recordings of the private conversations between her and her husband. She records the conversations on her phone so she can analyze them for clues. Today, she notes an anomaly: Her husband told her in one conversation that he would be having dinner with a coworker, and on another, coworkers. She wonders which is true, and why her husband is lying. Ariane thinks recording the conversations is reasonable. She wishes she could have recorded the conversation at Louise and Nicolas’s house so she could understand why her husband compared her to a clementine.
Once, Ariane transcribed a recording and translated it into English. She gave the conversation for her class to study and translate, encouraging them to comment on the relationship between the husband and wife in the passage. When a student remarked that it was obvious the husband did not love the wife, Ariane’s heart sank. She has never used her recordings in class since then. What she does instead is change the name of the male character in passages to that of her husband, like she did on Monday.
Ariane’s husband has told her he plans to go to the pool after his dinner. He loves to swim, the exercise giving him mental clarity. Ariane now pictures her husband pausing between strokes, struck with the clear realization that he needs to leave her. Agitated, she leaves the children in front of the television to watch a movie. At 10:00 PM, as he had promised, her husband returns home. From her bedroom, Ariane can hear him approach the children, and then everyone coming upstairs to bed.
Ariane pretends to sleep when her husband enters the bedroom, her back to him. This is a gift to her husband, since Ariane is wearing no make-up. Her husband has indicated that he likes Ariane to be well-dressed and groomed. Ariane is also acting on the advice she wrote in her green notebook earlier that day, which is to play hard to get.
The nervous itch starts up again, debilitating Ariane. She tries to distract herself by thinking of her marriage. The bigger picture suggests her marriage is happy. Even the scale of a year suggests this, as there is never a month that goes by without lovemaking, a deep, private conversation, and a gift from her husband.
Things appear fine even on a weekly level, but the trouble starts if Ariane pays attention to every day. During some days, there are slights from her husband that she cannot understand, such as his removing his hand from hers on Wednesday. In these moments, Ariane can see her husband does not really love her. Taken together, these many moments “set [her] marriage to a sad soundtrack” (184).
As the novel enters its last third, the narrative rachets up the sense of fear that Ariane constantly experiences. Simultaneously, in a series of reveals, it also exposes the larger extent of Ariane’s behavior and inability to navigate The Thin Line Between Love and Obsession. The atmosphere of psychological terror deepens. Ariane’s extreme actions include her secretly taping the conversations between herself and her husband and later playing them back for clues about their marriage. She also goes through his private messages and checks his mail without him knowing. These actions show a breakdown of trust between Ariane and her husband, illustrating her altered state of mind. Ironically, while Ariane projects the image of a happily married woman, the truth is that her marriage makes her deeply tense and unhappy.
Ariane’s exaggerated actions also build upon the novel’s theme of Appearances Versus Reality. The fact that Ariane is unhappy is illustrated through the motif and symbol of Ariane’s itch. Ariane breaks out into a mysterious and debilitating itch every night, suffering in silence next to her husband. The itch is a physical symptom of her psychological distress, embodying the truth that her marital dynamic is abusive.
While the narrative builds an ominous mood in this section, it also grounds Ariane’s anxiety in the context of the fear of aging, singlehood, and The Oppressive Nature of Gendered Expectations that women experience. In a darkly satirical sequence, Ariane looks through websites for tips on how to keep her husband invested in their marriage. The articles she reads have titles such as, “Three Things That Will Drive Him Wild!” (157), and her sources range from “statistical studies, astrology […] gardening, geography” (159). Ariane notes that most of the sources are united in two bits of advice: Women cannot let go of themselves physically, and must project an air of mystery. This advice implies that maintaining a steady marriage requires constant vigilance and performance. Thus, society’s problematic messaging around aging, beauty, and women’s worth aggravates Ariane’s fears.
Ariane’s fears are also linked to the notion that singlehood is a terrible fate. The storyline of Ariane’s imitation solitaire ring illustrates her beliefs about marriage and self-worth. Ariane bought herself the ring in her mid-twenties, since she wanted to sense how society perceived her when she appeared married. Her experiment proved that her “faked status as a married woman showed the world that [her] existence had value” (164). According to Ariane, people treated her better when they saw the ring on her finger, which filled her with confidence. Ariane’s perception could be partly true, and partly a projection of her own fears about being single. The fact that Ariane thought her existence only had value as a married woman indicates that Ariane will do anything to stay married, which adds to the toxic dynamics between her and her husband.
Just like the dichotomy between Ariane’s reality and the appearance she projects, there is also a chasm between Ariane’s actual self and her perceived self-worth. Ariane is intelligent, creative, and analytical, her narrative peppered with her synthesis of data. Nevertheless, she deems herself lacking, and applies her skills to concocting the perfect front. For instance, she breaks the living room lamp on purpose so she can replace it with one with mellower, more flattering lighting. She believes lighting is important because “put the most beautiful woman in the world in bad lighting and her beauty will be noticeably diminished” (178). Further, she believes beauty is 15% about lighting, 25% about hair, and 40% about clothes and accessories.
Ariane’s skewed perceptions about her self-worth give her husband disproportionate power over her. She senses this odd power dynamic when she notes that it is she who tends to move toward her husband, like a planet around the sun. Ariane romanticizes this as proof of her love, but the narrative suggests her husband deliberately plays power games to establish his dominance, such as refusing to meet her midway across a room, or keeping his chair swiveled away from Ariane when they talk.
Ariane’s desire to conform is linked with the world’s response to her unique sensorial abilities. Ariane notes that when she was a child, she assumed everyone felt and thought in colors like her. However, when she expressed herself in second grade, her fellow students laughed at her and her teacher scolded her for mixing colors and days. Worse, her classmates called her a “witch and a liar and said that [she] was strange” (155). Since Ariane knows her uniqueness is not always appreciated, she tries to fit in by following dominant social norms. Thus, Ariane also embodies the individual suppressed by conventions and large societal structures. This section ends on the ominous passage that Ariane’s marriage and life are set to a “sad soundtrack,” which not only captures her feeling of being trapped, but also foreshadows the tumult of the novel’s final section.
Books that Feature the Theme of...
View Collection
French Literature
View Collection
Marriage
View Collection
Popular Book Club Picks
View Collection
Romance
View Collection
The Best of "Best Book" Lists
View Collection
Trust & Doubt
View Collection
Truth & Lies
View Collection
Valentine's Day Reads: The Theme of Love
View Collection