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Rupert HolmesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Cliff Iverson writes that his first term is just as surreal as his first days but that it’s beginning to feel like his time at MIT or Caltech. He has noticed that both Jud Helkampf and Simeon Sampson independently hate him and is disappointed Gemma Lindley won’t warm up to him. He lays out his timetable for his sponsor, noting that certain classes seem unrelated to his thesis, such as Greek or forgery, but was told that he may need these skills to improvise if his initial plans don’t work. He is curious about a single-session class called “Eroticide” with a teacher named Vesta Thripper and is told seduction is one of the more dangerous tools he will learn. When he questions “Track” as a class, he is told it’s a verb not a noun. He relates how social events like dances turn into lessons and that he picks up tips on poisons from the chef Monsieur Tissier while working in the kitchen. PE classes are getting him in excellent shape and even the lesson in Practical Electronics, a field he thought he knew about, came in useful. Simeon Sampson tricked Cliff into a fake deletion scenario involving a rigged record player earning himself points toward his grade. Cliff used his knowledge from his job and what he learned in Practical Electronics to retaliate and electrocute Sampson with the same record player, earning points for himself.
Cliff’s besting of Sampson earns him popularity among students and teachers and gets him an invitation to dine at the Dean’s table. There, he meets the Assistant Dean and Chief Financial Officer, Erma Daimler who is the opposite of Dean Harrow in both personality and theory. Dean Harrow announces to the room that it will be a working dinner, as someone will try to kill them and the first student to identify the poison will have their lowest score changed to 100. Within a few moments of the disappointingly bland soup being served, two students fall, and the teacher and nurse Vesta Thripper hurries to administer an antidote. Simeon and Jud stand simultaneously saying they have the answer and Gemma lies, saying Jud told Simeon. Jud tells the room the poison is in the salt as the food is usually exceptional and the night’s bland food is suspicious. He watched people use the salt, and those who did got sick. The Dean asks Simeon to identify the poison, and he suggests potassium cyanide since there are colorless crystals in the salt. Vesta says the fallen students will survive and the conversation at the head table turns to using poison made from everyday foods.
Dean Harrow interrupts the narration to warn the reader that this chapter relies on outside sources, interviews at Woltan Aviation, and will be “distasteful,” as it focuses on Merrill Fiedler.
Dressed in a bathrobe, Fiedler invites an employee he’s had an affair with into his office and makes sure she knows he is the one responsible for her transfer despite her begging him to stop it because of sick family and children. He extorts her with photos he has secretly taken. He next calls in another employee who has seen the same design flaws as Cliff and Jack Horvath. Fielder extorts the employee with threats to reveal he is in in a gay, diverse-racial relationship. He then makes his switchboard operator, who he has also had an affair with and dropped, connect him to a new unsuspecting female employee and asks her to come to his office. He thinks life is good.
Gemma feels she’s said too much to Cliff about having already committed a murder but thinks he seems kind. She remembers how Adele Underton began to extort her, telling her Gemma’s secret was safe if she didn’t apply for a higher position that Adele wanted for herself. She gives Gemma a letter of recommendation to sign which Gemma reads and realizes is an accusation that Gemma stole drugs and a syringe from the hospital dispensary and used them to kill a patient.
Dulcie Mown is late for her “Alibis” class and so has to answer Dobson’s question about how one can create a good alibi by being somewhere one is not. She suggests a body double but is told that would involve an accomplice, which is against the rules. The answer comes to her over dinner as she’s eating Tissier’s separated rapini dish. Gemma, however, is not finding answers or success with her attempt to get Jud Helkampf to like her and is frustrated as it is part of her assignment at McMasters. She goes into Oxbane Chapel when she sees a notice about confessions. When she tells the priest she isn’t Catholic, he says he isn’t either but has a dispensation from many churches. She is shocked to hear he and all the faculty at McMasters have committed murder, thought the priest says they are often just doing God’s work.
Dulcie contemplates her answers to the thesis questions of if the murder is necessary and if one has given the target every chance to redeem themselves. She recalls a conversation with a new, young producer in the studio who has great, complex scripts that he feels were meant for her but says Leonid Kosta won’t consider her for any other projects. She reviews Dobson’s rules about alibis. Number 1 is no accomplices, including lovers or hit people. Number 2 is to manipulate someone else into committing the deletion, assuming that if the person is truly terrible others will hate them as much as you. The third is to create ignominy. If the police think the victim is a bad person and deserved it, they might not pursue leads with as much tenacity. This last rule triggers a thought, and when Dulcie wakes up in the morning, she knows what to do with Kosta.
The next section includes three faculty progress reports of students. The first is from Dean Harrow about Cliff Iverson for both the board and the sponsor. He states that Mr. Iverson is doing well and is keeping busy with studies and the job he’s taken in the kitchen so not to use the money provided by his sponsor. The job, he notes, has given him extra knowledge of toxins that may come in handy. He has joined the water polo team and become a support and friend to many in the school. The only negative is that a student (who is there only as the result of a failure of the screening process in order to increase profit) seems to have a grudge against Iverson. The situation has, however, inspired Cliff’s competitive nature and the Dean’s only concern is that his thoughtfulness may get in the way. Overall, however, the Dean thinks Mr. Iverson was a great investment of the sponsor’s money.
Father Pugh writes Gemma’s progress report and notes that he is worried about her proposed deletion, as it requires Miss Underton to go on a hiking tour with her in the Yorkshire Dales, where Gemma will push her into a dangerous river called the Strid. While Gemma is mastering jiujitsu, the concern is that Gemma feels bad about employing it and her teacher, Coach Tarcott, thinks Gemma subconsciously feels she deserves to fail. To teach her the pointlessness of getting an extortioner to like you, they have assigned her the task of gaining Jud Helkampf’s trust. They are sending her to Vesta Thripper in hopes another woman can help change her mind.
The final progress report of Dulcie Mown, written by Professor Graves, says she is a natural in that she has a wide range of skills and is devoted to honing them on behalf of someone back in Hollywood, who he feels is extremely lucky. A postscript notes that Captain Dobson enlightened him with Dulcie’s true identity and that the person she is extremely devoted to back home is actually herself.
Cliff Iverson’s journal states that his problems with Jud Helkampf are getting worse, noting an incident where Helkampf endangered other players’ lives to cheat at water polo. Cliff got revenge during a meeting where Cliff was required to speak about his failed attempt to delete his target. Gemma also spoke and warned people to consider their success as hers has only created more problems and now she must commit another murder. Cliff’s rendition of his botched attempt made everyone laugh except Helkampf, who made a rude remark. Iverson then pretended he was giving out an award and asked Helkampf to come up to the microphone. He did, and he began to make a speech when the Dean told him to shut up and that Cliff had just illustrated how to use a target’s vanity against them. It was exactly how Cliff had lured Fiedler to the subway platform and was, as he told the crowd, the only thing he did correctly. He had told Fiedler he was featured in an old copy of a magazine he’d seen at that subway platform’s newsstand. Dean Harrow encourages Cliff to continue using this tactic.
Cliff notes that they had light snow on Christmas Eve and then a day free of traps or manipulations. Despite the weather, students still can’t figure out where they are located. On one of his walks Cliff finds a chasm and, on the other side, a castle with a single tower. It looks enormous, but Cliff then realizes it’s a false perspective and probably isn’t as large as it seems. A small tram on a rope pulley is visible on the other side but there is no way to summon it. Simeon Sampson appears out of nowhere and cautions that he could have pushed him off the cliff, then disappears behind some rocks.
The Valentine’s Day dance is a teaching tool for deletions, but Cliff ends up dancing with his neighbor who asks him to help her as she is failing and will probably be deleted by McMasters. The partners switch and Dulcie tells him she needs him to pitch to her so she can practice hitting a baseball. In return, she will teach him about acting. The partners switch again, and he is happy to be dancing with Gemma, who confesses she hates Helkampf; her seeming desire to be with Helkampf is just an assignment from McMasters. The revelation makes Cliff elated, and he asks her to go with him to see the castle across Raven Ravine. She says he’s graduating (or being deleted) any day and it won’t be worth it. He thinks sadly that this will be the only time they’ll get to dance.
Coach Tarcott encourages Cliff to use sports and his target’s passion to trap him. Iverson notes that Fiedler only likes horseracing. Dulcie and Cliff try batting practice, and Dulcie is distressed, saying she can’t afford to miss on her first swing.
Dean Harrow notes that “Eroticide” has become mandatory since the majority of male students think they didn’t need help with the subject. Vesta Thripper tries to convince Gemma that becoming her target’s friend to lure her on a trip is impractical. Her failure with Helkampf should be evidence of that. She asks Gemma if she’s sure she won’t die while trying to push Adele in. Gemma’s response that it would serve her right distresses Vesta.
The journal of Cliff Iverson notes that he sees Gemma leave “Eroticide” and it saddens him, thinking she would need the skills for her deletion.
The Dean’s narration continues with Dulcie Mown thinking she won’t need anything from “Eroticide,” as her career has necessitated she learn many of the skills she anticipates being taught. Vesta, however, surprises Dulcie by leading her to the men’s bathroom for their lesson.
While the world of the novel is introduced in the first few chapters, the next 10 chapters make the world of the school seem “normal” as Cliff becomes accustomed to his circumstances. Classes, lessons, discussions with faculty, daily schedules, and anecdotes such as the poisoning of students during dinners, not only flesh out daily life and give the impression of normality but also set up mechanisms and tools that will later be used by Cliff, Dulcie, and Gemma in their deletions. Nothing reported by Cliff, whether it’s his ability to throw a fastball or enjoyment of spelunking, goes unused later in the novel.
Other students and faculty are introduced—specifically Jud Helkampf—who appears to be a rival for Gemma’s affections. Through the example of Cliff using Helkampf’s vanity to trick him in front of the entire school, the theme of The Dangers of Vanity and Ego is put into clear words for the first time despite situational examples being provided since Chapter 1.
The Use of Humor to Explore Darkness is seen in almost every chapter as the teaching of McMasters faculty uses puns and witty turns of phrases like the Dean’s aphorisms to make murder less frightening to the reader. It also is present in the chapters that focus on the bad behavior of the students’ targets. The things the villainous bosses do in these chapters are truly dark, including extortion and using one’s power to force behavior including sex, but because they are offset by humor and the promise of justice, they are more digestible for readers. Though they are digestible, these behaviors are still antagonizing in the narrative, highlighting their heinous nature in comparison to the contradictorily lighthearted subject of murder. This contradiction heightens the narrative’s absurdity and its humor as a result.
The flashback chapters of the bosses are important in this section for a reason other than to enforce the themes—they also function to remind the reader why the students are at McMasters. By seeing the target’s bad behavior in the first-person, the reader is realigned with the students’ intentions and is reminded of the importance of the work the characters are doing at the school.