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45 pages 1 hour read

Jenny Nimmo

Midnight for Charlie Bone: The Children of the Red King #1

Fiction | Novel | Middle Grade | Published in 2002

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Prologue-Chapter 5Chapter Summaries & Analyses

Prologue Summary

The prologue introduces the legend of the Red King, a powerful African magician known for his scarlet cloak and burning sun emblem. The king’s 10 children inherited fragments of his magical abilities, but, after the death of his wife, five became evil, while the other five fled. The heartbroken Red King disappeared into the forests with his three loyal leopards. His magical powers continued to manifest in his descendants, individuals called the “endowed.”

Chapter 1 Summary: “Charlie Hears Voices”

A fire rages at Bloor’s Academy.

At home the next day, Charlie Bone opens an envelope he expects to hold a photo of his friend Benjamin’s dog, Runner Bean. Instead, he finds a picture of a man holding a baby. To his shock, he hears a man’s and woman’s voices from the photo, discussing the baby. Charlie’s paternal grandmother, Grandma Bone, becomes interested and asks if her previously ordinary grandson may have inherited the powers of her family, the Yewbeams, after all.

When Benjamin comes over and takes Charlie to help him walk Runner Bean, Charlie hears more voices from a photograph in a discarded newspaper: Manfred Bloor, the Head Boy at Bloor’s Academy, talking about the fire. Charlie tells Benjamin about the voices from the photographs. Grandma Bone’s reclusive brother, Uncle Paton, arrives and ushers Charlie home.

Chapter 2 Summary: “The Yewbeam Aunts”

Uncle Paton takes Charlie home, where the boy finds his family, including his mother, Amy, and his maternal Grandma Maisie, preparing for the arrival of the three Yewbeam Sisters. Grandma Bone explains that her sisters are coming to test Charlie’s abilities, hoping that he is one of the magically gifted “endowed” so they can send him to Bloor’s Academy. When the sisters arrive, Charlie is instructed to look at old family photos, and he hears music and laughter. After the assessment, Charlie learns from his mother that the Yewbeams have controlled their family’s life ever since his father, Lyell, defied their ancient rule and married outside the family’s gifted bloodline. Lyell’s mysterious death left Amy and Charlie dependent on the Yewbeams, who now insist that Charlie attend Bloor’s.

Later that night, Charlie secretly follows Uncle Paton out of the house and notices his uncle’s strange ability to cause street lamps to brighten and shatter as he passes. When Uncle Paton notices Charlie trailing him, he turns and asks why the boy is following him.

Chapter 3 Summary: “The Flame Cats”

Uncle Paton explains his ability to Charlie: He can intensify the power of lights around him. Paton says his talent frightens others and drove him into isolation. He only leaves the house at night to avoid unnecessary light. The next day, Charlie stays behind while his family goes out to shop and answers the door for an unusual man named Mr. Onimous and his three brightly colored cats known as the Flames. The cats rid the house’s pantry of mice, and Mr. Onimous notices the photo of the man and the baby. He says the cats recognize Charlie’s connection to the photograph and believe the lost baby is now at Bloor’s Academy.

Encouraged by Mr. Onimous to find the photograph’s owner, Charlie ends up at a bookshop owned by a woman named Julia Ingledew. She tells Charlie the baby in the photo is her niece, who was given away by Miss Ingledew’s brother-in-law, Dr. Tolly. She regrets not taking in her niece and has been searching for her ever since. As thanks for returning the photo to her, she gives Charlie a robotic dog toy as a gift for Benjamin’s birthday. She also gives him a heavy silver case that she believes contains whatever Dr. Tolly traded in exchange for his daughter. Miss Ingledew pleads with Charlie to keep the case safe.

Chapter 4 Summary: “The Inventor’s Case”

Charlie leaves Miss Ingledew’s bookshop, struggling to carry the silver case in his bag. He runs into Benjamin and Runner Bean, and the boys take the heavy bag back home, unaware that Asa Pike, Manfred’s henchman, is following them. However, Runner Bean chases the stalker off. Charlie leaves the case at Benjamin’s house and heads home, where Grandma Bone reprimands him for letting the cats into the house. She tells him she can’t wait until he’s out of the house and at Bloor’s Academy, when he will only be allowed home on weekends.

At Benjamin’s birthday, Charlie gives him the robotic dog. Runner Bean is upset by the presence of the metal case, which has begun to make tapping noises. When the boys try to open it, they realize it’s locked. Charlie later asks Uncle Paton to go with him to the bookshop to get the key from Miss Ingledew, and she gives them a bag of unmarked keys to try on the case. Paton asks Miss Ingledew if he might return to visit her. As he and Charlie leave, Paton causes a streetlamp to shatter.

Chapter 5 Summary: “Trapped in the Dark”

Charlie and Uncle Paton return home. Paton explains how he discovered his talent on his seventh birthday when he broke all the lights and scared the other children. He urges Charlie to keep his own ability a secret and only to use it when necessary.

The following day, Charlie avoids Grandma Bone’s questioning about the keys and rushes to Benjamin’s house to open the case. When Benjamin is upset at the news that Charlie is leaving him behind and going to Bloor’s Academy, Charlie clears up the situation by explaining that his family will be kicked out of the house if he doesn’t. They look for the case, but discover it disappeared from the closet where they left it. The boys hear a tapping from the cellar and find the case. While Charlie tries the keys, Benjamin holds off Aunt Venetia, one of the Yewbeam sisters, who came to question him about Charlie’s whereabouts. Benjamin denies having seen Charlie, giving Charlie time to continue his search. However, none of the keys open the case. After the failed attempt, Charlie tries to sneak home through Benjamin’s backyard, but Aunt Venetia captures him.

Prologue-Chapter 5 Analysis

The book’s opening chapters establish the world, characters, and the mystery at the center of the plot, introducing the mystery of Emma Tolly. The opening of the novel places Charlie in the recognizable, everyday world. He attends a regular school and spends time with his best friend, Benjamin. Charlie’s life initially appears mundane on the surface, but the opening line of Chapter 1, mentioning the fire at Bloor’s Academy, foreshadows the significance of Bloor’s and the magic that will soon interrupt Charlie’s normal life. This fire acts as a symbol that will ignite the chain of events throughout the novel.

Charlie’s home and family environment also play a critical role in establishing the novel’s tone. The feeling of this environment is represented by the large chestnut tree out front that drops chestnuts on everyone’s heads when they pass through. The inhabitants constantly complain about it but cannot or will not do anything about it. The description shows how Charlie’s family is mostly content with things as they are, even if they are less than ideal. This setting provides a contrast to the later activity and agency of Charlie’s quest. The living situation of Charlie, Amy, and Maisie is entirely dependent on the whims of Grandma Bone and the other Yewbeam sisters. Until this point, that hasn’t meant much, as Charlie has appeared to be unendowed. Paton’s endowment manifested itself at his seventh birthday party. Because Charlie is already 10 years old at the opening of Midnight for Charlie Bone and shows no sign of either artistic or magical ability, his grandmother and great-aunts have given up on him. The speed with which the Yewbeams respond after his ability to hear photographs appears entirely uproots the life he knew, indicating The Weight of Family Legacy. Amy has known about this possibility for her son, which informs this conversation with her own mother:

“It’s all nonsense,” Maisie grumbled. “I don’t know how you can just sit there, Amy, and let your crazy mother-in-law get away with it. Poor Charlie. He’s just a boy. He’s got nothing to do with those silly Yewbeams.”
“He’s got their blood,” said Charlie’s mother, quietly. “You can’t get away from that” (9).

Whether or not Amy, Maisie, or Charlie like it, he is an inheritor of the Red King’s legacy and will be part of the conflict that comes with that. There is no way for his mother to protect him from what he is. This dialogue serves as exposition, helping the reader to understand the context and background of the family’s situation. Similarly, Amy’s explanation of her and Lyell’s defiance against tradition offers Charlie—and the reader—insight into the reason behind his family’s fractured dynamic and the resentment they face from the Yewbeams. Neither side can truly be free from the other due to their blood ties, which are physically represented by Charlie. The opening chapters therefore introduce the theme of The Struggle Between Good and Evil and the suggestion that Charlie is central to this battle. While most of the adults in Charlie’s life are either outright antagonists or lack agency, Uncle Paton represents a curious anomaly. He is a Yewbeam and one of the endowed, but he isn’t malicious like his sisters. In these early chapters, he gradually becomes Charlie’s reluctant mentor figure. His general disdain for the rest of his family establishes a baseline for the role he will later play in the fight against them. For both Charlie and Paton, their growing friendship will prove crucial in their character growth and happiness, underpinning the theme of The Power of Friendship. However, at this point in his character arc, Paton is still very limited by the fears that keep him isolated.

The other positive adults Charlie interacts with at this point are Mr. Onimous, who comes to the house with the Flames, and Miss Ingledew. Mr. Onimous’s talk with Charlie about Emma Tolly and the photograph draws the boy further into the book’s mystery and reframes his perspective of Bloor’s Academy. Before, attending the school was just a familial obligation. Now, going to Bloor’s and finding out what happened to Emma becomes a moral duty for Charlie. The reframing is a simple move that changes Charlie’s agency in the story from passive to active by giving him a reason to want to be there. This is a significant point of development for his character and creates motivation and pace for the narrative. This imperative is further reinforced when he takes the case containing Tolly Twelve Bells from Miss Ingledew, which she urges him to share only with those “he would trust with his life” (64). For now, this means Benjamin Brown. Although Benjamin knows nothing about the case, he supports Charlie by helping him carry it back and storing it in his house in an early, if mundane, example of The Power of Friendship. He stands up to Aunt Venetia and refuses to tell her where Charlie, or the case, is. Despite the secrets and magic imposing themselves on the boys, their friendship remains strong.

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