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49 pages 1 hour read

Linda Hogan

Mean Spirit

Fiction | Novel | Adult | Published in 1990

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Symbols & Motifs

Oil

Oil is the most pervasive symbol within the text, and its many mentions mirror the proliferation of oil infrastructure on Osage land: “Across the land, oil derricks numbered as many and as far as the eye could see” (319). Oil symbolizes the double-edged sword that is progress, modernity, and wealth. It also connects the exploitation of Indigenous people and the exploitation of their land as interrelated, co-constructing forces. When oil is discovered on land previously thought to be worthless (and made available to the Osage people only because the government deemed it worthless), it seems like a boon to the Osage people. A once-struggling community finds itself in much different circumstances, and the added wealth initially seems to bolster the community.

However, the oil cannot be read as a straightforward benefit to the Osage community. Rather, it illuminates a series of tensions and power dynamics, developing the themes of Greed, Corruption, and Anti-Indigenous Racism and The Exploitation of Indigenous People, Land, and Resources. The government would never have made the land available to an Indigenous community if they had been aware of its resources. Once oil is discovered, severe limitations are placed upon the Osage people. They are in some cases outright cheated by white oil workers and companies, but even when their dealings are fair, their access to their own profits is often limited. By the end of the narrative, almost all of the Osage people are saddled with court-appointed “guardians” who decide when and how much money can be withdrawn from their accounts. The reasons behind this system of guardianship are deeply racist, born of the US government’s desire for control of and access to profits rightfully belonging to the Osage people. Guardianship also reflects the racist idea that the Osage people were not capable of managing their own money. While the Osage people were being preyed upon by white people at both the local and national level, they were also the target of a wide-scale assimilationist project meant to instill in them a reverence for white culture and an understanding of the supposed superiority of white values, beliefs, and practices. Oil, a symbol of modernity, ultimately brings more destruction than benefit to the community, which underscores the fraught nature of modernization.

Community

This novel is steeped in community, and the proliferation of secondary and even tertiary characters show just how vast, connected, and tightly knit the Osage people are, both in Watona and in the nearby Hill Community. The Osage people treat one another with kindness, care, and respect, and are shown to be accepting of one another’s differences. This climate provides a sharp contrast to the white community in Osage country. The white people are deeply disrespectful to their Osage neighbors, behavior that speaks to both Greed, Corruption, and Anti-Indigenous Racism and The Exploitation of Indigenous People, Land, and Resources. They talk down to the Osage people, insult them, and stereotype them. They also harshly judge any displays of wealth in the Osage community and deem the Osage people unfit to manage their own money. The white community seems largely connected through acts of violence and corruption: Characters like John Hale and the sheriff come together only to cover up crime. The relationships between the Osage people are, by contrast, supportive and built on community bonds: Belle and Moses take in Grace and Nola Blanket. Belle and Michael Horse maintain a strong and respectful bond. The watchers from the Hill Community never leave Nola’s side. Examples of the strength of the Osage community abound within the text; the Osage community itself is shown to be the best weapon that it has against white culture and anti-Indigenous violence.

Prophecy, Omens, Visions

Multiple characters have prophetic dreams, visions, and hunches that in some way predict the story’s action. Lila Blanket, at the novel’s beginning, has a vision of dire outcomes for the community as the result of white culture and increased contact with white people. Her prophecy comes true in multiple ways, and the murders within the Osage community can be understood as the danger that Lila intuited. Michael Horse dreams that someone is going to shoot John Thomas, and that prophecy also comes true and reveals itself to be part of the vast conspiracy that is behind all of the unexplained deaths in and around Watona. Lettie hears a prophecy at the carnival that things in the community are “flying apart” right before Benoit’s house is blown up. He is subsequently charged with murdering both Sara and Grace, and is ultimately found hanging in his jail cell under extremely suspicious circumstances. Belle, too, is the recipient of frequent visions, and often has a window into hidden meanings, intentions, and motives.

These dreams, visions, and prophecies speak to the theme of Modernity and White Culture Versus Traditional Indigenous Practices, for they are rooted in Osage beliefs and traditions, and demonstrate the cultural ties between the more traditional members of the Osage nation and their belief systems. Such beliefs are under constant threat throughout the narrative, yet characters like Michael Horse, Belle, and even Lettie remain true to their beliefs and trust their visions, illustrating the power of Indigenous traditions. That these visions typically do predict future events indicates the value of Osage ways of being, and they become one more piece of evidence that modernity does not always bring about positive change.

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