logo

49 pages 1 hour read

Linda Hogan

Mean Spirit

Fiction | Novel | Adult | Published in 1990

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Background

Historical Context: The Osage Murders

The Osage murders were a series of connected killings of members of the Osage community that occurred in Oklahoma during the 1920s. The book’s depiction of these murders is relatively historically accurate, although it is set in the fictional town of Watona rather than the real-life community of Pawhuska, Oklahoma. The murders began after oil was discovered on lands that had been made available to the Osage after they were forced out of neighboring Kansas. This land was only offered to the Osage because the government thought it to be of little value for agriculture. Both local and national law enforcement agents and government officials were shown to be involved in the crimes.

The Osage Nation is an Indigenous American group that developed communities in the Mississippi and Ohio River valleys as long ago as 700 BCE. By the 19th century, the Osage were dominant throughout the region bordered by the Missouri and Red Rivers, the Ozark Mountains, and the Wichita Hills, but were forced out of the area by the United States government and resettled into what was then known as “Indian Territory,” present-day Oklahoma. Land that had been deemed unfit for agriculture and ranching was made available to the Osage by the US government, but the discovery of oil on that land changed the economic outlook for the Osage and created a development boom in the region. Many Osage became wealthy overnight by leasing the rights to their land and its oil to various prospectors, companies, and conglomerates. The oil was not, however, a straightforward boon for the community: The government, regretting the sale of the oil-rich land, instituted a system of financial guardianship that limited the access that the Osage had to their money: The prevailing belief was that the Osage were not capable of complex financial management, and the oppressive system was sold as a protective measure with the best interests of the Osage at heart. Often, the Osage had to pay legal and other fees, so in addition to not being able to withdraw their own money, they were forced to sacrifice much of their profit to white outsiders. Additionally, the only way that white individuals could gain direct access to the land and its oil rights was to marry an Osage property owner, and many white men sought Osage wives solely for their money.

It was against the backdrop of this oil boom and its resulting climate of corruption and greed that various members of the Osage nation, many of whom had access to oil-rich land, began to die under mysterious circumstances. Although the deaths began in the 1910s, they increased sharply in the 1920s, and fear began to spread within the community with various individuals petitioning the federal government for help investigating the deaths. Local investigations had not been successful, and many Osage believed local law enforcement and government to be involved in their coverups, if not in the deaths themselves. Eventually, the US Bureau of Investigation (the precursor to the FBI) took the case, and although many of the murders were never prosecuted, several local figures including rancher William Hale (the basis for the character of John Hale) and a few other men were convicted of murder. In 1925, Congress changed the law to prevent white people from inheriting oil rights from the Osage, although they continued to manage land, leases, and money for members of the Osage Nation. In 2000, the Osage filed a suit against the Department of the Interior, alleging that it had mismanaged Osage assets. The suit was settled in 2008 for $380 million.

Authorial Context: Linda Hogan

Linda Hogan is an American writer of Chickasaw and white heritage. She is a widely published author of poetry, drama, short fiction, essays, and novels and was, at the time of writing, the Chickasaw Nation’s writer-in-residence. Mean Spirit, her first novel, was a finalist for the Pulitzer Prize in Fiction in 1991. Born in Denver, Colorado, in 1947, Hogan earned a BA from the University of Colorado-Colorado Springs and an MA from the University of Colorado at Boulder and worked as a professor of creative writing at the University of Colorado. Her awards include a Lannan Literary Award, the Plains Booksellers Spirit of the West Literary Achievement Award, a National Artist Fellowship from the Native Arts and Culture Foundation, the Colorado Book Award, the Oklahoma Book Award (for Mean Spirit), a Guggenheim Fellowship, and many others.

Her novels include the critically acclaimed People of the Whale (2008), Power (1998), and Solar Storms (1994). Among her poetry collections are Calling Myself Home (1978), Daughters, I Love You (1981), The Book of Medicines (1993)—which was a finalist for the National Book Critics Circle Award—Indios (2012), and Dark. Sweet: New and Selected Poems (2014). Her nonfiction books include Dwellings: A Spiritual History of the Living World (1995), The Woman Who Watches Over the World: A Native Memoir (2001), and The Sweet Breathing of Plants (2001).

Hogan is a dedicated environmentalist, and her writing often evidences that commitment. She advocates for the preservation of nature by showcasing its beauty and the deep interconnection of plants, animals, and their various landscapes. These themes are also evident in her poetry and fiction, and Mean Spirit in particular depicts the way that exploitation of people, land, and resources is interconnected: When the land is damaged, so too are its people and the resources they have used sustainably and in moderation for thousands of years.

Hogan is part of what scholars term the Native American Renaissance, a grouping of Indigenous authors and texts that burst onto the literary scene starting with N. Scott Momaday’s novel House Made of Dawn winning the Pulitzer Prize for Fiction in 1969. Momaday’s win marked the beginning of increased public interest in writings that detailed Indigenous history, culture, and identity from an Indigenous perspective. Although Hogan’s writings came after the first wave that followed Momaday, her work is steeped in a set of themes and stylistic markers that is associated with the Native American Renaissance, such as an interest in reconnecting with traditional Indigenous culture, the importance of the environment to Indigenous communities, and the damaging impact of colonization and settler belief systems on Indigenous nations.

blurred text
blurred text
blurred text
blurred text