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38 pages 1 hour read

Bessie Head

Maru

Fiction | Novel | Adult | Published in 1971

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Character Analysis

Maru

At the beginning of the novel, the reader knows only knows that Maru, a king among his people, has made a serious misjudgment that makes his people question his morals and his respected position. By marrying a Masarwa woman, he has lost the esteem of his people. He muses on the walk home:

Maybe life had presented him with too many, destinies, but he knew that he would accept them all and fulfill them. Who else had been born with such clear, sharp eyes that cut through all pretense and sham? Who else was a born leader of men, yet at the same time acted out his own, strange inner perceptions, independent of the praise or blame of men? (1)

Maru has complete control over the world he inhabits: only his best friend, Moleka, and his sister, Dikeledi, have enough authority to advise him. No one in the village has the power to change his mind or to influence his decisions. He stands alone—the king of his village and the next paramount chief. This isolation emphasizes his loneliness, though he rarely acknowledges it.

Similarly, Maru believes that he can change his peoples’ views on the Masarwa, and he marries Margaret Cadmore, a Masarwa, to prove that point. Though he wants to remove all the blood money and slaveholding from his inherited position, he realizes that it will take time for such changes to occur. However, in his pursuit of his own agenda and happiness, he destroys his relationship with his best friend, Moleka, and manipulates both his sister and Margaret. He essentially forces Margaret to marry him by humiliating her with Dikeledi’s marriage to Moleka.

Maru’s character, as depicted by Head, contains a myriad of contradictions: by turns he is not only manipulative, controlling, hateful, cruel, and sarcastic but also idealistic, gentle, and compassionate. His retirement to a small house far from any village emphasizes his desire to imprison Margaret, like a princess in a remote tower, because he does not trust the strength of her love for him. 

Margaret Cadmore—Orphan

A missionary and his wife Margaret Cadmore rescue and raise a baby found near the body of her dead mother on the side of the road. They name the baby Margaret Cadmore. The novel’s ostensible protagonist, Margaret’s thoughts and feelings center around survival rather than on being a strong and empowered woman. She falls in love with Moleka, a man she senses would never marry her because of her ethnicity, and endures without ever speaking of her love for him. She is not a striver for social change, nor is she a powerful personality.

Margaret, when living in Dilepe as a teacher, experiences a true love for Moleka:

There were half suns glowing on the horizons of her heart. It was Moleka. Now and then she would pass him in the village. She could quite clearly see that he made a secret of the matter but his eyes glowed like the early morning sunrise when he glanced at her briefly. The strange thing was that the love aroused no violent emotions but blended in with the flow and rhythm of life in Dilepe. It was something to be accepted, painlessly, because there was no question of who loved whom. She thought: ‘He will never approach me, because I am a Masarwa.’ And it was something her whole way of life had prepared her for. Love and happiness had always been a little bit far away from life as other people lived it. (69)

Margaret never quite achieves happiness, except inside herself. All of her relationships are broken by her love for Moleka; she loses Dikeledi’s friendship, and Maru treats her alternately with overwhelming love and respect or hatefulness.

Margaret Cadmore—Missionary

Margaret Cadmore, a woman of much energy and strict moral principles, takes the infant Margaret into her home as an “experiment,” because she believes that nature does nothing to shape a child while nurture is “everything” (8).

Head establishes the character of Margaret Cadmore as a crusader for social and racial justice:

It is preferable to change the world on the basis of love of mankind. But if that quality be too rare, then common sense seems the next best thing. Margaret Cadmore, the wife of the missionary, had the latter virtue in over-abundance. It made her timeless, as thought she could belong to any age or time, but always on the progressive side. It also made her abusive of the rest of mankind, because what is sensible is simpler than what is stupid. She had a temperament—high-strung, nervous, energetic—that made her live at the speed of a boat shooting over the rapids. (7)

Margaret Cadmore, senior, raises Margaret to embody her energy, common sense, and vigor for engaging the world. Margaret also receives an excellent education. For Margaret, senior, Margaret embodies an “experiment,” by raising a Masarwa who could improve the lives of her people. However, Margaret finds that she is powerless to affect change, and she is lucky that the village of Dilepe simply ignores her rather than trying to get rid of her or even to kill her. 

Moleka

A chief of a kingdom, Moleka acts as he pleases. His life-long, close relationship with Maru is destroyed when Margaret Cadmore comes to teach in Dilepe. Both men fall in love with Margaret, with Moleka instantly becoming a changed man in regards to his many casual love affairs. He analyzes his new feelings for Margaret, noting that “[w]ith the woman there were no distractions at all. He had communicated directly with her heart. It was that which was a new experience and which had so unbalanced him” (21). Additionally, he says that “[s]omething killed the old Moleka in a flash and out of one death arose, in a flash, a new Moleka” (21).

This change in Moleka does not make him a better person, however. He still professes to Maru that Maru will never get Margaret, and undermines his own love for Margaret by sleeping with Dikeledi and making her pregnant. Later, he makes Dikeledi suffer when he returns to his old ways of sleeping around both in Dilepe and his mother’s village. Through his own weakness, he robs himself of happiness, realizing that Dikeledi loves him completely while he has only chosen the “next best” woman in the world out of fear of Maru’s power (4).

This change in Moleka’s attitude and his striving to be a better, more honest and authentic person, brings about the ruination of his relationship with Maru.

Dikeledi

The daughter of a paramount chief and a crusader for social justice in her own right, Dikeledi forms a strong and immediate friendship with Margaret Cadmore. Margaret comments, upon meeting Dikeledi:

She was so startling and unexpected in her elegance that anyone could draw any number of conclusions about her and still be puzzled. The clothes were too bold, the skirt too tight, but the feel of her was like a cool, lonely breeze, the kind that calms the tense, stifled air of a summer afternoon. She had a way of looking at people with one quick wide stare, then immediately looking into a far-off distance as though she did not particularly want anything from life or people. (14)

Dikeledi idolizes her brother Maru. She has no idea about his schemes and plans, even those that threaten her happiness or the happiness of the people she cares about, particularly Margaret Cadmore and Moleka.

As a champion of social justice, she takes several slaves from her father’s house and pays them a wage for the work they do in her household. She treats them like fellow human beings, not slaves. She is not like the other royalty in her family or the other ruling families: she has degree in childhood education, and she works as a teacher. Though many members of the ruling families have earned college degrees for the prestige it brings them, they do not work. Instead, they live off the profits from cattle ranches or farms tended by Masarwa slaves.

In the end, Dikeledi marries Moleka, but she discovers that he does not love her as she loves him. During the novel, Dikeledi and Margaret are very close friends, but neither one knows that they both are in love with Moleka.

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