57 pages • 1 hour read
Marsha Forchuk SkrypuchA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Lida knows she cannot leave without Larissa. Lida sees Luka off. They wait for the Red Army truck to collect Luka and three older men. Pani Zemluk is surprised to see Lida there. Luka asks Lida to join him, but Pani Zemluk counsels her not to. Lida refuses Luka. He hopes she stays safe, writes, and that she and Larissa join him later. The cheerful, nonthreatening Red Army officer makes Lida wonder if she is wrong not to go. He asks who Lida is, but Pani Zemluk interrupts Lida before she can answer. The Red Army officer suddenly looks angry, and Lida sees he is a bully. Lida asks Luka to stay, but he departs. Pani Zemluk tells Lida never to give her identity to the Soviets. Lida protests that the messages on the stone wall list peoples’ names and home countries, but Pani Zemluk knows the Soviets read those messages.
Lida prays for Luka and Larissa’s safety. At breakfast one day, Lida is surprised when a blonde girl calls her name: It is Natalia. Lida is thrilled to see her. Natalia is searching refugee camps for her family. She, Kataryna, and Zenia hid in the woods after they escaped. Kataryna was killed by a land mine, but Zenia and Natalia were rescued by the British. Zenia is happy in a Jewish refugee camp. Lida shares the news about Luka returning to his father in Kyiv. Natalia hopes the Soviets told him the truth.
Reading the plethora of messages on the wall, Natalia and Lida wonder how so many refugees will find their loved ones. If Natalia does not find her family, and even if she does, she will immigrate to Canada or the United States. She refuses to return to Lviv and live under Stalin. Lida is confused, because Pani Zemluk told her to say she was from Lviv. Natalia explains that people from prewar Poland could leave, but people from prewar Soviet Ukraine must return to their country. Lida dreams of happy times with her family and the lilac tree.
Shouting in the night draws Lida to the front gate where she finds Pani Zemluk holding a bloody, unconscious Luka. Pani Zemluk cleans his scalp wound. Luka wakes, sobbing uncontrollably. The Soviets deceived and trapped him. Sympathetic at first, as soon as they were out of sight of the Americans, the Red Army soldiers beat Luka and stole his goods. They called him a Nazi and were sending him to a Siberian concentration camp. His father was long dead. The soldiers shot some men and loaded Luka and others into a train car. They escaped by pulling up a floorboard and dropping under the train. Luka slipped past the drunken Soviet police at the border to the American side. Lida recognizes that Luka lost his family, his country, and his hope. She vows not to leave him. Luka is fearful the Soviets will return for him. Pani assures him they are safe and will get him to a new camp.
Lida and Luka know the Soviets will return for Luka, and probably Lida too. They leave the refugee camp and join crowds of other refugees walking from camp to camp, searching for loved ones, reading messages on camp walls, and listening to news about the Soviets’ actions. They do not give information about themselves, and do not register at any one camp. Lida finds a message that might be from Luka’s mother, but Luka knows the details are wrong. He crumples the message in despair, but Lida restores it to its place on the wall, remonstrating that it represents “someone’s loved one” (221).
They meet a Czech lady with two children: one dark haired and young, one blonde, fair, and slightly older. Lida soothes the restless older boy with a lullaby. She notices a mark on his arm: a tattoo signifying that the boy was “stolen” from his family and placed in a German family. The tattoo ensures that the children can never fully pass as German. When the war ended, German families abandoned these adopted children. The Czech woman rescued this child from a roadside. Lida is horrified the same thing might have happened to Larissa. Luka and Lida keep walking through the fall of 1945, and until they learn that neither the British nor the Americans are sending refugees back to the Soviet Union.
Now that they are safe from Soviet repatriation, Lida and Luka settle in a refugee camp in Germany with a large Ukrainian population. They lie and say they are from Lviv. From 1946-1947 the camp is home: Lida and Luka have no family, no one to sponsor their immigration to another country, and nowhere to go. They are now “displaced persons” or DPs. Lida earns food by using her sewing skills to fashion new clothes for refugees out of Soviet and Nazi uniforms. Luka becomes a pharmacist’s apprentice. The camp acquires a feeling of permanence, like a little city. Lida watches the mail every day, hoping for word from Larissa. In town, she searches faces for Larissa. Lida wonders what the Germans, who are friendly and have little food of their own, think about her and the other refugees. She remembers how they viewed her as enslaved, and it makes her uneasy. Lida finally tells a Red Cross helper that she suspects Larissa was placed with a Nazi family. The woman tells Lida it will be hard to find Larissa if she no longer remembers her life before the war, but they will try.
Years later, Lida and Luka are still in the displaced persons’ camp. Lida has her own room and shares a kitchen and bathroom with a few others. She sews all day. After work, she sits by a lilac bush, and its scent reminds her of Larissa and her family. Lida is sure Larissa is alive somewhere but wonders if she should try and forget her after all these years, since the Red Cross has been unable to find her.
Luka brings Lida a letter. She speculates it is from Zenia, who is now in Israel, or Natalia in Canada. The letter is from an unfamiliar address in Brantford, Canada. Lida opens it to find: a sprig of lilac, a photograph of Larissa with a dark-haired couple who are not the Nazis that Lida saw after the bombing, and a letter. Larissa writes that she has been searching for Lida and thought she saw her outside the burning factory, but the Nazi family kept her from going to Lida. Larissa lives in Canada with her adoptive parents, Marusia and Ivan Kravchuk. Her name is now Nadia. She is safe and her new parents love her. She misses Lida and longs to be with her again. Larissa’s new parents will sponsor Lida if she wants to immigrate to Canada: Larissa hopes that she will. Lida is overjoyed that Larissa found her. Luka is happy for Lida, but worried until Lida says that Luka will immigrate with her.
Although Lida and Luka suffer setbacks and disappointments, Lida’s hopes and dreams are finally realized. Skrypuch’s themes of finding humanity within the inhumanity of war, the sustaining power of relationships, and individual courage, come to fruition. Skrypuch’s final Author’s Note adds historical detail to the narrative and explains its inspiration.
The Nazi threat ends with the war, but Luka and Lida now face persecution from the Soviets. The Soviet policy of forced repatriation for citizens from Soviet Ukraine reveals the same stamp of intolerance and inhumanity demonstrated by the Nazis. The Soviets deceive Luka to capture him, even using food to lull him into a sense of security, much like the Nazi woman used candy to gain information from Lida. The Soviet offer of kolbassa and cheese falsely signals compassion and safety to Luka—the opposite of what he experienced at the hands of the Nazis.
The Soviets, like the Nazis, look on the Ukrainian refugees, whether they were enslaved or POWs, as inferiors—and traitors. In her Author’s Note, Skrypuch writes that what happened to Luka was historically typical of most Eastern Workers’ postwar experiences: “Stalin considered anyone who was captured by the Nazis to be a Nazi” (ii). Much as the Nazis deny the Ukrainians’ separate nationality and call them Russians, the Soviets, ironically, reject them for not being Russian. Ukrainians are again the victims of prejudice. To protect their safety, Lida and Luka are forced for years to disavow their true heritage and must accept the bitter reality that they can never return to their homeland. This is a blow to both Lida and Luka because their home is tied to their family and culture. For Lida, it is the locus of the happy family memories that she hoped to recapture with Larissa. The thought of “going home” is a large part of the hopes and dreams that have sustained Lida throughout the war. For Luka, it is where he hoped to reunite with his father.
Family dissolution is one of the most egregious acts of inhumanity perpetrated by both the Nazis and the Soviets. Larissa and other young children were adopted into Nazi families but were never fully accepted. Their tattoos ensured that they would never be viewed as “true” Germans. Once the war ended, the children were rejected and their records punitively destroyed.
Family reunification is one of the primary goals driving the refugees. Survivors doggedly post and read messages searching for word of loved ones. Their unquenchable hope of restoring their family and finding their loved ones contrasts with the Nazis’ and Soviets’ acts of separation. Lida refuses to give up on finding Larissa, despite the passage of time and disappointing lack of progress. Lida’s own strength of belief again reflects her personal courage.
Skrypuch continues to show how small acts of compassion defy systemic cruelty. The Czech woman rescues the abandoned boy despite her own hardships. Everywhere, refugees show their resilience, even appropriating their oppressors’ uniforms to mend their own clothes. They reveal solidarity, helping one another in the camps and creating stability. Similarly, the friendships that Lida forged in hardship continue to sustain her. Judging by other letters Lida references, she remains lifelong friends with Zenia and Natalia. Lida vows she will always stay with Luka, who is also alone in the world. Lida’s faith that she will reunite with Larissa is rewarded when Larissa reaches out to her—showing that Larissa remembers and shares their loving family bond. Lida is rich with love, from her family and the family of her heart.
Action & Adventure
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Family
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Friendship
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Good & Evil
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World War II
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