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51 pages 1 hour read

Lisa Yee

Maizy Chen's Last Chance

Fiction | Novel | Middle Grade | Published in 2022

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Character Analysis

Maizy Chen

Maizy Chen is the novel’s protagonist and narrator. She is a 12-year-old girl who travels to Last Chance from Los Angeles to visit her grandparents. Maizy is a round and dynamic character in that she evolves as she learns about her heritage.

As a Chinese American girl, Maizy struggles with feeling out of place in Last Chance, where she navigates racism against both her family broadly and her specifically. For example, when a group of white girls bullies her by pulling on the corners of their eyes, Maizy leaves in humiliation, wondering why she is “the one who feels embarrassed” (30). This thought and her subsequent silence introduce Maizy’s main internal conflict—her inability to use her voice and recognize her self-worth. Opa helps Maizy overcome this personal weakness by telling her Lucky’s stories to help her understand that she comes from a long line of people who have overcome hardships. As Maizy’s connection to her heritage and culture deepens, she begins to use her voice indirectly through her modified fortune cookies, which allow her to express feelings she does not have the courage to say to the person’s face.

As Maizy’s sense of self-worth grows, so does her confidence in speaking her thoughts aloud. She first successfully confronts the girls who bully her in the soda fountain after Riley reminds her that she is capable of standing up for herself. She later confronts Lady Macbeth about her attitude and Principal Holmes about his relationship with her mother. When both of these confrontations go differently that Maizy expects them to, she learns the importance of not making assumptions about people or unsupported accusations. These prepare her for her discovery of Mayor Whitlock’s involvement in the hate crime, which she makes sure to corroborate before acting upon. Maizy’s transformation of self-worth is complete when she blocks Mayor Whitlock from speaking at Opa’s funeral. Maizy uses her voice with authority because she knows from Lucky’s stories that friendly racists are dangerous, and she feels able to protect her family from Mayor Whitlock. In this instance, Maizy embarrassment is replaced with empowerment because she knows her self-worth and the worth of her family.

Opa

Opa is Maizy’s grandfather and mentor figure. He is a static and round character. Opa’s sickness worsens over the narrative, eventually leading to his death, but he hates the way that his family treats him as if he is already gone. Though he deflects comments about his health with humor, his frustration is telling: He wants to make the most of the time he has by telling Maizy about Lucky. His looming death is a reminder of how storytelling can preserve a person’s history and legacy.

Opa teaches Maizy about the three major themes of the novel: The Importance of Familial Bonds, Connection Between Generations, and The Threat of Racism and Xenophobia. Opa lived through the discrimination that Asian Americans faced in World War II; he remembers wearing a note to school that read, “I am Chinese American” (222). Moreover, his knowledge of Lucky’s story leads him to feel strongly about issues on immigration: In response to people protesting immigration, he tells Maizy that “there’s still lots of work to be done” (76), implying that she has a role to play in addressing it. It is to prepare Maizy for this and to bolster her confidence in her own identity that Opa tells her about Lucky’s experiences with racism. Although Opa does not dismiss the pain of the racism Maizy experiences, he shows her the importance of focusing on the strength of community and family. At the end of the novel, Opa reminds Maizy about the connection between Lucky and the paper sons, which he says is Maizy herself. This signifies the importance of younger generations working to connect future generations to older ones. Opa dies confident that his granddaughter will keep his memory, and the memory of previous generations, alive.

Oma

Oma is Maizy’s grandmother and a round and dynamic character. Although Oma and Charlotte’s relationship creates tension throughout the narrative, Maizy learns that Oma’s main desire is for her daughter to be truly happy. Oma, however, does not know how to communicate this desire to Charlotte, instead choosing to criticize Charlotte’s career choice as a food stylist, which Oma does not understand. When Oma finally speaks her mind to Charlotte, she tells her that she did not originally recognize her daughter’s fearlessness and that she understands that Charlotte’s path looks different than her own. Their relationship illustrates the importance of balancing tradition against change. While the novel suggests that it is important to remain connected to one’s past, it is also important to embrace new opportunities afforded to previously marginalized groups (e.g., women); doing so can even honor one’s past by building on the sacrifices of those who came before.

The significance of personal sacrifice and helping others is in fact one of the lessons Oma teaches Maizy. When Maizy learns about the paper sons and how Lucky and Lulu helped them at the Golden Palace even though it was illegal, Oma tells Maizy, “Not everything illegal is wrong” (97). Oma believes that helping people is an honor because “when you’re in a position to help, that means you’re in a good place in your own life” (97). Although Oma appears tough, Maizy therefore learns that her rough exterior hides a gentle interior; for example, Maizy catches Oma sneaking extra tip money into Daisy’s tip jar when no one is watching and in defiance of the restaurant’s own financial struggles. This selflessness comes at Oma’s expense: Oma gave up her dream of pursuing a career as a math teacher to marry Opa, and their dream honeymoon in Hawaii to begin running Golden Palace with him. Nevertheless, Oma’s character arc sees her realizing some dreams by the novel’s end when she takes a trip to Hawaii and plans to move to Los Angeles.

Lucky Chen

Lucky Chen is Maizy’s great-great-grandfather; he only appears in the novel through Opa’s stories. Lucky represents the strength and perseverance of thousands of Chinese immigrants who came to America hoping to find a better life.

Lucky’s stories show the reality of what Chinese immigrants faced in America. Working on the railroad with thousands of other immigrants, he does not receive fair pay even as he faces violence or death every day at work. Lucky experiences trauma when his friend Li Wei is killed in an explosion after the supervisor chooses Li Wei to take dynamite down the cliffside. The fact that the foreman chooses Chinese immigrants to do such a dangerous, life-threatening job shows how American society dehumanized Chinese immigrants and treated them as disposable. Lucky experiences more racial discrimination from Jenkins, police officers, and the gang of white men outside of the Phillips Mansion. Although Lucky does not leave the Phillips Mansion by choice, Last Chance turns out to benefit him because he meets Happy there. Furthermore, Last Chance welcomes Lucky and protects him from the overt racism of travelers who come to the town. The alternating isolation and acceptance that inform Lucky’s stories show Maizy what a rich history her ancestors had. Although discrimination and racism never truly go away, Lucky chooses to make the most of his life in Last Chance by staying close to the people who accept and uplift him. At the end of his life, despite the suffering he faced, Lucky feels grateful to his family and friends and tells everyone around him that his “home is here in Last Chance, Minnesota” (224). His character demonstrates the importance of acceptance in a community and of extending that acceptance to others—e.g., the paper sons whom he helps establish themselves in America.

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