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50 pages 1 hour read

Jenna Evans Welch

Love & Gelato

Fiction | Novel | YA | Published in 2016

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Character Analysis

Carolina (“Lina”) Emerson

Welch’s protagonist and narrator begins her story full of emotional turmoil and grief. “I feel like I’m in shock,” says 16-year-old Lina Emerson in the Prologue. Her mother is dying. At the age that often marks the transition from childhood into adulthood, Lina, the only child of a loving and supportive single mom, faces the most difficult challenge such a child can face: the loss of that parent. In a single moment, a single visit to the doctor, Lina understands how little she really knows for sure, how everything about herself and her world that she assumed to be true is not reliable. As a social misfit, Lina’s closest friend and confidant is her mother, whom she never dreamed would not be there. Now, she’s in shock.

In her relationship with Ren, her confrontation with her biological father, her reading of her mother’s journal, and ultimately her discovery of the genuine, fatherly love of Howard Mercer, Lina comes to an entirely new perception of who she is. Her Journey to Self-Discovery follows her recovery from that initial state of shock to a self-assurance grounded in love and hope. As the first-person narrator, she (along with the reader) discovers her courage and her capacity for passion, qualities she never guessed she had growing up in Seattle. It takes the sweeping magic and romance that Tuscany evokes to get Lina to tap into her sense of wonder and enchantment and open herself up to the possibility of genuine love. In reading her mother’s journal, Lina not only learns her mother had dimensions she never knew about but also learns that she is similarly complex. What she reclaims in her odyssey to Italy is not only a loving father figure she can lean on or a supportive boyfriend she can love but also what her mother’s too-early death denied her so absolutely: the joyful anticipation of tomorrow.

Lorenzo (“Ren”) Ferrara

Ren is a handsome Italian American attending the American International School of Florence. When Lina first meets him at the soccer field, she’s attracted to Ren’s athletic build and his casual toss of his wavy hair, his deep-set almond eyes, and his dazzling smile. However, what Lina comes to love about Ren is not his good looks, but rather his empathy, kindness, determination, and sense of fun. In replaying her own mother’s choice between the man for whom she feels strong physical attraction (Thomas Heath) and the loving man she needs (Ren), Lina ultimately makes the right choice: depth over surface.

In sharing in Lina’s grief over her mother’s death and later in sharing the intimate revelations of her mother’s journal, Ren reveals an unsuspected depth of caring and support that has nothing to do with physical attraction—demonstrating The Difference Between Love and Passion. Ren loves Lina enough to break off the on-again-off-again relationship with the selfish and materialistic Mimi. Ren senses the genuineness of Lina’s character from the moment they meet. When he momentarily cups her hand when he gives her his phone number, Lina feels a “teeny butterfly” that tells her Ren is something special (79). His willingness to drop everything and take her on the trip to Rome to meet her biological father reveals that he understands what tracing her roots means to Lina. He respects her love for her mother and the depth of her grief and loss, intuiting how lonely Lina feels and how terrifying her world has suddenly become. Welch positions Ren as the right fit for Lina in the same way that Howard was the right fit for her mother. In choosing Ren, Lina finds love for herself and a kind of redemption for her mother.

Howard Mercer

Howard Mercer used to be a history professor and is now a cemetery caretaker. Seventeen years after meeting the only woman he ever loved, Howard, a student of history, understands what it means at last to meet Lina, the daughter he never knew Hadley had.

For most of her summer in Florence, Lina pities Howard. She’s initially disappointed in him as her father. He seems strange, living alone for decades far from his rural South Carolina roots, tending the ghosts at a national war cemetery, and listening to his oldies music collection. An expatriate American in a country whose language he has never learned, with his mild demeanor and his corny humor, he seems somehow out of place and sad—and now, Lina fears, she must tell him he is not her father, which she is sure will crush whatever spirit is left in him.

As Lina reads Hadley’s account of her decision to abandon Howard, she sees a parallel to her own attraction to Thomas. Howard offers virtues that are not necessarily flashy: unconditional support, empathy, and unwavering loyalty. His unrequited love for Hadley alters his life. He understands the devastation Hadley feels in Matteo’s rejection. Knowing that Lina is not his biological daughter, he offers his home, his support, and his love to Lina, content to make good on his love for Hadley by taking care of her daughter. During a summer of tectonic revelations, nothing upends Lina’s perception of love more than Howard’s revelation that he knew all along that Lina could not be his biological daughter and yet extended to her the warmest of welcomes and showed her kindness. Howard offers first Hadley and then Lina a love that is sturdier than the incendiary impulses of passion.

Hadley Emerson

In Welch’s novel, Hadley Emerson is, at first, a presence only through her absence. After a brief appearance in the Prologue where she shares with her daughter the reality of her approaching death, Hadley comes to the reader through the intimacy and immediacy of her journal entries. Those entries reveal a woman of indominable courage who passes on a nursing career to pursue her dream of becoming an artist. During her year in Florence, Hadley discovers the extraordinary in the ordinary: sunrises, the shadowy figures of men working the docks along the Arno, the sweet delight of pastries, and the reassuring company of a good friend.

An accomplished photographer with a keen eye for the generous and unsuspected beauty of the world all around her, Hadley becomes infatuated with her professor, Matteo Rossi. Although her catastrophic relationship with Matteo is deeply painful, the strength of Hadley’s character is revealed in the Sharpie-scrawled note she leaves her daughter (and Howard) on the inside cover of her journal: “I made the wrong choice” (92). With her own death approaching, she wants to teach her daughter what she learned too late: It’s better to choose love than to learn to live without it. Accepting that leaving Florence and Howard was the only way to protect her unborn child from Matteo, Hadley threw herself into raising her daughter, learning to live with her unexpressed feelings for Howard. In sending the journal to Florence ahead of Lina, Hadley helps her daughter to learn from Hadley’s own experiences and gives Lina a chance at the happiness she denied herself.

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