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Anthony HechtA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Lot’s wife’s story begins in the book of Genesis, where Lot flees Egypt with Abram and Sarai (who later become Abraham and Sarah). It’s unclear whether Lot’s wife flees Egypt with the trio or meets and marries Lot later in her birthplace of Sodom. Lot, who is Abram’s nephew, eventually parts with his uncle and settles down in Sodom, despite knowing the city’s bad reputation. He lives there with his wife, two daughters, and his sons-in-law, amassing great wealth. The city’s reputation as a wicked enclave existed far before Lot’s arrival. The constant news of Sodom’s wickedness is so great that it draws God’s attention. God decides to destroy Sodom and Gomorrah if there aren’t at least 10 worthy men in the cities.
One day, two angels in the guise of men arrive at Sodom’s gates. Lot greets them and offers hospitality, and the angels finally accept. It’s traditionally believed that Lot’s male neighbors surround Lot’s house and demand to have sex with the disguised angels. Lot tries offering his virgin daughters to the mob instead, to no avail. The angels, realizing there aren’t at least 10 worthy men, blind the men outside and tell Lot that God will soon destroy the cities for wickedness.
The angels allow Lot and his family to flee on one condition: They can’t look back while doing so. Lot’s sons scoff at this announcement and remain in the city, so Lot flees with his wife and daughters. His wife looks back and turns into a pillar of salt. Later, Lot becomes so drunk that he has sex with both of his daughters without realizing it (they hatch the plan to ensure his lineage continues, thus ushering in the Moabite and Ammonite tribes).
Religious texts don’t confirm the reason Lot’s wife looks back. Her narrative arc is but one verse: “But Lot’s wife, from behind him, looked back, and she became a pillar of salt” (New American Standard Bible. Gen. 19.26). Did Lot’s wife look back to ensure her daughters were following? Was she checking to see what the devastation entailed? Was it just a routine human reaction, an impulse, despite the heavenly warning? The Bible depicts her sin as one of disobedience tied to materialism and earthly attachment. She disobeys God by looking back because the memory of what Hecht calls “exquisite satisfactions” (Line 2) is just too great. Hecht, however, paints a different picture by calling his poem “Lot’s Wife.” As an exercise in recollection, Hecht’s poem asks who really displayed morality in the poem: The woman who held allegiance to her loved ones and homeland and so looked back, or the God who destroyed this woman for exhibiting a human impulse created by Him?
Lot’s wife has no name in the Bible, and the Quranic telling of Lut (Lot) doesn’t mention her by name. There are Jewish accounts of Lot’s story that call her Edith or Ado, while the Shalvi/Hyman Encyclopedia of Jewish Women lists her as a jealous woman known as Idit. In this version, she procures salt from her neighbors to offer the angels, but she scoffs at playing host. She lets slip that the guests are in Lot’s house, resulting in the events that follow (Kadari, Tamar. “Lot’s Wife: Midrash and Aggadah.” Shalvi/Hyman Encyclopedia of Jewish Women. 31 Dec. 1999. Jewish Women’s Archive). Hecht’s poem works as an inverse to the nameless wife/woman trope: Hecht names his poem “Lot’s Wife,” thus placing emphasis on the subject matter surrounding Lot’s wife, yet he doesn’t mention her in the text itself. Conversely, most religious texts refer to Lot’s wife’s story but don’t name her or place any great significance on her. She’s known as a minor Bible character. Most accounts focus instead on Lot (the male) and the destruction of Sodom and Gomorrah (the sin).
C. S. Lewis, the author of The Chronicles of Narnia and a notable Christian apologist, wrote in Reflections on the Psalms (1958) that “there is a sense in which the Bible, since it is after all literature, cannot properly be read except as literature; and the different parts of it as the different sorts of literature they are.” The story surrounding Lot’s wife is often eclipsed by the larger story about Lot, the destroyed towns of Sodom and Gomorrah, and whether sex between men explains God’s reasoning for destroying the so-called “wicked” cities.
Countless artists, including painters, writers, and directors, approach the story surrounding Lot’s wife in the same vein of literary reflection suggested by C. S. Lewis, albeit without the theological slant. Common lessons range from casting Lot’s wife as a fallen, rebellious woman to a mortal pawn of an immortal God (a role similar to that of Judas) to an enlightened, independent woman who defies patriarchal expectations of her role by actively looking back.
What these stories all have in common is that they add to the larger lexicon of artwork (re)imagining Lot’s wife and the reasons behind her actions. The Bible itself depicts Lot’s wife’s sin as one of defiance and materialism. Lot’s wife is a cautionary tale in the Bible about going against God’s commands. Secular stories champion Lot’s wife’s actions as revolutionary, romantic, and routine.
In “Lot’s Wife,” Hecht depicts Lot’s wife’s reason for looking back as something human and elemental; happy memories cause her to look back at the place from which those memories came. Hecht underscores this view by adding in Proust, whose notable work In Search of Lost Time addresses recollection. Hecht’s poem reads as if Lot’s wife is recalling the familiar, nostalgic ties to her native Sodom in the first 13 lines. The question ending the poem therefore becomes Lot’s wife’s clarion call: How could she not look back, when everything she knows is tied to a place being destroyed? Hecht’s poem queries morality: Lot’s wife looks back and, in doing so, defines what it means to be a human being with a moral compass.
Other poets, including Anna Akhmatova and Wisława Szymborska, use Lot’s wife’s story in archetypal fashion. Lot’s wife becomes the brave woman who dared to look back, the woman who embraces what it means to be human by doing a very human thing: recollecting, literally going a different way (looking back instead of forward) and choosing to disobey despite patriarchal commands to the contrary.