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The love between Marius and Cosette blossoms like flowers in spring. He visits her every evening. Unknown to the young couple, Thénardier and his gang are lurking outside the house. When they plan to attack the house, Eponine intervenes and threatens to alert the police. She insists that she is not scared of her father, who relents and skulks away. Cosette and Marius's dreamlike happiness is broken when Valjean announces that he plans to go to England with Cosette. Marius is jolted back to reality "with a vengeance" (736).
Marius believes that the only way to remain with the woman he loves is to marry her. Despite their differences, he visits his grandfather to beg for permission to marry Cosette. Monsieur Gillenormand is willing to listen to his grandson, but his pride leads him to treat Marius coldly. They talk, neither able to truly state his affection for the other. Maris finally asks for his grandfather's permission to marry Cosette. However, Monsieur Gillenormand is not convinced by Marius's plan. He suggests that Marius should make Cosette his mistress, rather than his wife. This infuriates Marius. He criticizes his grandfather for the insult to Cosette and leaves.
Valjean is increasingly concerned about the political unrest in Paris. Worried that their house is already under surveillance, he wants to leave in a week. On his daily walks around the neighborhood, Valjean is convinced that he has seen Thénardier lurking in the shadows. Valjean is correct. Thénardier is planning another attack against Valjean. However, Eponine has thus far managed to delay her father's plan for revenge. The social unrest and growing calls for revolution have turned Paris into a powder keg waiting to explode.
In "immense despair" (749), Marius wants to see Cosette. After leaving his grandfather's house, he visits the home in Saint-Germain, but the house is empty: Valjean and Cosette have moved once again. This revelation adds to Marius’s heartbreak. However, there is no time for Marius to dwell on his feelings. He hears a strange, whispering voice tell him that his friends have started their revolution and that he should join them. Marius rushes to find his friends who have begun assembling barricades on the narrow Parisian streets. Meanwhile, Pere Mabeuf, the former church warden, slips deeper and deeper into poverty.
Paris is about to explode. The narrator discusses the city's long, storied history of riots which have "a beauty of their own" (755). Paris is suffering from a terrible epidemic of cholera, and the mood in the city is intense. People are unhappy with the government, and even the slightest provocation could spark another revolution. This spark ignites on June 5, 1832. On this day, a man named General Lamarque is being buried. He was a popular figure who served with distinction as a commander in the Napoleonic Wars and later became an outspoken critic of both the Bourbon Restoration and Louis Philippe’s constitutional monarchy. Lamarque was famous for defending ideals such as liberty and supporting the downtrodden people of France. The authorities are well aware of the general's popular status. They worry that his funeral may be the catalyst for public unrest. The monarchy orders soldiers to be deployed throughout the city to establish control of the streets. However, a burst of gunfire at Austerlitz Bridge is enough to light the spark, and "the rumor of war flies to every part of Paris" (763). The revolution begins, the people rise up, and barricades are built in the streets to establish control of the city amid the "tremendous blaze of the riot" (768).
Gavroche takes to the streets, singing and carrying his broken pistol. The Friends of the ABC are one of the first groups to heed the call of the revolution. They arm themselves and rush to the streets, keen to face down the soldiers deployed by the monarchy. Gavroche is part of the swell of people marching through the street. The mob grows and grows, to the point where elderly men like Mabeuf are joining their ranks. The men in the crowd tell Mabeuf to go home, but he refuses. He wants to be a part of the revolution as do many others, and the group keeps growing.
The students erect a barricade at the Corinthe, a wine shop which is one of their favorite places to meet. They eat, drink, and talk inside. Everyone helps build the barricade, including Gavroche. The people use furniture, household items, and anything else which can help block the street and deny access to the monarchy's soldiers. People like Gavroche defend the barricades fiercely, though he tries and fails to convince his comrades to give him a gun to replace his own broken pistol. When the barricade is built, the revolutionaries wait for the attack from the soldiers with "solemn gravity" (793). They look around at one another in anticipation of what is to come. Gavroche realizes that an unknown man has joined them. He recognizes the stranger as Javert, the police inspector. Gavroche accuses Javert of spying for the monarchy. Javert is seized and tied up. Some of the revolutionaries are drunk, and in the confusion one of them fires a gun and hits a local man. Enjolras, furious, executes the shooter immediately. He then delivers an inspirational speech to the people behind the barricade about his regret for the executed man and his hope for the revolution, after which "all will be concord, harmony, light, joy and life" (801). Courfeyrac spots a familiar face among the crowd. The unknown person is a "slip of a young man" (801) who came earlier to the house and inquired after Marius.
Marius is overwhelmed by his emotions. Without Cosette, his only desire is "to make a speedy end of it all" (802). After the apparent loss of Cosette and the wild thrill of the revolution, he is stricken with pain and excitement in equal measure. He decides that he is ready to die. He walks through the streets of Paris, comparing the riot to a civil war. Taking the two pistols given to him by Javert, he marches through Paris to find his friends. Caught in his "dismal tumult of thought" (809), he feels as though he is already dead.
The soldiers attack the barricade with a blast of gunfire. They hit the revolutionaries' flag, knocking it down. Mabeuf clambers up the barricade to re-raise the flag, calling out in the name of "the Republic! Fraternity! Equality! And Death!" (812). The soldiers take aim and shoot Mabeuf dead. The soldiers attack. They try to break down the barricade, but their attempts are thwarted. Marius arrives just in time. He saves Gavroche and Courfeyrac from certain death.
Just as a French soldier is about to fire on Marius, a young man steps between them and takes the bullet intended for Marius. Grabbing a keg of explosive powder, Marius climbs up the barricade and threatens to blow it up unless the soldiers retreat. His plan works. The soldiers back off.
Behind the barricade, the students count their dead and sentence Javert to death for espionage. Although they believe he should be executed, they decide to keep him alive for now, so as not to waste their gunpowder. They may be able to exchange him for a certain captured revolutionary comrade. However, they soon hear the man in question executed by the soldiers. Enjolras hatches a plan: They will execute Javert last, deciding that ten minutes before the fall of the barricade is the ideal moment.
Marius checks the rear of the barricade. He is all alone when he hears "the voice that had called to him" (817) earlier in the day, urging him to go to the barricade. The voice belongs to the same individual who took a bullet for him earlier. Marius now realizes that the individual is Eponine, who disguised herself as a young man. She tells him that she is dying from the gunshot wound. She hands him a letter, written by Cosette. Eponine dies. Marius kisses Eponine on the forehead and then reads the letter. In it, Cosette tells him where she will be before departing for England. Marius is filled with energy. He grabs the nearest piece of paper and writes a final farewell to Cosette. He believes that he will never see her again, as he will surely die on the barricades. He bids farewell to the woman he loves. He writes a second letter, telling whoever finds his body to take him to his grandfather. Marius hands the letter to Gavroche and asks him to deliver it to Cosette immediately.
Valjean is eager to leave for England so that he and Cosette can resume their happy life. He spots the "distinctly legible" (825) impression of Cosette's letter on her blotter. The idea that Cosette is in love with Marius shocks Valjean, and he feels as though "all the light in his life had gone" (827). Realizing the depth of his desolation, Valjean dons his guard's uniform and heads out into the streets.
Gavroche tries to deliver Marius's letter to Cosette. He runs through the chaotic streets of Paris toward the address given to him by Marius. However, he is intercepted by Valjean who takes the letter from Gavroche and promises to see that she receives it. Valjean asks Gavroche about the barricade, but the young boy does not answer before scrambling off into the dark.
Valjean returns to his house and reads Marius's letter. Initially, Valjean is relieved that Marius is "going to die for sure" (832), and that he will no longer need to worry about a young man taking Cosette away from him. However, Valjean cannot think this was for long. He decides that he must help Marius and the revolutionaries. Dressed in his National Guard uniform, he takes to the streets to do what he can. Gavroche returns to the barricade, loudly reciting inflammatory poetry and stealing a hand cart to add to the defenses. When a police sergeant tries to stop him, he causes chaos and runs away via a roundabout route.
Marius believes that he has lost Cosette forever. Without her, he is plunged into another identity crisis. Her absence creates an enormous vacuum in his life, and the energy and effort he dedicated to loving her now has no outlet. As such, Marius scrambles around for a new identity and a new way to give his life purpose. In a pique of despair, he seizes on the imminent uprising as the most obvious solution. He rushes to the barricades and immediately creates a new identity for himself as a revolutionary figure. The meek, naïve young man grabs hold of this new identity with relish, and he is seen clambering over the barricades with the keg of explosive powder, threatening to destroy himself and everyone else in the vicinity if the soldiers do not retreat. This behavior is a far cry from the Marius who was first introduced to the audience, but his character and his desperation have only grown since then. Even if this identity ends in disaster, Marius realizes that he is likely to be killed, meaning that he will have a permanent—if unsatisfying—resolution to his search for a place in society. Even after he receives Cosette's letter and learns the truth about why she is absent from his life, he cannot abandon his revolutionary identity so easily. He commits totally to his new identity and writes to her, explaining that he is now wedded to his new role and—more importantly—the glorious death which he seems sure will await him.
Marius's expectations of glory are not matched by the reality of the revolution. The revolution is barely even deserving of the name; a few barricades are set up in Paris, but—a few streets away—life barely pauses to take notice of the small-scale unrest which is limited to certain communities. The revolution is doomed to fail, and Marius and his fellow revolutionaries will be relegated to the footnotes of history—of, they would have been, had Hugo not immortalized the story of the June Rebellion. The revolutionaries are portrayed as compromised and imperfect figures. Some abandon hope and turn to alcohol. Another executes a defenseless prisoner. Others bicker back and forth, wasting time while the soldiers wheel a cannon into position. For all of Enjolras's efforts to band the revolutionaries to the idea of a glorious uprising, he cannot contend with the nuances of human behavior. Not everyone is alike, and not everyone is inspired. Instead, the reality of the revolution is much like life itself for the poor people of Paris: violence, bloodshed, arguments, and a death which is likely to be forgotten.
At the end of Part 4, Valjean finds himself caught in another moment of personal turmoil. He plans to flee the country with Cosette, in part because he is worried that Thénardier is planning an attack, but also because he selfishly wants to keep Cosette to himself. He sees Marius as a threat to Valjean’s happiness, even if Marius is the key to Cosette's happiness. When he intercepts the letter between Cosette and Marius, Valjean learns that Marius is likely to die on the barricade. This presents Valjean with a neat solution to his problem: Marius is removed from Cosette's life through no fault of Valjean’s, allowing him and Cosette to escape to England without her blaming him for separating her from her lover. The situation parallels the earlier incident in which an innocent man was mistaken as Jean Valjean and almost sent to prison. Rather than allow this man to be condemned, Valjean revealed his true identity and nearly ended his freedom forever. For Valjean, there is no morality in passivity. He cannot tolerate inaction if it leads to suffering. As such, he decides that he cannot let his inaction be the cause of pain for Cosette, so he dons his uniform and heads to the barricades. Rather than stand by as his problems are resolved, Valjean is willing to sacrifice himself in pursuit of atonement for the mistakes he has made.